"Well," said Clarke, stowing away the letter (убирая письмо прочь; to stow — складывать, укладывать), "I'm glad I showed it to you anyway (я рад, что я показал вам его в любом случае). Here come the girls (вот идут девушки). We'd better be off (нам лучше выходить)."
As we left the room (когда мы вышли из комнаты), Poirot called me back (Пуаро позвал меня назад). "You are determined to accompany the expedition, Hastings (вы намерены сопровождать экспедицию, Гастингс)*"
"Oh, yes. I shouldn't be happy staying here inactive (я не буду счастлив, оставаясь здесь бездействующим)."
"There is activity of mind as well as body, Hastings (существует активность ума, равно как и тела, Гастингс)."
"Well, you're better at it than I am," I said (ну, у вас это лучше получается, чем у меня).
"You are incontestably right, Hastings (вы бесспорно правы, Гастингс; contest — дискуссия, спор; to contest — опровергать, оспаривать; ожесточенно спорить). Am I correct in supposing (прав ли я в предположении) that you intend to be a cavalier to one of the ladies (что вы намереваетесь стать кавалером одной из дам)*"
stow [st**], incontestably [**nk*n*tenst*bl*], cavalier [*k*v**l**]
"Well," said Clarke, stowing away the letter, "I'm glad I showed it to you anyway. Here come the girls. We'd better be off."
As we left the room, Poirot called me back. "You are determined to accompany the expedition, Hastings*"
"Oh, yes. I shouldn't be happy staying here inactive."
"There is activity of mind as well as body, Hastings."
"Well, you're better at it than I am," I said.
"You are incontestably right, Hastings. Am I correct in supposing that you intend to be a cavalier to one of the ladies*"
"That was the idea (так я и планировал)."
"And which lady did you propose to honour with your company (и которой из дам вы предложите честь вашей компании)*"
"Well — I — er — hadn't considered yet (еще не решил)."
"What about Miss Barnard (как насчет мисс Барнард)*"
"She's rather the independent type," I demurred (она достаточно независимый тип, — возразил я).
"Miss Grey (мисс Грей)*"
"Yes. She's better (она лучше)."
honour [**:n*], independent [**nd**pend*nt], propose [pr**p**z]
"That was the idea."
"And which lady did you propose to honour with your company*"
"Well — I — er — hadn't considered yet."
"What about Miss Barnard*"
"She's rather the independent type," I demurred.
"Miss Grey*"
"Yes. She's better."
"I find you, Hastings (я нахожу, что вы, Гастингс), singularly though transparently honest (необычайно, хотя и прозрачно честны; singularly — особенно, необычно; transparent — прозрачный, просвечивающий)! All along you had made up your mind to spend the day with your blonde angel (с самого начала вы решили провести день с вашим белокурым ангелом; to make up one's mind — принять решение, решить)!"
"Oh, really, Poirot (о, действительно, Пуаро)!"
"I am sorry to upset your plans (мне жаль расстраивать ваши планы), but I must request you to give your escort elsewhere (но я должен попросить вас предложить сопровождение кому-то еще)."
"Oh, all right (о, хорошо). I think you've got a weakness for that Dutch doll of a girl (я думаю, у вас есть слабость к этой девушке, /похожей на/ голландскую куклу)."
"The person you are to escort is Mary Drower (человек, которого вы должны сопровождать, это Мэри Дроуер) — and I must request you not to leave her (и я должен просить вас не покидать ее)."
"But, Poirot, why (но, Пуаро, почему)*"
"Because, my dear friend (потому, мой дорогой друг), her name begins with a D (что ее имя начинается с /буквы/ «ди»). We must take no chances (мы не должны рисковать)."
singularly [*s***j*l*l*], transparently [tr*ns*p**r*nt], request [r**kwest]
"I find you, Hastings, singularly though transparently honest! All along you had made up your mind to spend the day with your blonde angel!"
"Oh, really, Poirot!"
"I am sorry to upset your plans, but I must request you to give your escort elsewhere."
"Oh, all right. I think you've got a weakness for that Dutch doll of a girl."
"The person you are to escort is Mary Drower — and I must request you not to leave her."
"But, Poirot, why*"
"Because, my dear friend, her name begins with a D. We must take no chances."
I saw the justice of his remark (я понял справедливость его замечания). At first it seemed far-fetched (сначала оно показалось надуманным; far-fetched — привезенный издалека; натянутый, неестественный). But then I realized (но затем я понял) that if A.B.C. had a fanatical hatred of Poirot (что если у Эй-би-си была фанатическая ненависть к Пуаро), he might very well be keeping himself informed of Poirot's movements (он, вполне вероятно, держит себя в курсе передвижений Пуаро). And in that case (и в этом случае) the elimination of Mary Drower might strike him (уничтожение Мэри Дроуер может поразить его) as a very neat fourth stroke (как очень ловкий четвертый удар; neat — аккуратный; ловкий).
I promised to be faithful to my trust (я пообещал быть верным моей опеке = пристально следить за тем, что мне доверили).
I went out (я вышел) leaving Poirot sitting in a chair near the window (оставив Пуаро сидеть в кресле у окна). In front of him was a little roulette wheel (перед ним было маленькое колесо рулетки). He spun it (он повернул его; to spin — прясть, сучить /шерсть/; плести /о пауке/; крутить/ся/, вертеть/ся/) as I went out of the door (когда я выходил из двери) and called after me (и крикнул мне вслед): "Rouge (красное) — that is a good omen, Hastings (это хороший знак, Гастингс). The luck (удача/фортуна), it turns (она изменяется; omen — знак, знамение, предзнаменование, примета)!"
far-fetched [*f*:*fet*t], fanatical [f**n*t*k*l], omen [***m*n]
I saw the justice of his remark. At first it seemed far-fetched. But then I realized that if A.B.C. had a fanatical hatred of Poirot, he might very well be keeping himself informed of Poirot's movements. And in that case the elimination of Mary Drower might strike him as a very neat fourth stroke.
I promised to be faithful to my trust.
I went out leaving Poirot sitting in a chair near the window. In front of him was a little roulette wheel. He spun it as I went out of the door and called after me: "Rouge — that is a good omen, Hastings. The luck, it turns!"
XXIV. (Not from Captain Hastings' Personal Narrative)
(Не из личного повествования капитана Гастингса)
Below his breath (шепотом) Mr. Leadbetter uttered a grunt of impatience (мистер Ледбеттер издал нетерпеливое ворчание; to grunt — ворчать; хрюкать; издать неопределенный звук) as his next-door neighbour got up (когда его ближайший сосед встал) and stumbled clumsily past him (и неловко спотыкнулся рядом с ним: «/проходя/ мимо него»; to stumble — спотыкаться; идти спотыкаясь), dropping his hat over the seat in front (роняя свою шляпу через сидение впереди), and leaning over to retrieve it (и наклоняясь, чтобы достать ее; to retrieve — доставать, вынимать).
All this at the culminating moment of Not a Sparrow (все это в кульминационный момент /фильма/ «Ни воробушек»), that all-star (той с /участием/ звезд: «той всезвездной»), thrilling drama of pathos and beauty (захватывающей драмы пафоса и красоты) that Mr. Leadbetter had been looking forward to seeing for a whole week (просмотра которой мистер Ледбеттер ждал с нетерпением целую неделю; to look forward to — ждать с нетерпением).
The golden-haired heroine (золотоволосая героиня), played by Katherine Royal (/которую/ играла Катрин Ройал) (in Mr. Leadbetter's opinion (по мнению мистера Ледбеттера) the leading film actress in the world (ведущая киноактриса в мире)), was just giving vent to a hoarse cry of indignation (давала выход хриплому крику негодования; vent — отдушина):
next-door [*neks(t)*d*:], retrieve [r**tri:v], heroine [*her***n]
Below his breath Mr. Leadbetter uttered a grunt of impatience as his next-door neighbour got up and stumbled clumsily past him, dropping his hat over the seat in front, and leaning over to retrieve it.
All this at the culminating moment of Not a Sparrow, that all-star, thrilling drama of pathos and beauty that Mr. Leadbetter had been looking forward to seeing for a whole week.
The golden-haired heroine, played by Katherine Royal (in Mr. Leadbetter's opinion the leading film actress in the world), was just giving vent to a hoarse cry of indignation:
"Never (никогда). I would sooner starve (я скорее умру от голода; to starve — умирать от голода, голодать). But I shan't starve (но я не умру /от голода/). Remember those words (запомните эти слова): not a sparrow falls (ни воробушек /не/ падет) — "
Mr. Leadbetter moved his head irritably from right to left (мистер Ледбеттер раздраженно покачал головой: «повернул головой справа налево»). People (люди)! Why on earth (с какой стати/какого дьявола: «почему на земле») people couldn't wait till the end of a film (люди не могут подождать до конца фильма) … And to leave at this soul-stirring moment (а уходить в этот душераздирающий момент: «волнующий душу момент»).
Ah, that was better (а, это было лучше). The annoying gentleman had passed on and out (досаждающий джентльмен прошел мимо и наружу). Mr. Leadbetter had a full view of the screen (у мистера Ледбеттера был полный обзор экрана) and of Katherine Royal standing by the window in the Van Schreiner Mansion in New York (и Катрин Ройал, стоящей у окна в Ван-Шрайнер Мэншэн в Нью-Йорке).
starve [st*:v], soul-stirring [*s**l*st*:r**], screen [skri:n]
"Never. I would sooner starve. But I shan't starve. Remember those words: not a sparrow falls — "
Mr. Leadbetter moved his head irritably from right to left. People! Why on earth people couldn't wait till the end of a film … And to leave at this soul-stirring moment.
Ah, that was better. The annoying gentleman had passed on and out. Mr. Leadbetter had a full view of the screen and of Katherine Royal standing by the window in the Van Schreiner Mansion in New York.
And now she was boarding the train (а теперь она садилась на поезд; to board — садиться в поезд, трамвай /и любой другой вид транспорта/) — the child in her arms (/с/ ребенком на руках) … What curious trains they had in America (какие необычные: «любопытные» у них поезда в Америке) — not at all like English trains (совсем непохожие на английские поезда).
Ah, there was Steve again in his shack in the mountains (а, там снова был Стив в своей хижине в горах; shack — лачуга, хижина) …
The film pursued its course to its emotional and semi-religious end (фильм следовал своим курсом до своего эмоционального и полурелигиозного конца). Mr. Leadbetter breathed a sigh of satisfaction (мистер Ледбеттер с удовлетворением вздохнул: «дохнул вздох удовлетворения») as the lights went up (когда зажглись огни; to go up — всходить; зажигаться).
He rose slowly to his feet (он медленно поднялся на ноги), blinking a little (слегка моргая).
board [b*:d], shack [**k], semi-religious [*sem*r**l***s]
And now she was boarding the train — the child in her arms … What curious trains they had in America — not at all like English trains.
Ah, there was Steve again in his shack in the mountains …
The film pursued its course to its emotional and semi-religious end. Mr. Leadbetter breathed a sigh of satisfaction as the lights went up.
He rose slowly to his feet, blinking a little.
He never left the cinema very quickly (он никогда не выходил из кинотеатра очень быстро). It always took him a moment or two (всегда занимало у него мгновение или два) to return to the prosaic reality of everyday life (чтобы вернуться к прозаической реальности ежедневной жизни). He glanced round (он посмотрел вокруг). Not many people this afternoon (не много людей этим днем) — naturally (естественно). They were all at the races (они были все на скачках). Mr. Leadbetter did not approve of racing (мистер Ледбеттер не одобрял скачки) or of playing cards (или игру в карты) or of drinking (или выпивку) or of smoking (или курение). This left him more energy to enjoy going to the pictures (это оставляло ему больше энергии, /чтобы/ наслаждаться походом в кино).
Everyone was hurrying towards the exit (все торопились по направлению к выходу) Mr. Leadbetter prepared to follow suit (мистер Ледбеттер приготовился последовать за всеми; suit — свита, эскорт, кортеж). The man in the seat in front of him was asleep (человек на сидении перед ним спал: «был уснувшим») — slumped down in his chair (сползши вниз по креслу; to slump — резко падать; сползать). Mr. Leadbetter felt indignant to think (мистер Ледбеттер чувствовал негодование, думая) that anyone could sleep with such a drama as Not a Sparrow going on (что кто-то мог спать, /пока/ идет такая драма как «Ни воробушек»).
prosaic [pr***ze**k], slump [sl*mp], sparrow [*sp*r**]
He never left the cinema very quickly. It always took him a moment or two to return to the prosaic reality of everyday life. He glanced round. Not many people this afternoon — naturally. They were all at the races. Mr. Leadbetter did not approve of racing or of playing cards or of drinking or of smoking. This left him more energy to enjoy going to the pictures.
Everyone was hurrying towards the exit. Mr. Leadbetter prepared to follow suit. The man in the seat in front of him was asleep — slumped down in his chair. Mr. Leadbetter felt indignant to think that anyone could sleep with such a drama as Not a Sparrow going on.
An irate gentleman was saying to the sleeping man (разгневанный джентльмен говорил спящему человеку) whose legs were stretched out blocking the way (чьи ноги были вытянуты, перегородив дорогу): "Excuse me, sir (извините меня, сэр)."
Mr. Leadbetter reached the exit (мистер Ледбеттер достиг выхода). He looked back (он посмотрел назад). There seemed to be some sort of commotion (там, казалось, была какая-то суета; commotion — беспорядки; суета). A commissionaire (контролер; commissionaire — швейцар; контролер, билетер /в театре, кинотеатре/) … a little knot of people (небольшая группа людей; knot — узел; группа) Perhaps that man in front of him was dead drunk (возможно, что человек впереди него был смертельно пьян) and not asleep (а не спал) … He hesitated (он поколебался) and then passed out (а затем вышел наружу) — and in so doing (и делая так) missed the sensation of the day (пропустил сенсацию дня) — a greater sensation even (даже большую сенсацию) than Not Half winning the St. Leger at 85 to 1 (чем /лошадь/ Нот Хаф, победившая в Сент-Леджере при восьмидесяти пяти к одному; not half — не половина; вовсе не; еще как!).
commotion [k**m***(*)n], commissionaire [k**m****n**], sensation [s*n*se**(*)n]
An irate gentleman was saying to the sleeping man whose legs were stretched out blocking the way: "Excuse me, sir."
Mr. Leadbetter reached the exit. He looked back. There seemed to be some sort of commotion. A commissionaire … a little knot of people. Perhaps that man in front of him was dead drunk and not asleep … He hesitated and then passed out — and in so doing missed the sensation of the day — a greater sensation even than Not Half winning the St. Leger at 85 to 1.
The commissionaire was saying (контролер говорил): "Believe you're right, sir (полагаю, вы правы, сэр) … He's ill (он болен). Why (так) — what's the matter, sir (в чем дело, сэр)*"
The other had drawn away his hand with an exclamation (другой с восклицанием отдернул свою руку; to draw away — уводить; отвлекать) and was examining a red sticky smear (и изучал красное липкое пятно; smear — (грязное) пятно).
"Blood (кровь) …"
The commissionaire gave a stifled exclamation (контролер издал приглушенное восклицание). He had caught sight of the corner of something yellow (он заметил уголок чего-то желтого) projecting from under the seat (выглядывающего из-под сидения; to project — проектировать; вырисовываться на фоне /чего-л./).
"Gor blimey!" he said (Бог ты мой, — сказал он; blimey — чтоб мне провалиться!, иди ты!; Gor blimey = God blind /or blame/ me! — да ослепит /или осудит/ меня Бог). "It is ab — A.B.C. (это /железнодорожный справочник/ «Эй-би-си»)."
exclamation [**kskl**me**(*)n], smear [sm**], project v. [pr***ekt]
The commissionaire was saying: "Believe you're right, sir … He's ill. Why — what's the matter, sir*"
The other had drawn away his hand with an exclamation and was examining a red sticky smear.
"Blood …"
The commissionaire gave a stifled exclamation. He had caught sight of the corner of something yellow projecting from under the seat.
"Gor blimey!" he said. " It is ab — A.B.C."
XXV. (Not from Captain Hastings' Personal Narrative)
(не из личного повествования капитана Гастингса)
Mr. Cust came out of the Regal Cinema (мистер Каст вышел из кинотеатра «Регал»; regal — королевский) and looked up at the sky (и посмотрел вверх на небо).
A beautiful evening (прекрасный вечер) … A really beautiful evening (действительно прекрасный вечер) …
A quotation from Browning came into his head (цитата из Браунинга пришла ему в голову).
"God's in His heaven (Бог на небесах Своих; heaven — небеса, небо). All's right with the world (все хорошо в мире)."
He had always been fond of that quotation (ему всегда нравилась эта цитата).
Only there were times (только/однако были времена), very often (очень часто), when he had felt it wasn't true (когда он чувствовал, что это не было правдой).
regal [*ri:*(*)l], quotation [kw***te**(*)n], heaven [hevn]
Mr. Cust came out of the Regal Cinema and looked up at the sky.
A beautiful evening … A really beautiful evening …
A quotation from Browning came into his head.
"God's in His heaven. All's right with the world."
He had always been fond of that quotation. Only there were times, very often, when he had felt it wasn't true.
He trotted along the street (он поспешил вниз по улице; to trot — идти рысью; спешить) smiling to himself (улыбаясь самому себе) until he came to the Black Swan (пока он не дошел до /гостиницы/ «Черный лебедь») where he was staying (где он остановился). He climbed the stairs to his bedroom (он взобрался по ступенькам в спальню), a stuffy little room on the second floor (душную маленькую комнату на третьем этаже; second floor — третий этаж; амер. второй этаж), giving over a paved inner court and garage (выходящую на мощеный внутренний двор и гараж).
As he entered the room (когда он вошел в комнату), his smile faded suddenly (его улыбка неожиданно увяла). There was a stain on his sleeve near the cuff (было пятно на его рукаве возле манжеты). He touched it tentatively (он осторожно прикоснулся к нему; tentatively — предварительно; неуверенно, осторожно) — wet and red (влажное и красное) — blood (кровь) …
swan [sw*n], stuffy [*st*f*], garage [***r*:*]
He trotted along the street smiling to himself until he came to the Black Swan where he was staying. He climbed the stairs to his bedroom, a stuffy little room on the second floor, giving over a paved inner court and garage.
As he entered the room, his smile faded suddenly. There was a stain on his sleeve near the cuff. He touched it tentatively — wet and red — blood …
His hand dipped into his pocket (его рука опустилась в карман; to dip — макать; опускаться) and brought out something (и вынула что-то) — a long (длинный), slender knife (узкий нож; slender — стройный; тонкий, узкий (о предметах)). The blade of that, too, was sticky and red (лезвие его тоже было липким и красным) …
Mr. Cust sat there a long time (мистер Каст сидел там долгое время).
Once his eyes shot round the room (один раз его глаза оглядели комнату; to shoot) like those of a hunted animal (как /глаза/ затравленного зверя; to hunt — охотиться; травить /зверя/). His tongue passed feverishly over his lips (его язык лихорадочно провел по губам; fever — лихорадка) …
"It isn't my fault," said Mr. Cust (это не моя вина).
He sounded as though he were arguing with somebody (он звучал /так/, как будто спорил с кем-то) — a schoolboy pleading to his schoolmaster (школьник, умоляющий своего учителя; to plead — просить, умолять).
He passed his tongue over his lips again (он снова провел языком по губам) …
knife [na*f], fault [f*:lt], plead [pli:d]
His hand dipped into his pocket and brought out something — a long, slender knife. The blade of that, too, was sticky and red …
Mr. Cust sat there a long time.
Once his eyes shot round the room like those of a hunted animal. His tongue passed feverishly over his lips …
"It isn't my fault," said Mr. Cust.
He sounded as though he were arguing with somebody — a schoolboy pleading to his schoolmaster.
He passed his tongue over his lips again …
Again (снова), tentatively (осторожно; tentatively — неуверенно, осторожно, с сомнением), he felt his coat sleeve (он пощупал рукав пальто).
His eyes crossed the room to the washbasin (его взгляд пересек комнату, /остановившись/ на рукомойнике: «его глаза пересекли комнату до рукомойника»; washbasin — /умывальный/ таз, раковина).
A minute later (минуту спустя) he was pouring out water from the old-fashioned jug into the basin (он наливал воду в таз из старомодного кувшина). Removing his coat (сняв пальто), he rinsed the sleeve (он прополоскал рукав), carefully squeezing it out (тщательно выжимая его; to squeeze — сжимать).
Ugh (ух)! The water was red now (вода теперь была красная).
A tap on the door (/раздался/ стук в дверь).
He stood there frozen into immobility (он замер: «он стоял там, замерший до неподвижности»; mobile — подвижной, мобильный) — staring (уставившись /на дверь/).
washbasin [*w**be*s*n], jug [***], squeeze [skwi:z]
Again, tentatively, he felt his coat sleeve.
His eyes crossed the room to the washbasin.
A minute later he was pouring out water from the old-fashioned jug into the basin. Removing his coat, he rinsed the sleeve, carefully squeezing it out …
Ugh! The water was red now …
A tap on the door.
He stood there frozen into immobility — staring.
The door opened (дверь открылась). A plump young woman (пухленькая молодая женщина /вошла/) — jug in hand (/с/ кувшином в руке).
"Oh, excuse me, sir (о, извините меня, сэр). Your hot water, sir (ваша горячая вода, сэр)."
He managed to speak then (тогда ему удалось заговорить).
"Thank you (благодарю вас). I've washed in cold (я /уже/ умылся в холодной)."
Why had he said that (зачем он сказал это)* Immediately her eyes went to the basin (немедленно ее взгляд перешел к тазу).
He said frenziedly (он взбешенно сказал; frenzy — безумие, бешенство; неистовство): "I (я) — I've cut my hand (я порезал руку) …"
There was a pause (была пауза) — yes, surely a very long pause (да, несомненно очень долгая пауза) — before she said (прежде чем она сказала): "Yes, sir (да, сэр)."
plump [pl*mp], immediately [**mi:dj*tl*], frenziedly [*frenz*dl*]
The door opened. A plump young woman — jug in hand.
"Oh, excuse me, sir. Your hot water, sir."
He managed to speak then.
Thank you. I've washed in cold."
Why had he said that* Immediately her eyes went to the basin.
He said frenziedly: "I — I've cut my hand …"
There was a pause — yes, surely a very long pause — before she said: "Yes, sir."
She went out (она вышла), shutting the door (закрывая /за собой/ дверь).
Mr. Cust stood (мистер Каст стоял) as though turned to stone (как будто превратившись в камень).
It had come (оно настало) — at last (наконец) …
He listened (он прислушался).
Were there voices (были /ли/ там голоса) — exclamations (восклицания) — feet mounting the stairs (шаги, поднимающиеся по ступенькам)*
He could hear nothing (он /не/ смог услышать ничего) but the beating of his own heart (кроме биения своего собственного сердца) …
Then (затем), suddenly (неожиданно), from frozen immobility he leaped into activity (от застывшей неподвижности он резко перешел к активности; to leap — прыгать; бросаться делать).
stood [st*d], beating [*bi:t**], immobility [**m***b*l*t*]
She went out, shutting the door.
Mr. Cust stood as though turned to stone.
It had come — at last …
He listened.
Were there voices — exclamations — feet mounting the stairs*
He could hear nothing but the beating of his own heart …
Then, suddenly, from frozen immobility he leaped into activity.
He slipped on his coat (он скользнул в пальто), tiptoed to the door (прошел на цыпочках к двери) and opened it (и открыл ее). No noise as yet (никакого шума пока) except the familiar murmur (кроме знакомого бормотания) arising from the bar (поднимающегося из бара). He crept down the stairs (он сполз вниз по ступеням; to creep — ползти; пробираться) …
Still no one (все еще никого). That was luck (это была удача). He paused at the foot of the stairs (он остановился у подножья ступенек). Which way now (каким путем сейчас)*
He made up his mind (он решился), darted quickly along a passage (припустив быстро вдоль коридора; to dart — кинуться, рвануть; dart — стрела /арбалетная/; дротик) and out by the door (и наружу через дверь) that gave into the yard (которая открывалась во двор). A couple of chauffeurs were there tinkering with cars (там была пара шоферов, чинивших машины; to tinker — лудить; чинить кое-как, на скорую руку) and discussing winners and losers (и обсуждающих победителей и проигравших).
dart [d*:t], chauffeur [****f*], tinker [*t**k*]
He slipped on his coat, tiptoed to the door and opened it. No noise as yet except the familiar murmur arising from the bar. He crept down the stairs …
Still no one. That was luck. He paused at the foot of the stairs. Which way now*
He made up his mind, darted quickly along a passage and out by the door that gave into the yard. A couple of chauffeurs were there tinkering with cars and discussing winners and losers.
Mr. Cust hurried across the yard and out into the street (мистер Каст заторопился через двор и наружу на улицу).
Round the first corner to the right (за первый поворот направо; round — вокруг, кругом, за) — then to the left (затем налево) — right again (снова направо) …
Dare he risk the station (смел ли он рискнуть /пойти/ на станцию)*
Yes — there would be crowds there (да — там будут толпы /людей/) — special trains (дополнительные поезда: «специальные поезда») — if luck were on his side (если бы удача была на его стороне) he would do it all right (он бы все сделал правильно) …
If only luck were with him (если бы только удача была с ним) …
dare [d**], round [ra*nd], crowd [kra*d]
Mr. Cust hurried across the yard and out into the street.
Round the first corner to the right — then to the left — right again …
Dare he risk the station*
Yes — there would be crowds there — special trains — if luck were on his side he would do it all right …
If only luck were with him …
XXVI. (Not from Captain Hastings' Personal Narrative)
(не из личного повествования капитана Гастингса)
Inspector Crome was listening to the excited utterances of Mr. Leadbetter (инспектор Кроум слушал взволнованные высказывания мистера Ледбеттера).
"I assure you, inspector (я уверяю вас, инспектор), my heart misses a beat (мое сердце замирает: «мое сердце пропускает один стук») when I think of it (когда я думаю об этом). He must actually have been sitting beside me all through the programme (он, вероятно, действительно сидел рядом со мной на протяжении всего сеанса; programme — программа; спектакль)!"
Inspector Crome (инспектор Кроум), completely indifferent to the behaviour of Mr. Leadbetter's heart (совершенно равнодушный к поведению сердца мистера Ледбеттера; to behave — вести себя, поступать, держаться), said: "Just let me have it quite clear (просто дайте: «позвольте» мне понять это четко). This man went out towards the close of the big picture (этот человек вышел ближе к концу фильма: «широкоэкранной картины»; big — большой, широкий; как часть составных слов с этим значением) — "
"Not a Sparrow («Ни воробушек») — Katherine Royal (/с/ Катрин Ройал)," murmured Mr. Leadbetter automatically (пробормотал мистер Ледбеттер автоматически).
"He passed you (он прошел мимо вас) and in doing so stumbled (и делая это, спотыкнулся) — "
programme [*pr**r*m], completely [k*m*pli:tl*], picture [*p*kt**]
Inspector Crome was listening to the excited utterances of Mr. Leadbetter.
"I assure you, inspector, my heart misses a beat when I think of it. He must actually have been sitting beside me all through the programme!"
Inspector Crome, completely indifferent to the behaviour of Mr. Leadbetter's heart, said: "Just let me have it quite clear. This man went out towards the close of the big picture — "
"Not a Sparrow — Katherine Royal," murmured Mr. Leadbetter automatically.
"He passed you and in doing so stumbled — "
"He pretended to stumble (он притворился, что спотыкнулся), I see it now (теперь я это понимаю). Then he leaned over the seat in front (затем он перегнулся через сиденье перед /ним/) to pick up his hat (чтобы поднять его шляпу). He must have stabbed the poor fellow then (тогда он, должно быть, заколол бедного парня)."
"You didn't hear anything (вы не слышали чего-нибудь)* A cry (крика)* Or a groan (стона)*"
Mr. Leadbetter had heard nothing (мистер Ледбеттер /не/ слышал ничего) but the loud (кроме громких), hoarse accents of Katherine Royal (хриплых слов Катрин Ройал; accent — ударение; слово, речь), but in the vividness of his imagination he invented a groan (но его живое воображение нарисовало ему стон: «но в живости его воображения он изобрел стон»).
Inspector Crome took the groan at its face value (инспектор Кроум принял стон за чистую монету; to take at its face value — принимать за чистую монету) and bade him proceed (и попросил его продолжать; to bid — приказывать). "And then he went out (а затем он вышел) —"
"Can you describe him (вы можете описать его)*"
"He was a very big man (он был очень большим человеком). Six foot at least (по крайней мере, шести футов). A giant (гигант)."
accent [**ks*nt], vividness [*v*v*dn*s], groan [*r**n]
"He pretended to stumble, I see it now. Then he leaned over the seat in front to pick up his hat. He must have stabbed the poor fellow then."
"You didn't hear anything* A cry* Or a groan*"
Mr. Leadbetter had heard nothing but the loud, hoarse accents of Katherine Royal, but in the vividness of his imagination he invented a groan.
Inspector Crome took the groan at its face value and bade him proceed. "And then he went out — "
"Can you describe him*"
"He was a very big man. Six foot at least. A giant."
"Fair or dark (светлый или темный = блондин или брюнет)*"
"I — well — I'm not exactly sure (я не совсем уверен). I think he was bald (я думаю, он был лысым). A sinister-looking fellow (зловещего /вида/ парень)."
"He didn't limp (он не хромал), did he (нет)*" asked Inspector Crome.
"Yes — yes, now you come to speak of it (теперь, когда вы начали говорить об этом) I think he did limp (я думаю, он действительно хромал). Very dark (очень темный), he might have been some kind of half-caste (он, вероятно, был своего рода полукровкой; caste — раса, род)."
"Was he in his seat the last time the lights came up (был ли он на своем месте в последний момент, /когда/ зажглись лампы)*"
"No. He came in after the big picture began (он зашел после того, /как/ картина началась)."
bald [b*:ld], caste [k*:st], light [la*t]
"Fair or dark*"
"I — well — I'm not exactly sure. I think he was bald. A sinister-looking fellow."
"He didn't limp, did he*" asked Inspector Crome.
"Yes — yes, now you come to speak of it I think he did limp. Very dark, he might have been some kind of half-caste."
"Was he in his seat the last time the lights came up*"
"No. He came in after the big picture began."
Inspector Crome nodded (инспектор Кроум кивнул), handed Mr. Leadbetter a statement to sign (передал мистеру Ледбеттеру подписать заявление) and got rid of him (и избавился от него; to get rid of — освобождать, избавляться).
"That's about as bad a witness as you'll find," he remarked pessimistically (это самый плохой свидетель, которого можно найти: «это почти такой плохой свидетель, какого вы найдете», — отметил он пессимистично). "He'd say anything with a little leading (он сказал бы что угодно, стоит лишь его слегка направить: «с небольшим руководством»). It's perfectly clear (это совершенно ясно) that he hasn't the faintest idea (что он не имеет ни малейшего представления) what our man looks like (как наш человек выглядит). Let's have the commissionaire back (давайте позовем контролера назад)."
The commissionaire (контролер), very stiff and military (по-военному прямой: «очень прямой и военный»), came in (вошел) and stood to attention (и встал в положение «смирно»; attention — внимание; стойка «смирно»), his eyes fixed on Colonel Anderson (его взгляд замер на полковнике Андерсоне).
"Now, then (ну, так: «тогда»), Jameson (Джеймсон), let's hear your story (давайте послушаем вашу историю)."
statement [*ste*tm*nt], pessimistically [*pes**m*st*k*l*], military [*m*l*t*r*]
Inspector Crome nodded, handed Mr. Leadbetter a statement to sign and got rid of him.
"That's about as bad a witness as you'll find," he remarked pessimistically. "He'd say anything with a little leading. It's perfectly clear that he hasn't the faintest idea what our man looks like. Let's have the commissionaire back."
The commissionaire, very stiff and military, came in and stood to attention, his eyes fixed on Colonel Anderson.
"Now, then, Jameson, let's hear your story."
Jameson saluted (Джеймсон отдал честь). "Yes, sir (да, сэр). Close of the performance, sir (/в/ конец сеанса: «представления», сэр), I was told (мне сказали) there was a gentleman taken ill, sir (там джентльмен, /которому/ стало плохо, сэр; to be taken ill — быть охваченным болезнью, заболеть). Gentleman was in the two and fourpennies (джентльмена был /на месте/ за два /шиллинга/ и четыре пенса), slumped down in his seat like (как бы развалившийся на своем сидении). Other gentlemen standing around (другие джентльмены стояли рядом). Gentleman looked bad to me, sir (по мне, джентльмен выглядел плохо, сэр). One of the gentlemen standing by put his hand to the ill gentleman's coat (один из стоящих рядом мужчин протянул свою руку к пальто заболевшего джентльмена) and drew my attention (и привлек мое внимание; to draw). Blood, sir (кровь, сэр). It was clear the gentleman was dead (было ясно, что джентльмен был мертв) — stabbed, sir (заколот, сэр). My attention was drawn to an A.B.C. railway guide, sir (мое внимание было привлечено к железнодорожному справочнику «Эй-би-си», сэр), under the seat (под сидением). Wishing to act correctly (желая вести /себя/ правильно), I did not touch same (я не прикоснулся к вышеупомянутому /справочнику/; same — одинаковый; вышеупомянутый), but reported to the police immediately (но немедленно сообщил полиции) that a tragedy had occurred (что произошла трагедия)."
"Very good, Jameson (очень хорошо, Джеймсон), you acted very properly (вы вели /себя/ очень правильно)."
"Thank you, sir (благодарю вас, сэр)."
correctly [k**rektl*], same [se*m], properly [*pr*p*l*]
Jameson saluted. "Yes, sir. Close of the performance, sir, I was told there was a gentleman taken ill, sir. Gentleman was in the two and fourpennies, slumped down in his seat like. Other gentlemen standing around. Gentleman looked bad to me, sir. One of the gentlemen standing by put his hand to the ill gentleman's coat and drew my attention. Blood, sir. It was clear the gentleman was dead — stabbed, sir. My attention was drawn to an A.B.C. railway guide, sir, under the seat. Wishing to act correctly, I did not touch same, but reported to the police immediately that a tragedy had occurred."
"Very good, Jameson, you acted very properly."
"Thank you, sir."
"Did you notice a man (вы заметили человека) leaving the two and fourpennies about five minutes earlier (покинувшего /место за/ два /шиллинга/ и четыре пенса пятью минутами ранее)*"
"There were several, sir (было несколько /человек/, сэр)."
"Could you describe them (не могли бы вы описать их)*"
"Afraid not, sir (боюсь нет, сэр). One was Mr. Geoffrey Parnell (один /из них/ был мистер Джеффри Парнел). And there was a young fellow (и был молодой парень), Sam Baker (Сэм Бейкер), with his young lady (с его невестой: «молодой дамой»). I didn't notice anybody else particular (я, особенно, не заметил никого больше; particular — особенный, особый, специфический)."
"A pity (жаль: «жалость»). That'll do, Jameson (этого достаточно, Джеймсон)."
"Yes, sir (да, сэр)."
several [*sev*r*l], afraid [**fre*d], fellow [*fel**]
"Did you notice a man leaving the two and fourpennies about five minutes earlier*"
"There were several, sir."
"Could you describe them*"
"Afraid not, sir. One was Mr. Geoffrey Parnell. And there was a young fellow, Sam Baker, with his young lady. I didn't notice anybody else particular."
"A pity. That'll do, Jameson."
"Yes, sir."
The commissionaire saluted and departed (контролер отдал честь и ушел).
"The medical details we've got," said Colonel Anderson (медицинские подробности у нас есть, — сказал полковник Андерсон). "We'd better have the fellow (нам бы лучше пригласить того парня) that found him next (который обнаружил его, следующим)."
A police constable came in and saluted (зашел полицейский констебль и отдал честь).
"Mr. Hercule Poirot's here, sir (мистер Эркюль Пуаро здесь, сэр), and another gentleman (и еще джентльмен)."
Inspector Crome frowned (инспектор Кроум нахмурился). "Oh, well," he said (ну, хорошо). "Better have 'em in (лучше /пригласить/ их войти: «внутрь»), I suppose (я полагаю)."
medical [*med*k*l], another [**n***], salute [s**lu:t]
The commissionaire saluted and departed.
"The medical details we've got," said Colonel Anderson. "We'd better have the fellow that found him next."
A police constable came in and saluted.
"Mr. Hercule Poirot's here, sir, and another gentleman."
Inspector Crome frowned. "Oh, well," he said. "Better have 'em in, I suppose."
XXVII. The Doncaster Murder
(донкастерское убийство)
Coming in hard on Poirot's heels (заходя сразу же за: «по пятам» Пуаро), I just caught the fag end of Inspector Crome's remark (я только поймал самый кончик замечания инспектора Кроума; fag — сигарета; fag end — окурок; некий малозначительный остаток).
Both he and the Chief Constable were looking worried and pressed (оба, он и начальник полиции, выглядели обеспокоенными и подавленными; to press — жать, нажимать; беспокоить).
Colonel Anderson greeted us with a nod of the head (полковник Андерсон поприветствовал нас кивком головы). "Glad you've come, Mr. Poirot," he said politely (рад, что вы пришли, мистер Пуаро, — сказал он вежливо). I think he guessed (я думаю, он догадался) that Crome's remark might have reached our ears (что замечание Кроума, вероятно, достигло наших ушей). "We've got it in the neck again (мы снова получили по шее; to get it in the neck — разг. нарваться на выговор; получить по шее), you see (вы видите)."
"Another A.B.C. murder (еще убийство Эй-би-си)*"
"Yes. Damned audacious bit of work (дерзкая работа, черт возьми: «проклятый дерзкий кусок работы»). Man leaned over (мужчина наклонился) and stabbed the fellow in the back (и заколол человека в спину)."
fag [f**], heel [hi:l], audacious [*:*de***s]
Coming in hard on Poirot's heels, I just caught he fag end of Inspector Crome's remark.
Both he and the Chief Constable were looking worried and pressed.
Colonel Anderson greeted us with a nod of the head. "Glad you've come, Mr. Poirot," he said politely. I think he guessed that Crome's remark might have reached our ears. "We've got it in the neck again, you see."
"Another A.B.C. murder*"
"Yes. Damned audacious bit of work. Man leaned over and stabbed the fellow in the back."
"Stabbed this time (заколот в этот раз)*"
"Yes, varies his methods a bit (немного варьирует свои методы), doesn't he (не так ли)* Biff on the head (/сильный/ удар по голове), strangling (удушение), now a knife (теперь нож). Versatile devil (переменчивый дьявол; versatile — многосторонний; изменчивый) — what (что = не так ли)* Here are the medical details (здесь есть медицинские подробности) if you care to see 'em (если вы хотите посмотреть их)."
He shoved a paper towards Poirot (он резко толкнул бумаги в сторону Пуаро).
"A.B.C. down on the floor between the dead man's feet," he added («Эй-би-си» — на полу между ступнями убитого, — добавил он).
"Has the dead man been identified*" asked Poirot (убитый /уже/ опознан*).
"Yes. A.B.C.'s slipped up for once (на этот раз Эй-би-си сделал ошибку; to slip up — спотыкнуться; разг. совершить ошибку) — if that's any satisfaction to us (если это сколько-нибудь /доставит/ нам удовольствие). Deceased's a man called Earlsfield (покойный — мужчина по имени: «называемый» Эрлсфилд) — George Earlsfield (Джордж Эрсфилд). Barber by profession (цирюльник по профессии)."
versatile [*v*:s*ta*l], shove [**v], barber [*b*:b*]
"Stabbed this time*"
"Yes, varies his methods a bit, doesn't he* Biff on the head, strangling, now a knife. Versatile devil — what* Here are the medical details if you care to see 'em."
He shoved a paper towards Poirot.
"A.B.C. down on the floor between the dead man's feet," he added.
"Has the dead man been identified*" asked Poirot.
"Yes. A.B.C.'s slipped up for once — if that's any satisfaction to us. Deceased's a man called Earlsfield — George Earlsfield. Barber by profession."
"Curious," commented Poirot (любопытно, — прокомментировал Пуаро).
"May have skipped a letter," suggested the Colonel (возможно, пропустил букву, — предположил полковник).
My friend shook his head doubtfully (мой друг с сомнением покачал головой).
"Shall we have in the next witness*" asked Crome (нам вызвать следующего свидетеля*; to have in — вызывать; приглашать). "He's anxious to get home (он беспокоится попасть домой; anxious — озабоченный, беспокоящийся; сильно желающий)."
"Yes, yes — let's get on (да, давайте продолжим)."
A middle-aged gentleman (джентльмен средних лет) strongly resembling the frog footman in Alice in Wonderland (сильно напоминающий лягушку-лакея в «Алисе в стране чудес») was led in (был введен /внутрь/; to lead). He was highly excited (он был сильно взволнован) and his voice was shrill with emotion (и его голос был резок/пронзителен от эмоции/взволнованности).
skip [sk*p], resemble [r**sembl], shrill [*r*l]
"Curious," commented Poirot.
"May have skipped a letter," suggested the Colonel.
My friend shook his head doubtfully.
"Shall we have in the next witness*" asked Crome. "He's anxious to get home."
"Yes, yes — let's get on."
A middle-aged gentleman strongly resembling the frog footman in Alice in Wonderland was led in. He was highly excited and his voice was shrill with emotion.
"Most shocking experience I have ever known," he squeaked (самый шокирующий опыт, /который/ я когда-либо знал, — взвизгнул он). "I have a weak heart, sir (у меня слабое сердце, сэр) — a very weak heart (очень слабое сердце); it might have been the death of me (это могла бы быть моя смерть)."
"Your name, please," said the inspector (/назовите/ ваше имя, пожалуйста).
"Downes (Даунс). Roger Emmanuel Downes (Роджер Эммануэль Даунс)."
"Profession (Профессия)*"
"I am a master at Highfield School for boys (я учитель в школе для мальчиков в Хайфильде)."
"Now, Mr. Downes (так, мистер Даунс), will you tell us in your own words what happened (вы /не/ расскажете нам своими словами, что произошло)*"
weak [wi:k], Emmanuel [**m*nj**l], Highfield [*ha*fi:ld]
"Most shocking experience I have ever known," he squeaked. "I have a weak heart, sir — a very weak heart; it might have been the death of me."
"Your name, please," said the inspector.
"Downes. Roger Emmanuel Downes."
"Profession*"
"I am a master at Highfield School for boys."
"Now, Mr. Downes, will you tell us in your own words what happened*"
"I can tell you that very shortly, gentlemen (я могу рассказать вам это очень кратко, джентельмены). At the close of the performance I rose from my seat (в конце сеанса я поднялся с своего места). The seat on my left was empty (сидение слева от меня было пусто) but in the one beyond a man was sitting (но в кресле за ним сидел мужчина), apparently asleep (предположительно спящий). I was unable to pass him to get out (я был не в состоянии пройти мимо него, чтобы выйти наружу) as his legs were stuck out in front of him (так как его ноги были вытянуты впереди него; to stick out — высовывать/ся/, торчать). I asked him to allow me to pass (я попросил его позволить мне пройти). As he did not move (так как он не двинулся) I repeated my request in (я повторил мою просьбу в) — a (а) — er (э) — slightly louder tone (слегка более громком тоне). He still made no response (он все еще не дал ответа). I then took him by the shoulder to waken him (тогда я взял его за плечо, чтобы разбудить его). His body slumped down further (его тело дальше сползло вниз) and I came aware (и я понял: «я стал осознающим») that he was either unconscious (что либо он без сознания) or seriously ill (либо серьезно болен).
beyond [b**j*nd], response [r*s*p*ns], stuck [st*k]
"I can tell you that very shortly, gentlemen. At the close of the performance I rose from my seat. The seat on my left was empty but in the one beyond a man was sitting, apparently asleep. I was unable to pass him to get out as his legs were stuck out in front of him. I asked him to allow me to pass. As he did not move I repeated my request in — a — er — slightly louder tone. He still made no response. I then took him by the shoulder to waken him. His body slumped down further and I came aware that he was either unconscious or seriously ill.
I called out (я выкрикнул): 'This gentleman is taken ill (этому джентльмену стало плохо). Fetch the commissionaire (приведите конролера).' The commissionaire came (контролер пришел). As I took my hand from the man's shoulder (когда я убрал руку с плеча мужчины) I found it was wet and red (я обнаружил, что она была влажной и мокрой) … I realized (я понял) that the man had been stabbed (что мужчина был заколот). At the same moment (в этот самый момент) the commissionaire noticed the A.B.C. railway guide (контролер заметил железнодорожный справочник «Эй-би-си») … I can assure you, gentlemen (я могу заверить вас, джентельмены), the shock was terrific (потрясение было ужасено)! Anything might have happened (что угодно могло произойти)! For years I have suffered from cardiac weakness (многие годы я страдаю от сердечной недостаточности: «годами я страдаю от сердечной слабости») — "
fetch [fet*], terrific [t**r*f*k], cardiac [*k*:d**k]
I called out: 'This gentleman is taken ill. Fetch the commissionaire.' The commissionaire came. As I took my hand from the man's shoulder I found it was wet and red … I realized that the man had been stabbed. At the same moment the commissionaire noticed the A.B.C. railway guide … I can assure you, gentlemen, the shock was terrific! Anything might have happened! For years I have suffered from cardiac weakness — "
Colonel Anderson was looking at Mr. Downes with a very curious expression (полковник Андерсон смотрел на мистера Даунса с очень странным выражением /лица/; curious — любопытный; любознательный, пытливый; возбуждающий любопытство; чудной, необычный).
"You can consider that you're a lucky man, Mr. Downes (вы можете считать, что вы счастливый человек, мистер Даунс)."
"I do, sir (я считаю /так/, сэр). Not even a palpitation (не /было/ даже сильного сердцебиения; to palpitate — сильно биться, пульсировать)!"
"You don't quite take my meaning, Mr. Downes (вы не совсем улавливаете, что я имею в виду, мистер Даунс). You were sitting two seats away (вы сидели через два места: «вы сидели на отдалении двух сидений»), you say (вы говорите)*"
"Actually I was sitting at first in the next seat to the murdered man (в действительности, я сначала сидел на следующем сидении от убитого мужчины) — then I moved along (затем я передвинулся) so as to be behind an empty seat (так, чтобы быть позади пустого сидения)."
palpitation [*p*lp**te**(*)n], meaning [*mi:n**], so [s**]
Colonel Anderson was looking at Mr. Downes with a very curious expression.
"You can consider that you're a lucky man, Mr. Downes."
"I do, sir. Not even a palpitation!"
"You don't quite take my meaning, Mr. Downes. You were sitting two seats away, you say*"
"Actually I was sitting at first in the next seat to the murdered man — then I moved along so as to be behind an empty seat."
"You're about the same height and build as the dead man, are you, and you were wearing a woollen scarf round your neck just as he was*"
"You're about the same height and build as the dead man (вы примерно того же роста и телосложения, как убитый; build — внешний вид; телосложение), are you (не так ли), and you were wearing a woollen scarf round your neck just as he was (и на вас был надет шерстяной шарф вокруг шеи, как на нем)*"
"I fail to see — " began Mr. Downes stiffly (мне /не/ удается понять, — начал мистер Даунс сухо/чопорно; stiff — тугой, негибкий, неэластичный, жесткий).
"I'm telling you, man," said Colonel Anderson (я расскажу вам, молодой человек), "just where your luck came in (где именно ваша удача пригодилась; to come in — входить; пригодиться). Somehow or other (так или иначе), when the murderer followed you in (кода убийца зашел за вами внутрь), he got confused (он запутался). He picked on the wrong back (он выбрал неправильную спину). I'll eat my hat, Mr. Downes (я съем свою шляпу, мистер Даунс), if that knife wasn't meant for you (если тот нож не предназначался вам)!"
However well Mr. Downes' heart had stood former tests (как бы хорошо сердце мистера Даунса ни перенесло предыдущие испытания; test — проверка, испытание), it was unable to stand up to this one (оно было не в состоянии вынести это). Mr. Downes sank on a chair (мистер Даунс опустился на стул), gasped (/начал/ задыхаться), and turned purple in the face (и его лицо стало багровым: «и стал багровым в лице»).
"Water," he gasped (воды, — он, задыхаясь, /сказал/). "Water (воды) …"
build [b*ld], confuse [k*n*fju:z], purple [p*:pl]
"I fail to see — " began Mr. Downes stiffly.
"I'm telling you, man," said Colonel Anderson, "just where your luck came in. Somehow or other, when the murderer followed you in, he got confused. He picked on the wrong back. I'll eat my hat, Mr. Downes, if that knife wasn't meant for you!"
However well Mr. Downes' heart had stood former tests, it was unable to stand up to this one. Mr. Downes sank on a chair, gasped, and turned purple in the face.
"Water," he gasped. "Water …"
A glass was brought him (ему принесли стакан воды). He sipped it (он пил его маленькими глотками) whilst his complexion gradually returned to normal (пока его кожа постепенно становилась нормального /цвета/; complexion — цвет лица).
"Me*" he said. "Why me (почему мне /предназначался нож/)*"
"It looks like it," said Crome (похоже на это: «это выглядит так»). "In fact (фактически), it's the only explanation (это единственное объяснение)."
"You mean that this man (вы имеете в виду, что этот человек) — this — this fiend incarnate (этот воплощенный злодей) — this bloodthirsty madman has been following me about (этот кровожадный сумасшедший преследовал меня) waiting for an opportunity (ожидая возможности)*''
"I should say that was the way of it (должен сказать, что так оно /и/ было)."
"But in heaven's name (но, ради небес), why me (почему я)*" demanded the outraged schoolmaster (спросил разгневанный учитель; to outrage — приводить в гнев, в ярость; возмущать; rage — ярость, гнев, бешенство).
complexion [k*m*plek*(*)n], incarnate [*n*k*:ne*t], outrage [*a*tre**]
A glass was brought him. He sipped it whilst his complexion gradually returned to normal.
"Me*" he said. "Why me*"
"It looks like it," said Crome. "In fact, it's the only explanation."
"You mean that this man — this — this fiend incarnate — this bloodthirsty madman has been following me about waiting for an opportunity*''
"I should say that was the way of it."
"But in heaven's name, why me*" demanded the outraged schoolmaster.
Inspector Crome struggled with the temptation to reply (инспектор Кроум боролся с искушением ответить): "Why not (почему нет)*" and said instead (но сказал вместо): "I'm afraid (я боюсь) it's no good expecting a lunatic to have reasons for what he does (не стоит ожидать, что у сумасшедшего есть причины для того, что он делает)."
"God bless my soul (Господи, благослови /мою душу/)," said Mr. Downes, sobered into whispering (сказал мистер Даунс сдержанным шепотом: «успокоившийся до шепота»; to sober — отрезвлять; успокаивать; сдерживаться). He got up (он встал). He looked suddenly old and shaken (он выглядел неожиданно старым и потрясенным).
"If you don't want me anymore, gentlemen (если я вам больше не нужен, джентельмены), I think I'll go home (я думаю, я пойду домой). I — I don't feel very well (я не очень хорошо себя чувствую)."
"That's quite all right, Mr. Downes (все в порядке, мистер Даунс). I'll send a constable with you (я пошлю констебля с вами) — just to see you're all right (просто убедиться, что с вами все в порядке)."
"Oh, no — no, thank you (благодарю вас). That's not necessary (это необязательно)."
struggle [str**l], sober [*s**b*], shaken [*e*kn]
Inspector Crome struggled with the temptation to reply: "Why not*" and said instead: "I'm afraid it's no good expecting a lunatic to have reasons for what he does."
"God bless my soul," said Mr. Downes, sobered into whispering. He got up. He looked suddenly old and shaken.
"If you don't want me anymore, gentlemen, I think I'll go home. I — I don't feel very well."
"That's quite all right, Mr. Downes. I'll send a constable with you — just to see you're all right."
"Oh, no — no, thank you. That's not necessary."
"Might as well," said Colonel Anderson gruffly (вполне может быть, — сказал полковник Андерсон мрачно; might as well be true — вполне может быть правдой: «может так же хорошо = с тем же успехом быть истинным»). His eyes slid sideways (его глаза скользнули в сторону; to slide — скользить), asking an imperceptible question of the inspector (задавая инспектору немой: «незаметный» вопрос; to percept — воспринимать).
The latter gave an equally imperceptible nod (последний сделал равно незаметный кивок).
Mr. Downes went out shakily (мистер Даунс вышел /весь/дрожа).
"Just as well he didn't tumble to it," said Colonel Anderson (только к лучшему, что он не понял этого, — сказал полковник Андерсон; just as well — с тем же успехом, только к лучшему; to tumble — падать; понимать).
"There'll be a couple of them (там их будет двое) — eh (а)*"
"Yes, sir (да, сэр). Your Inspector Rice has made arrangements (ваш инспектор Райс сделал все распоряжения). The house will be watched (за домом будут наблюдать)."
"You think," said Poirot (вы думаете), "that when A.B.C. finds out his mistake (что, когда Эй-би-си обнаружит свою ошибку) he might try again (он может попробовать снова)*"
imperceptible [**mp**sept*bl], tumble [t*mbl], try [tra*]
"Might as well," said Colonel Anderson gruffly. His eyes slid sideways, asking an imperceptible question of the inspector.
The latter gave an equally imperceptible nod.
Mr. Downes went out shakily.
"Just as well he didn't tumble to it," said Colonel Anderson.
"There'll be a couple of them — eh*"
"Yes, sir. Your Inspector Rice has made arrangements. The house will be watched."
"You think," said Poirot, "that when A.B.C. finds out his mistake he might try again*"
Anderson nodded (Андерсон кивнул). "It's a possibility," he said (это возможно: «есть возможность /этого/»). "Seems a methodical sort of chap, A.B.C. (кажется методичным типом, Эй-би-си). It will upset him (это его расстроит) if things don't go according to programme (если все пойдет не в соотвествии с планом)."
Poirot nodded thoughtfully (Пуаро задумчиво кивнул).
"Wish we could get a description of the fellow," said Colonel Anderson irritably (хотелось, /чтобы/ мы смогли получить описание этого парня, — раздраженно сказал полковник Андерсон; to irritate — раздражать). "We're as much in the dark as ever (мы в таком же неведении, как всегда; dark — темнота)."
"It may come," said Poirot (это может выясниться).
"Think so (думаете так)* Well, it's possible (это возможно). Damn it all (/будь/ проклято это все), hasn't anyone got eyes in his head (/разве/ ни у кого нет глаз на голове)*"
"Have patience," said Poirot (имейте терпение).
methodical [m**O*d*k(*)l], anyone [*en*w*n], eye [a*]
Anderson nodded. "It's a possibility," he said. "Seems a methodical sort of chap, A.B.C.. It will upset him if things don't go according to programme."
Poirot nodded thoughtfully.
"Wish we could get a description of the fellow," said Colonel Anderson irritably. "We're as much in the dark as ever."
"It may come," said Poirot.
"Think so* Well, it's possible. Damn it all, hasn't anyone got eyes in his head*"
"Have patience," said Poirot.
"You seem very confident, M. Poirot (вы кажетесь очень уверенным, мсье Пуаро). Got any reason for this optimism (имеете какую-нибудь причину для такого оптимизма)*''
"Yes, Colonel Anderson (да, полковник Андерсон). Up to now (до сих пор), the murderer has not made a mistake (убийца не делал ошибок). He is bound to make one soon (он непременно сделает одну скоро; bound — связанный; обязанный, вынужденный)."
"If that's all you've got to go on," began the Chief Constable with a snort (если это все, чем у вас есть продолжить, — начал начальник полиции, фыркнув: «с фырканьем»), but he was interrupted (но его прервали).
"Mr. Ball of the Black Swan is here with a young woman, sir (мистер Болл из «Черного лебедя» здесь с молодой женщиной, сэр). He reckons (он считает; to reckon — считать; полагать) he's got summat to say might help you (что у него есть кое-что сказать, что может помочь вам; summat — somewhat)."
"Bring them along (приведите их). Bring them along. We can do with anything helpful (нам бы не помешало что-нибудь полезное; can do with — не отказаться; не помешало бы)."
confident [*k*nf*d*nt], optimism [**pt*m*zm], reckon [*rek*n]
"You seem very confident, M. Poirot. Got any reason for this optimism*''
"Yes, Colonel Anderson. Up to now, the murderer has not made a mistake. He is bound to make one soon."
If that's all you've got to go on," began the Chief Constable with a snort, but he was interrupted.
"Mr. Ball of the Black Swan is here with a young woman, sir. He reckons he's got summat to say might help you."
"Bring them along. Bring them along. We can do with anything helpful."
Mr. Ball of the Black Swan was a large (мистер Болл из «Черного лебедя» был большой), slow-thinking (туго соображающий: «медленно думающий»), heavily-moving man (тяжело передвигающийся мужчина). He exhaled a strong odour of beer (он источал сильный запах пива; to exhale — выдыхать; производить выдох). With him was a plump young woman with round eyes clearly in a state of high excitement (с ним была пухленькая молодая женщина с круглыми глазами, явно в состоянии сильного волнения).
"Hope (надеюсь) I'm not intruding or wasting valuable time," said Mr. Ball (я не вторгаюсь = не помешаю и не трачу /вашего/ ценного времени) in a slow (медленным), thick voice (густым голосом; thick — толстый; густой). "But this wench (эта девушка), Mary here (вот, Мэри), reckons (считает) she's got something to tell (что ей есть что-то рассказать) as you ought to know (что вы должны знать)."
Mary giggled in a half-hearted way (Мэри неуверенно хихикнула).
exhale [eks*he*l], wench [went*], giggle [***l]
Mr. Ball of the Black Swan was a large, slow-thinking, heavily-moving man. He exhaled a strong odour of beer. With him was a plump young woman with round eyes clearly in a state of high excitement.
"Hope I'm not intruding or wasting valuable time," said Mr. Ball in a slow, thick voice. "But this wench, Mary here, reckons she's got something to tell as you ought to know."
Mary giggled in a half-hearted way.
"Well, my girl, what is it*" said Anderson (так, девочка моя, что это*). "What's your name (как ваше имя)*"
"Mary, sir — Mary Stroud (Мэри Страуд)."
"Well, Mary, out with it (так, Мэри рассказывайте; out with it — давай/те/ же, говори/те/: «наружу с этим»)."
Mary turned her round eyes on her master (Мэри перевела свои круглые глаза на своего хозяина).
"It's her business to take up hot water to the gents' bedrooms," said Mr. Ball (это ее обязанность приносить горячую воду в спальни господ; gents' — gentlemen's), coming to the rescue (приходя на помощь). "About half a dozen gentlemen we've got staying (у нас остановилось около шести джентльменов; half a dozen — полдюжины). Some for the races (некоторые /приехали/ на скачки) and some just commercials (некоторые просто коммивояжеры)."
gent [*ent], rescue [*reskju:], commercial [k**m*:*(*)l]
"Well, my girl, what is it*" said Anderson. "What's your name*"
"Mary, sir — Mary Stroud."
"Well, Mary, out with it."
Mary turned her round eyes on her master.
"It's her business to take up hot water to the gents' bedrooms," said Mr. Ball, coming to the rescue. "About half a dozen gentlemen we've got staying. Some for the races and some just commercials."
"Yes, yes," said Anderson impatiently (нетерпеливо сказал Андерсон).
"Get on, lass," said Mr. Ball (продолжай, девушка). "Tell your tale (расскажи свою историю). Nothing to be afraid of (нечего бояться)."
Mary gasped (Мэри вздохнула; to gasp — дышать с трудом, задыхаться; ловить воздух), groaned (охнула) and plunged in a breathless voice into her narrative (и задыхающимся голосом начала свое повествование; to plunge — нырять, погружаться).
"I knocked on door (я постучала в дверь) and there wasn't no answer (но не было никакого ответа), otherwise I wouldn't have gone in (иначе бы я не вошла) leastways not unless gentleman had said (по крайней мере, пока джентльмен не скажет) 'Come in' (войдите), and as he didn't say nothing (а так как он ничего не сказал) I went in (я вошла) and he was there (он был там) washing his hands (мыл руки)."
breathless [*breOl*s], narrative [*n*r*t*v], leastways [*li:stwe*z]
"Yes, yes," said Anderson impatiently.
"Get on, lass," said Mr. Ball. "Tell your tale. Nothing to be afraid of."
Mary gasped, groaned and plunged in a breathless voice into her narrative.
"I knocked on door and there wasn't no answer, otherwise I wouldn't have gone in leastways not unless gentleman had said 'Come in,' and as he didn't say nothing I went in and he was there washing his hands."
She paused and breathed deeply (она прервалась и глубоко перевела дыхание).
"Go on, my girl," said Anderson (продолжайте, девочка моя).
Mary looked sideways at her master (Мэри посмотрела вбок = скосила глаза на своего хозяина) and as though receiving inspiration from his slow nod (и, как будто получив вдохновение от его медленного кивка; to inspire — вдохновлять), plunged on again (снова начала).
"'It's your hot water, sir,' I said (это ваша горячая вода, сэр, — я сказала), 'and I did knock (и я на самом деле постучала),' but 'Oh,' he says (но «о», — он сказал), 'I've washed in cold,' he said (я /уже/ умылся холодной, — он сказал), and so (и так), naturally (естественно), I looks in basin (я смотрю в рукомойник), and oh! God help me, sir (и, Господи помоги мне, сэр), it were all red (это было все красное)!"
"Red*" said Anderson sharply (красное* — резко спросил Андерсон).
master [*m*:st*], inspiration [**nsp**re**(*)n], slow [sl**]
She paused and breathed deeply.
"Go on, my girl," said Anderson.
Mary looked sideways at her master and as though receiving inspiration from his slow nod, plunged on again.
"'It's your hot water, sir,' I said, 'and I did knock,' but 'Oh,' he says, 'I've washed in cold,' he said, and so, naturally, I looks in basin, and oh! God help me, sir, it were all red!"
"Red*" said Anderson sharply.
Ball struck in (Болл вмешался; to strike — ударять/ся/). "The lass told me (девушка сказала мне) that he had his coat off (что он снял пальто: «имел пальто снятым») and that he was holding the sleeve of it (и что он держал его рукав), and it was all wet (и он был весь влажный) — that's right, eh, lass (это правильно, а, девушка)*"
"Yes, sir, that's right, sir (это правильно, сэр)."
She plunged on (она продолжала): "And his face, sir (и его лицо, сэр), it looked queer (оно выглядело странным), mortal queer it looked (смертельно странным оно выглядело). Gave me quite a turn (/это/ меня совершенно потрясло)."
"When was this*" asked Anderson sharply (когда это было* — резко спросил Андерсон).
"About a quarter after five (около четверти шестого), so near as I can reckon (насколько я могу определить: «так близко, как я могу подсчитать»)."
"Over three hours ago," snapped Anderson (более трех часов назад, — резко сказал Андерсон; to snap — щелкать, лязгать, хлопать; разговаривать отрывисто, раздраженно). "Why didn't you come at once (почему вы сразу не пришли)*"
lass [l*s], mortal [*m*:t*l], snap [sn*p]
Ball struck in. "The lass told me that he had his coat off and that he was holding the sleeve of it, and it was all wet — that's right, eh, lass*"
"Yes, sir, that's right, sir."
She plunged on: "And his face, sir, it looked queer, mortal queer it looked. Gave me quite a turn."
"When was this*" asked Anderson sharply.
"About a quarter after five, so near as I can reckon."
"Over three hours ago," snapped Anderson. "Why didn't you come at once*"
"Didn't hear about it at once," said Ball (не сразу услышал об этом). "Not till news came along (пока новости не пришли) as there'd been another murder done (что произошло еще одно убийство). And then the lass (а затем девушка) she screams out (она закричала) as it might have been blood in the basin (что это могла быть кровь в тазу), and I asked her (и я спросил ее) what she means (что она имеет в виду), and she tells me (и она рассказывает мне). Well, it doesn't sound right to me (мне не показалось это правильным: «это не прозвучало для меня правильно») and I went upstairs myself (и я пошел наверх сам). Nobody in the room (никого в комнате). I asks a few questions (я задаю несколько вопросов) and one of the lads in courtyard says (и один из парней во дворе говорит) he saw a fellow sneaking out that way (он видел, как человек крался наружу туда: «в том направлении»; to sneak — красться) and by his description it was the right one (и по описанию, это был тот, кто нужно; right — именно тот, который нужен). So I says to the missus (так я сказал хозяйке; missus — Mrs — mistress — хозяйка /дома/) as Mary here had best go to police (что Мэри лучше пойти в полицию). She doesn't like the idea (ей не нравится эта идея), Mary doesn't (Мэри не /нравится/), and I says (и я говорю) I'll come along with her (я пойду с ней)."
Inspector Crome drew a sheet of paper towards him (инспектор Кроум протянул ему лист бумаги).
sneak [sni:k], missus [*m*s*z], sheet [*i:t]
"Didn't hear about it at once," said Ball. "Not till news came along as there'd been another murder done. And then the lass she screams out as it might have been blood in the basin, and I asked her what she means, and she tells me. Well, it doesn't sound right to me and I went upstairs myself. Nobody in the room. I asks a few questions and one of the lads in courtyard says he saw a fellow sneaking out that way and by his description it was the right one. So I says to the missus as Mary here had best go to police. She doesn't like the idea, Mary doesn't, and I says I'll come along with her."
Inspector Crome drew a sheet of paper towards him.
"Describe this man," he said (опишите этого человека). "As quick as you can (как можно быстрее: «так быстро, как вы можете»). There's no time to be lost (нельзя терять время: «там нет времени, чтобы его терять»)."
"Medium-sized, he were," said Mary (среднего роста: «среднего размера» он был). "And stooped (и сутулый; to stoop — наклоняться; сутулиться) and wore glasses (и носил очки = на нем были очки; to wear).''
"His clothes (его одежда)*"
"A dark suit (темный костюм) and a Homburg hat (и хомбургская шляпа). Rather shabby-looking (довольно потрепанный; shabby — поношенный; потрепанный, протертый)."
She could add little to this description (она могла мало добавить к этому описанию).
Inspector Crome did not insist unduly (инспектор Кроум не настаивал чрезмерно; duly — должным образом; достаточно). The telephone wires were soon busy (телефонные провода были скоро заняты), but neither the inspector (но ни инспектор) nor the Chief Constable were overoptimistic (ни начальник полиции не были слишком оптимистичны).
Crome elicited the fact (Кроум выяснил тот факт; to elicit — извлекать; вытягивать, допытываться; вызывать, выявлять) that the man (что мужчина), when seen sneaking across the yard (когда его видели крадущимся по двору), had had no bag or suitcase (не имел /с собой/ ни сумки, ни чемодана). "There's a chance there (в этом есть шанс)," he said.
wore [w*:], unduly [**n*dju:l*], insist [*n*s*st]
"Describe this man," he said. "As quick as you can. There's no time to be lost."
"Medium-sized, he were," said Mary. "And stooped and wore glasses.''
"His clothes*"
"A dark suit and a Homburg hat. Rather shabby-looking."
She could add little to this description.
Inspector Crome did not insist unduly. The telephone wires were soon busy, but neither the inspector nor the Chief Constable were overoptimistic.
Crome elicited the fact that the man, when seen sneaking across the yard, had had no bag or suitcase. "There's a chance there," he said.
Two men were dispatched to the Black Swan (двое мужчин были отправлены в «Черный лебедь»).
Mr. Ball (мистер Болл), swelling with pride and importance (раздуваясь от гордости и важности; to swell — надуваться, раздуваться), and Mary, somewhat tearful (и Мэри, слегка в слезах), accompanied them (сопровождали их).
The sergeant returned about ten minutes later (сержант пришел примерно десять минут спустя).
"I've brought the register, sir," he said (я принес регистрационную книгу, сэр). "Here's the signature (вот подпись)."
We crowded round (мы столпились вокруг). The writing was small and cramped (почерк был мелкий и тесный) — not easy to read (нелегко прочитать).
dispatch [d*s*p*t*], register [*re**st*], signature [*s**n*t**]
Two men were dispatched to the Black Swan.
Mr. Ball, swelling with pride and importance, and Mary, somewhat tearful, accompanied them.
The sergeant returned about ten minutes later.
"I've brought the register, sir," he said. "Here's the signature."
We crowded round. The writing was small and cramped — not easy to read.
"A.B.Case (Эй. Би. Кейс) — or is it Cash (или это Кэш)*" said the Chief Constable (сказал начальник полиции).
"A.B.C.," said Crome significantly (Эй-Би-Си, — сказал Кроум значительно).
"What about luggage*" asked Anderson (как насчет багажа).
"One good-sized suitcase, sir (один большой: «хорошего размера» чемодан, сэр), full of small cardboard boxes (полный маленьких картонных коробок)."
"Boxes (коробок)* What was in 'em (что было в них)*"
"Stockings, sir (чулки, сэр). Silk stockings (шелковые чулки)."
Crome turned to Poirot (Кроум повернулся к Пуаро). "Congratulations," he said (поздравляю: «поздравления»; to congratulate — поздравлять). "Your hunch was right (ваша интуиция была права; hunch — толчок, нажим; напор; натиск; предчувствие; интуиция)."
luggage [*l****], congratulations [k*n,*r*tj**le*s(*)nz], hunch [h*nt*]
"A.B.Case — or is it Cash*" said the Chief Constable.
"A.B.C.," said Crome significantly.
"What about luggage*" asked Anderson.
"One good-sized suitcase, sir, full of small cardboard boxes."
"Boxes* What was in 'em*"
"Stockings, sir. Silk stockings."
Crome turned to Poirot. "Congratulations," he said. "Your hunch was right."
XXVIII. (Not from Captain Hastings' Personal Narrative)
(не из личного повествования капитана Гастингса)
Inspector Crome was in his office at Scotland Yard (инспектор Кроум был в своем офисе в Скотланд-Ярде).
The telephone on his desk gave a discreet buzz (телефон на его столе коротко зазвонил: «издал сдержанный звонок») and he picked it up (и он поднял /трубку/).
"Jacobs speaking, sir (Джейкобс говорит, сэр). There's a young fellow come in with a story (молодой человек пришел с историей) that I think you ought to hear (которую, я думаю, вы должны услышать)."
Inspector Crome sighed (инспектор Кроум вздохнул). On an average twenty people a day turned up with so-called important information about the A.B.C. case (в среднем двадцать людей в день приходили с так называемой важной информацией о деле Эй-би-си; to turn up — находиться, внезапно появляться). Some of them were harmless lunatics (некоторые из них безвредные лунатики), some of them were well-meaning persons (некоторые из них были люди, действующие из лучших /побуждений/) who genuinely believed (которые искренне верили) that their information was of value (что их информация имела ценность). It was the duty of Sergeant Jacobs to act as a human sieve (это была обязанность сержанта Джейкоба действовать как человеческое сито) — retaining the grosser matter (задерживая более грубые/крупные частицы) and passing on the residue to his superior (и передавая остаток своему начальству).
"Very well, Jacobs," said Crome (очень хорошо, Джейкобс). "Send him along (пришлите его)."
A few minutes later (несколькими минутами спустя) there was a tap on the inspector's door (раздался стук в дверь) and Sergeant Jacobs appeared (и появился сержант Джейкобс), ushering in a tall (вводя высокого), moderately good-looking young man (сравнительно симпатичного молодого человека).
discreet [d*s*kri:t], average [**v*r**], residue [*rez*dju:]
Inspector Crome was in his office at Scotland Yard.
The telephone on his desk gave a discreet buzz and he picked it up.
"Jacobs speaking, sir. There's a young fellow come in with a story that I think you ought to hear."
Inspector Crome sighed. On an average twenty people a day turned up with so-called important information about the A.B.C. case. Some of them were harmless lunatics, some of them were well-meaning persons who genuinely believed that their information was of value. It was the duty of Sergeant Jacobs to act as a human sieve — retaining the grosser matter and passing on the residue to his superior.
"Very well, Jacobs," said Crome. "Send him along."
A few minutes later there was a tap on the inspector's door and Sergeant Jacobs appeared, ushering in a tall, moderately good-looking young man.
"This is Mr. Tom Hartigan, sir (это мистер Том Хартиган, сэр). He's got something to tell us (у него есть что-то сказать нам) which may have a possible bearing on the A.B.C. case (что может иметь возможное отношение к делу Эй-би-си)."
The inspector rose pleasantly and shook hands (инспектор вежливо поднялся и поздоровался: «пожал руку»).
"Good morning, Mr. Hartigan (доброе утро, мистер Хартиган). Sit down, won't you (садитесь, пожалуйста: «садитесь, не хотите ли»)* Smoke (курите)* Have a cigarette (возьмете сигарету)*"
Tom Hanigan sat down awkwardly (Том Хартиган неловко сел) and looked with some awe at what he called in his own mind (и посмотрел с благоговением на то, что он называл в своем уме) "one of the bigwigs (одним из тузов; bigwig — важная персона: «большой колпак»)." The appearance of the inspector vaguely disappointed him (внешность инспектора слегка/как-то разочаровала его; vague — расплывчатый, неясный). He looked quite an ordinary person (он выглядел вполне обычным человеком).
awe [*:], cigarette [*s****ret], bigwig [*b**w**]
"This is Mr. Tom Hartigan, sir. He's got something to tell us which may have a possible bearing on the A.B.C. case."
The inspector rose pleasantly and shook hands.
"Good morning, Mr. Hartigan. Sit down, won't you* Smoke* Have a cigarette*"
Tom Hanigan sat down awkwardly and looked with some awe at what he called in his own mind "one of the bigwigs." The appearance of the inspector vaguely disappointed him. He looked quite an ordinary person.
"Now then," said Crome (ну, тогда = ну так давайте). "You've got something to tell us (у вас есть что-то сказать нам) that you think may have a bearing on the case (что, вы думаете, имеет отношение к делу). Fire ahead (начинайте: «стреляйте вперед»)."
Tom began nervously (Том нервно начал). "Of course it may be nothing at all (конечно, это может быть вовсе ничем = в этом, возможно, нет ничего важного). It's just an idea of mine (это просто моя идея). I may be wasting your time (я, вероятно, просто трачу ваше время = отнимаю у вас время)."
Again (снова), Inspector Crome sighed imperceptibly (инспектор Кроум незаметно вздохнул). The amount of time he had to waste in reassuring people (количество времени, /которое/ он вынужден тратить, подбадривая людей/вдыхая в людей уверенность)!
"We're the best judge of that (нам лучше судить: «мы лучший судья этому»). Let's have the facts, Mr. Hartigan (давайте /посмотрим на/ факты, мистер Хартиган)."
"Well, it's like this, sir (это вот как: «подобно этому», сэр). I've got a young lady (у меня есть невеста), you see (вы понимаете), and her mother lets rooms (а ее мать сдает комнаты). Up Camden Town way (в сторону Кэмден Таун). Their second floor back has been let for over a year to a man called Cust (их третий этаж сдается больше года человеку по имени Каст)."
waste [we*st], amount [**ma*nt], over [***v*]
"Now then," said Crome. "You've got something to tell us that you think may have a bearing on the case. Fire ahead."
Tom began nervously. "Of course it may be nothing at all. It's just an idea of mine. I may be wasting your time."
Again, Inspector Crome sighed imperceptibly. The amount of time he had to waste in reassuring people!
"We're the best judge of that. Let's have the facts, Mr. Hartigan."
"Well, it's like this, sir. I've got a young lady, you see, and her mother lets rooms. Up Camden Town way. Their second floor back has been let for over a year to a man called Cust."
"Cust — eh (Каст — э)*"
"That's right, sir (именно так, сэр). A sort of middle-aged bloke (как бы малый средних лет) what's rather vague and soft (который в некоторой степени неопределенный и мягкий) — and come down in the world a bit (и опустившийся немного по жизни), I should say (я должен сказать). Sort of creature who wouldn't hurt a fly (как бы существо, которое мухи не обидит), you'd say (вы бы сказали) — and I'd never of dreamed of anything being wrong (и я бы никогда не подумал, что что-то не так) if it hadn't been for something rather odd (если бы не что-то достаточно странное)."
In a somewhat confused manner (слегка сбивчиво: «в слегка сбивчивой манере; confused — смущенный; сбивчивый) and repeating himself once or twice (и повторясь раз или два), Tom described his encounter with Mr. Cust at Euston Station (Том описал его случайную встречу с мистером Кастом на станции Юстон) and the incident of the dropped ticket (и инцидент с оброненным билетом).
bloke [bl**k], creature [*kri:t**], encounter [*n*ka*nt*]
"Cust — eh*"
"That's fight, sir. A sort of middle-aged bloke what's rather vague and soft — and come down in the world a bit, I should say. Sort of creature who wouldn't hurt a fly, you'd say — and I'd never of dreamed of anything being wrong if it hadn't been for something rather odd."
In a somewhat confused manner and repeating himself once or twice, Tom described his encounter with Mr. Cust at Euston Station and the incident of the dropped ticket.
"You see, sir (вы понимаете, сэр), look at it how you will (смотрите на это, как хотите), it's funny like (это странно как-то). Lily (Лили), that's my young lady, sir (это моя невеста, сэр) — she was quite positive (она была совершенно уверена) that it was Cheltenham he said (что это был Челтнем, /как/ он сказал), and her mother says the same (и ее мать говорит тоже) — says she remembers distinctly (говорит, что она точно помнит) talking about it the morning he went off (/как/ говорили об этом в утро, /когда/ он уехал). Of course (конечно), I didn't pay much attention to it at the time (я не обратил внимания на это в то время). Lily — my young lady said (моя невеста сказала) as how she hoped (так как она надеялась) he wouldn't cop it for this A.B.C. fellow (что он не попадет в неприятности из-за этого парня Эй-би-си; to cop — поймать; попасть в неприятную историю) going to Doncaster (едущего в Донкастер) — and then she says (а затем она говорит) it's rather a coincidence (это, скорее, совпадение) because he was down Churston way at the time of the last crime (потому что он был в Черстоне во время последнего преступления).
Laughing like (смеха ради), I asks her whether he was at Bexhill the time before (я спрашиваю ее, был ли он в Бэксхилле до этого), and she says (и она говорит) she don't know where he was (она не знает, где он был), but he was away at the seaside (но он уезжал на побережье) — that she does know (это она действительно знает). And then I said to her (а затем я сказал ей) it would be odd (это было бы странно) if he was the A.B.C. himself (если он был сам Эй-би-си) and she said (и она сказала) poor Mr. Cust wouldn't hurt a fly (бедный мистер Каст не обидит и мухи) — and that was all at the time (и это было все на то время). We didn't think no more about it (мы больше об этом не думали). At least (в конце), in a sort of way I did, sir (каким-то образом я это делал, сэр), underneath like (как-то подсознательно; underneath — вниз; внизу). I began wondering about this Cust fellow (я начал интересоваться этим парнем, Кастом) and thinking that (и думая что), after all (в конце концов), harmless as he seemed (безвредным, как он казался), he might be a bit batty (он, возможно, был слегка того)."
distinctly [d*s*t*nktl*], cop [k*p], underneath [**nd**ni:O]
"You see, sir, look at it how you will, it's funny like. Lily, that's my young lady, sir — she was quite positive that it was Cheltenham he said, and her mother says the same — says she remembers distinctly talking about it the morning he went off. Of course, I didn't pay much attention to it at the time. Lily — my young lady said as how she hoped he wouldn't cop it for this A.B.C. fellow going to Doncaster — and then she says it's rather a coincidence because he was down Churston way at the time of the last crime.
Laughing like, I asks her whether he was at Bexhill the time before, and she says she don't know where he was, but he was away at the seaside — that she does know. And then I said to her it would be odd if he was the A.B.C. himself and she said poor Mr. Cust wouldn't hurt a fly — and that was all at the time. We didn't think no more about it. At least, in a sort of way I did, sir, underneath like. I began wondering about this Cust fellow and thinking that, after all, harmless as he seemed, he might be a bit batty."
Tom took a breath (Том вдохнул) and then went on (а затем продолжил). Inspector Crome was listening intently now (теперь инспектор Кроум слушал внимательно; intent — внимательный, пристальный).
"And then after the Doncaster murder, sir (а затем, после донкастерского убийства, сэр), it was in all the papers (это было во всех газетах) that information was wanted (что информация требовалась) as to the whereabouts of a certain A.B. Case or Cash (о местонахождении некоего Эй. Би. Кейса или Кэша; whereabouts — местонахождение), and it gave a description (и давалось описание) that fitted well enough (которое достаточно хорошо подходило). First evening off I had (в первый выходной вечер, который у меня был), I went round to Lily's (я поехал к Лили) and asked her what her Mr. Cust's initials were (и спросил ее, какие у ее мистера Каста были инициалы). She couldn't remember at first (сначала она не могла вспомнить), but her mother did (но ее мать /вспомнила/)."
intently [**nt*ntl*], whereabouts [*w**r*ba*ts], initial [**n****l]
Tom took a breath and then went on. Inspector Crome was listening intently now.
"And then after the Doncaster murder, sir, it was in all the papers that information was wanted as to the whereabouts of a certain A.B. Case or Cash, and it gave a description that fitted well enough. First evening off I had, I went round to Lily's and asked her what her Mr. Cust's initials were. She couldn't remember at first, but her mother did."
"Said they were A. B. right enough (сказала, что они как раз были Эй. Би.). Then we got down to it (затем мы засели за это) and tried to figure out (и попытались выяснить) if Cust had been away at the time of the first murder at Andover (был ли мистер Каст в отсутствии во время первого убийства в Эндовере). Well, as you know, sir (как вы знаете, сэр), it isn't too easy to remember things three months back (непросто вспомнить вещи, которые случились три месяца назад). We had a job of it (мы потрудились: «мы имели работу из этого»), but we got it fixed down in the end (но у нас все сошлось в конце), because Mrs. Marbury had a brother come from Canada to see her on June 21st (потому что у миссис Марбери был брат, который приехал навестить ее из Канады двадцать первого июня).
He arrived unexpected like (он приехал как-то неожиданно) and she wanted to give him a bed (и она хотела предложить ему переночевать: «кровать»), and Lily suggested (и Лили предложила) that as Mr. Cust was away (что, так как мистер Каст отсутствовал) Bert Marbury might have his bed (Берт Марбери мог бы получить /в распоряжение/ его кровать). But Mrs. Marbury wouldn't agree (но миссис Марбери не согласилась), because she said (потому что она сказала) it wasn't acting right by her lodger (это было неправильное поведение /по отношению/ к ее жильцу), and she always liked to act fair and square (а ей всегда нравилось вести себя правильно и честно). But we fixed the date all right (но мы определили точную дату) because of Bert Marbury's ship docking at Southampton that day (потому что корабль Берта Марбери стоял в доке в Саусгэмптоне в тот день)."
Canada [*k*n*d*], lodger [*l***], dock [d*k]
"Said they were A.B. right enough. Then we got down to it and tried to figure out if Cust had been away at the time of the first murder at Andover. Well, as you know, sir, it isn't too easy to remember things three months back. We had a job of it, but we got it fixed down in the end, because Mrs. Marbury had a brother come from Canada to see her on June 21st.
He arrived unexpected like and she wanted to give him a bed, and Lily suggested that as Mr. Cust was away Bert Marbury might have his bed. But Mrs. Marbury wouldn't agree, because she said it wasn't acting right by her lodger, and she always liked to act fair and square. But we fixed the date all right because of Bert Marbury's ship docking at Southampton that day."
Inspector Crome had listened very attentively (инспектор Кроум выслушал очень внимательно), jotting down an occasional note (временами делая краткие записи; to jot down — кратко записать; бегло набросать; записать).
"That's all*" he asked (это все*).
"That's all, sir (это все, сэр). I hope (я надеюсь) you don't think I'm making a lot of nothing (вы не думаете, что я делаю много /шума/ из ничего)." Tom flushed slightly (Том слегка покраснел).
"Not at all (вовсе нет). You were quite right to come here (вы были совершенно правы, что пришли сюда). Of course, it's very slight evidence (конечно, это очень незначительные свидетельства; slight — легкий, небольшой, незначительный) — these dates may be mere coincidence (эти даты могут быть просто совпадениями) and the likeness of the name, too (и похожесть имени тоже). But it certainly warrants my having an interview with your Mr. Cust (но это, конечно, дает мне основания побеседовать с вашим мистером Кастом; warrant — ордер; основание; to warrant — служить оправданием, основанием; давать право, полномочия). Is he at home now (он дома сейчас)*"
"Yes, sir."
"When did he return (когда он вернулся)*"
"The evening of the Doncaster murder, sir (в вечер донкастерского убийства, сэр)."
"What's he been doing since (что он делал с тех пор)*"
jot [**t], occasional [**ke***n*l], warrant [*w*r*nt]
Inspector Crome had listened very attentively, jotting down an occasional note.
"That's all*" he asked.
"That's all, sir. I hope you don't think I'm making a lot of nothing." Tom flushed slightly.
"Not at all. You were quite right to come here. Of course, it's very slight evidence — these dates may be mere coincidence and the likeness of the name, too. But it certainly warrants my having an interview with your Mr. Cust. Is he at home now*"
"Yes, sir."
"When did he return*"
"The evening of the Doncaster murder, sir."
"What's he been doing since*"
"He's stayed in mostly, sir (большей частью он сидит дома: «он большей частью остается внутри»). And he's been looking very queer (и он выглядит очень странным), Mrs. Marbury says (/как/ миссис Марбери говорит). He buys a lot of newspapers (он покупает много газет) — goes out early (выходит рано) and gets the morning ones (и покупает утренние /газеты/), and then after dark he goes out (а затем вечером он выходит: «после темноты он выходит») and gets the evening ones (и покупает вечерние). Mrs. Marbury says he talks a lot to himself, too (миссис Марбери говорит, что он также много разговаривает сам с собой). She thinks (она думает) he's getting queerer (что он становится более странным)."
"What is this Mrs. Marbury's address (какой адрес у миссис Марбери)*"
Tom gave it to him (Том дал его ему).
"I thank you (я благодарю вас). I shall probably be calling round in the course of the day (я, возможно, буду звонить в течение дня). I need hardly tell you to be careful of your manner (мне едва ли нужно говорить вам, чтобы вы были осторожным в вашем поведении) if you come across this Cust (если вы столкнетесь с мистером Кастом)."
mostly [*m**stl*], careful [*k**f*l], across [**kr*s]
"He's stayed in mostly, sir. And he's been looking very queer, Mrs. Marbury says. He buys a lot of newspapers — goes out early and gets the morning ones, and then after dark he goes out and gets the evening ones. Mrs. Marbury says he talks a lot to himself, too. She thinks he's getting queerer."
"What is this Mrs. Marbury's address*"
Tom gave it to him.
"I thank you. I shall probably be calling round in the course of the day. I need hardly tell you to be careful of your manner if you come across this Cust."
He rose and shook hands (он встал и попрощался: «пожал руку»).
"You may be quite satisfied (вы можете быть совершенно удовлетворенным = уверенным) you did the right thing in coming to us (что вы сделали правильную вещь, что зашли к нам). Good morning, Mr. Hartigan (доброго утра, мистер Хартиган)."
"Well, sir*" asked Jacobs (ну, сэр*), re-entering the room a few minutes later (снова входя в комнату несколькими минутами спустя). "Think it's the goods (думаете это то, что нужно; goods — товар; необходимое)*"
"It's promising," said Inspector Crome (это /много/обещающе). "That is (то есть), if the facts are (если факты /такие/) as the boy stated them (как парень изложил их). We've had no luck with the stocking manufacturers yet (пока нам не повезло с производителями чулок). It was time we got hold of something (пора нам зацепиться за что-то). By the way (кстати), give me that file of the Churston case (дайте мне ту папку с черстонским делом)."
goods [**dz], manufacturer [*m*nju*f*kt**r*], file [fa*l]
He rose and shook hands.
"You may be quite satisfied you did the right thing in coming to us. Good morning, Mr. Hartigan."
"Well, sir*" asked Jacobs, re-entering the room a few minutes later. "Think it's the goods*"
"It's promising," said Inspector Crome. "That is, if the facts are as the boy stated them. We've had no luck with the stocking manufacturers yet. It was time we got hold of something. By the way, give me that file of the Churston case."
He spent some minutes (он провел несколько минут; to spend — тратить; проводить /время/) looking for what he wanted (высматривая то, что он хотел). "Ah, here it is (а, вот оно есть). It's amongst the statements made to the Torquay police (это среди показаний сделанных в полиции в Торки). Young man of the name of Hill (молодой человек по имени Хилл). Deposes (дает показания под присягой) he was leaving Torquay Pavilion after the film Not a Sparrow (что он выходил из Торки Павилион после фильма «ни воробушек») and noticed a man behaving queerly (и заметил человека, ведущего себя странно). He was talking to himself (он разговаривал сам с собой). Hill heard him say (Хилл слышал, как он сказал), 'That's an idea (это идея).' Not a Sparrow («Ни воробушек») — that's the film (это тот фильм) that was on at the Regal in Doncaster (который показывали в Регале в Донкастере)*"
"Yes, sir."
depose [d**p**z], pavilion [p**v*lj*n], behaving [b**he*v**]
He spent some minutes looking for what he wanted. "Ah, here it is. It's amongst the statements made to the Torquay police. Young man of the name of Hill. Deposes he was leaving Torquay Pavilion after the film Not a Sparrow and noticed a man behaving queerly. He was talking to himself. Hill heard him say, 'That's an idea.' Not a Sparrow — that's the film that was on at the Regal in Doncaster*"
"Yes, sir."
"There may be something in that (в этом что-то может быть). Nothing to it at the time (не стоит об этом пока: «ничего об этом в это время») — but it's possible (но это возможно) that the idea of the modus operandi for his next crime occurred to our man then (что идея плана для его следующего преступления пришла к нашему человеку тогда; modus operandi — способ действия; план /лат./). We've got Hill's name and address (у нас есть имя и адрес Хилла), I see (/как/ я вижу). His description of the man is vague (его описание этого человека рысплывчато) but it links up well enough with the descriptions of Mary Stroud (но оно достаточно связано с описаниями Мэри Страуд) and this Tom Hartigan (и этого Тома Хартигана) "
He nodded thoughtfully (он задумчиво кивнул).
modus [*m**d*s], operandi [**p*r*nd*], link [l**k]
"There may be something in that. Nothing to it at the time — but it's possible that the idea of the modus operandi for his next crime occurred to our man then. We've got Hill's name and address, I see. His description of the man is vague but it links up well enough with the descriptions of Mary Stroud and this Tom Hartigan …"
He nodded thoughtfully.
"We're getting warm," said Inspector Crome (мы нападаем на след: «мы согреваемся») — rather inaccurately (несколько неточно), for he himself was always slightly chilly (так как ему самому всегда было холодно).
"Any instructions, sir (какие-нибудь инструкции, сэр)*"
"Put on a couple of men to watch this Camden Town address (поставьте пару людей наблюдать за этим адресом в Кэмден Тауне), but I don't want our bird frightened (я не хочу напугать нашу птичку). I must have a word with the A.C. (я должен поговорить с этим Эй. Си.). Then I think it would be as well (тогда, я думаю, это было бы лучше) if Cust was brought along here (если бы Каста привели сюда) and asked (и спросили) if he'd like to make a statement (не хотел бы он сделать заявление). It sounds (это звучит) as though he's quite ready to get rattled (как будто он вполне готов потерять самообладание; to rattle — грохотать; вывести из себя)."
chilly [*t**l*], bird [b*:d], rattle [r*tl]
"We're getting warm," said Inspector Crome — rather inaccurately, for he himself was always slightly chilly.
"Any instructions, sir*"
"Put on a couple of men to watch this Camden Town address, but I don't want our bird frightened. I must have a word with the A.C.. Then I think it would be as well if Cust was brought along here and asked if he'd like to make a statement. It sounds as though he's quite ready to get rattled."
Outside Tom Hartigan had rejoined Lily Marbury (снаружи Том Хартиган снова присоединился к Лили Марбери) who was waiting for him on the Embankment (которая ждала его на Эмбанкмент).
"All right, Tom (все в порядке, Том)*" Tom nodded (Том кивнул).
"I saw Inspector Crome himself (я видел самого инспектора Кроума). The one who's in charge of the case (того, кто ведет это дело; charge — нагрузка; заведование; руководство; ответственность)."
"What's he like (какой он: «на кого он похож»)*"
"A bit quiet (немного тихий) and la-di-da (и жеманный; la-di-da — вызывающий; la-di-da — франт, щеголь) — not my idea of a detective (не мое представление о детективе = не такой, каким, по-моему, должен быть детектив)."
rejoin [r*****n], Embankmen [*m*b**km*nt], la-di-da [*l*:d**d*:] [*l*:d**d*]
Outside Tom Hartigan had rejoined Lily Marbury who was waiting for him on the Embankment.
"All right, Tom*" Tom nodded.
"I saw Inspector Crome himself. The one who's in charge of the case."
"What's he like*"
"A bit quiet and la-di-da — not my idea of a detective."
"That's Lord Trenchard's new kind," said Lily with respect (это новый человек лорда Тренчарда, — сказала уважительно Лили: «с уважением»; kind — сорт;, человек). "Some of them are ever so grand (некоторые из них всегда такие исполненные самомнения). Well (так), what did he say (что он сказал)*" Tom gave her a brief resume of the interview (Том кратко изложил ей беседу: «Том дал ей краткое резюме беседы»).
"So they think as it really was him (так они думают, что это действительно был он)*"
"They think it might be (они думают, так могло бы быть). Anyway (в любом случае), they'll come along (они придут) and ask him a question or two (и зададут ему пару вопросов: «один вопрос или два»)."
"Poor Mr. Cust (бедный мистер Каст)."
"It's no good saying poor Mr. Cust, my girl (не стоит говорить «бедный мистер Каст», девочка моя). If he's A.B.C. (если он — Эй-би-си), he committed four terrible murders (он совершил четыре ужасных убийства)."
Lily sighed and shook her head (Лили вздохнула и покачала головой). "It does seem awful," she observed (это действительно кажется ужасным, — заметила она).
grand [*r*nd], respect [r*s*pekt], anyway [*en*we*]
"That's Lord Trenchard's new kind," said Lily with respect. "Some of them are ever so grand. Well, what did he say*" Tom gave her a brief resume of the interview.
"So they think as it really was him*"
"They think it might be. Anyway, they'll come along and ask him a question or two."
"Poor Mr. Cust."
"It's no good saying poor Mr. Cust, my girl. If he's A.B.C., he committed four terrible murders."
Lily sighed and shook her head. "It does seem awful," she observed.
"Well, now you're going to come and have a bite of lunch, my girl (теперь давай-ка пойдем и съедим ленч, девочка моя). Just you think (ты только подумай) that if we're right (что если мы правы) I expect my name will be in the papers (я ожидаю, что мое имя будет в газетах)!''
"Oh, Tom, will it (в самом деле: «будет ли оно»)*"
"Rather (пожалуй). And yours, too (и твое тоже). And your mother's (и твоей матери). And I dare say you'll have your picture in, too (и я полагаю, ты получишь свою фотографию в /газете/ тоже; to daresay — полагать, думать, считать: «осмелиться сказать»)."
"Oh, Tom." Lily squeezed his arm in an ecstasy (Лили от восторга сжала его руку).
"And in the meantime (а между тем) what do you say to a bite at the Corner House (что ты скажешь насчет перекусить в «Корнер-хаус»: «дом на углу»)."
Lily squeezed tighter (Лили сжала /руку/ сильнее).
lunch [l*nt*], paper [*pe*p*], ecstasy [*ekst*s*]
"Well, now you're going to come and have a bite of lunch, my girl. Just you think that if we're right I expect my name will be in the papers!''
"Oh, Tom, will it*"
"Rather. And yours, too. And your mother's. And I dare say you'll have your picture in, too."
"Oh, Tom." Lily squeezed his arm in an ecstasy.
"And in the meantime, what do you say to a bite at the Corner House*"
Lily squeezed tighter.
"Come on then (идем тогда)!"
"All right (хорошо) — half a minute (полминуты). I must just telephone from the station (я только должна позвонить со станции)."
"Who to (кому)*"
"A girl I was going to meet (девушке, /с которой/ я собиралась встретиться)." She slipped across the road (она скользнула через дорогу), and rejoined him three minutes later (и снова присоединилась к нему три минуты спустя), looking rather flushed (выглядя несколько покрасневшей).
"Now then, Tom (ну-ка, Том)." She slipped her arm in his (она взяла его под руку: «она скользнула своей рукой в его»). "Tell me more about Scotland Yard (расскажи мне еще о Скотланд-Ярде). You didn't see the other one there (ты там другого не видел)*"
"What other one (какого другого)*"
telephone [*tel*f**n], station [ste**n], other [****]
"Come on then!"
"All right — half a minute. I must just telephone from the station."
"Who to*"
"A girl I was going to meet." She slipped across the road, and rejoined him three minutes later, looking rather flushed.
"Now then, Tom." She slipped her arm in his. "Tell me more about Scotland Yard. You didn't see the other one there*"
"What other one*"
"The Belgian gentleman (бельгийского джентельмена). The one that A.B.C. writes to always (того, кому Эй-би-си пишет всегда)."
"No. He wasn't there (его там не было)."
"Well, tell me all about it (расскажи мне все об этом). What happened when you got inside (что случилось, когда ты попал внутрь)* Who did you speak to (с кем ты говорил) and what did you say (и что ты сказал)*"
Mr. Cust put the receiver back very gently on the hook (мистер Каст мягко повесил трубку назад на крючок).
He turned to where Mrs. Marbury was standing in the doorway of a room (он повернулся туда, где стояла миссис Марбери в дверях в комнату), clearly devoured with curiosity (явно пожираемая любопыством).
"Not often you have a telephone call, Mr. Cust (нечасто вам звонят: «не часто вы имеете телефонный звонок», мистер Каст)."
"No — er — no, Mrs. Marbury (нет, миссис Марбери). It isn't (не часто)."
"Not bad news (нет плохих новостей), I trust (я верю/полагаю = надеюсь)*"
hook [h*k], devour [d**va**], trust [tr*st]
"The Belgian gentleman. The one that A.B.C. writes to always."
"No. He wasn't there."
"Well, tell me all about it. What happened when you got inside* Who did you speak to and what did you say*"
Mr. Cust put the receiver back very gently on the hook.
He turned to where Mrs. Marbury was standing in the doorway of a room, clearly devoured with curiosity.
"Not often you have a telephone call, Mr. Cust."
"No — no." How persistent the woman was (как настойчива эта женщина). His eye caught the legend on the newspaper (его взгляд упал на надпись в газете) he was carrying (которую он нес).
Births (рождения) — Marriages (бракосочетания) — Deaths (смерти).
"My sister's just had a little boy," he blurted out (моя сестра только что родила маленького мальчика, — он выпалил).
He — who had never had a sister (он — у которого никогда не было сестры)!
persistent [p**s*st*nt], legend [*le**nd], marriage [*m*r**]
"No — er — no, Mrs. Marbury. It isn't."
"Not bad news, I trust*"
"No — no." How persistent the woman was. His eye caught the legend on the newspaper he was carrying.
Births — Marriages — Deaths .
"My sister's just had a little boy," he blurted out.
He — who had never had a sister!
"Oh, dear (о, Боже)! Now (ну) — well, that is nice (это мило), I am sure (право: «я уверена»). ('And never once mentioned a sister all these years (и никогда /ни/ разу /не/ упомянул сестру за эти годы),' was her inward thought (сказал ее внутренний голос: «была ее внутренная мысль»). 'If that isn't just like a man (разве это не похоже на мужчину)!') I was surprised (я была удивлена), I'll tell you (я скажу вам), when the lady asked to speak to Mr. Cust (когда женщина попросила поговорить с мистером Кастом). Just at first (просто сначала) I fancied it was my Lily's voice (я вообразила, это был голос моей Лили) — something like hers, it was (как-то похож на ее он был) — but haughtier (но выше/надменнее; haughty — высокомерный, надменный) if you know what I mean (если вы понимаете, что я имею в виду) — sort of high up in the air (как-то повыше на слух: «как-то высоко в воздухе»). Well, Mr. Cust (так, мистер Каст), my congratulations (мои поздравления), I'm sure (право). Is it the first one (это первый), or have you other little nephews and nieces (или у вас есть другие маленькие племянники и племянницы)*"
inward [**nw*d], haughty [*h*:t*], nephew [*nevju:]
"Oh, dear! Now — well, that is nice, I am sure. ('And never once mentioned a sister all these years,' was her inward thought. 'If that isn't just like a man!') I was surprised, I'll tell you, when the lady asked to speak to Mr. Cust. Just at first I fancied it was my Lily's voice — something like hers, it was — but haughtier if you know what I mean — sort of high up in the air. Well, Mr. Cust, my congratulations, I'm sure. Is it the first one, or have you other little nephews and nieces*"
"It's the only one," said Mr. Cust (это единственный). "The only one I've ever had (единственный, /который/ у меня когда-либо был) or likely to have (или вероятно будет), and — er — I think (я думаю) I must go off at once (я должен уехать сейчас же). They — they want me to come (они хотят, чтобы я приехал). I — I think (я думаю) I can just catch a train (я могу как раз успеть на поезд) if I hurry (если я потороплюсь)."
"Will you be away long, Mr. Cust*" called Mrs. Marbury (вы долго будете отсутствовать, мистер Каст* — окликнула /его/ миссис Марбери) as he ran up the stairs (пока он бежал вверх по лестнице).
"Oh, no — two or three days (два или три дня) — that's all (это все)."
catch [k*t*], call [k*:l], three [Ori:]
"It's the only one," said Mr. Cust. "The only one I've ever had or likely to have, and — er — I think I must go off at once. They — they want me to come. I — I think I can just catch a train if I hurry."
"Will you be away long, Mr. Cust*" called Mrs. Marbury as he ran up the stairs.
"Oh, no — two or three days — that's all."
He disappeared into his bedroom (он исчез в своей спальне). Mrs. Marbury retired into the kitchen (миссис Марбери ретировалась в кухню), thinking sentimentally of "the dear little mite (сентиментально думая о «дорогой маленькой крошке»; mite — ист. грош, полушка; крошечное существо)."
Her conscience gave her a sudden twinge (у нее неожиданно начались угрызения совести: «ее совесть неожиданно причинила ей боль»; twinge — приступ боли; моральная мука).
Last night (прошлой ночью) Tom and Lily (Том и Лили) and all the hunting back over dates (и все прослеживание прошлых дат)! Trying to make out (попытка выяснить) that Mr. Cust was that dreadful monster (что мистер Каст был тот отвратительный монстр), A.B.C. (Эй-би-си). Just because of his initials (просто из-за его инициалов) and because of a few coincidences (и из-за нескольких совпадений).
"I don't suppose they meant it seriously," she thought comfortably (я не считаю, что они серьезно имели это в виду, — спокойно подумала она; comfortable — расслабленный, спокойный). "And now I hope (и теперь я надеюсь) they'll be ashamed of themselves (им будет стыдно за самих себя)."
mite [ma*t], twinge [tw*n*], comfortably [*k*mf(*)t*bl]
He disappeared into his bedroom. Mrs. Marbury retired into the kitchen, thinking sentimentally of "the dear little mite."
Her conscience gave her a sudden twinge.
Last night Tom and Lily and all the hunting back over dates! Trying to make out that Mr. Cust was that dreadful monster, A.B.C.. Just because of his initials and because of a few coincidences.
"I don't suppose they meant it seriously," she thought comfortably. "And now I hope they'll be ashamed of themselves."
In some obscure way (каким-то неясным образом; obscure — темный, слабо освещенный, тусклый; невразумительный, неясный; неразборчивый) that she could not have explained (который она не могла объяснить), Mr. Cust's statement (заявление мистера Каста) that his sister had had a baby (что его сестра только что родила ребенка) had effectually removed any doubts (эффективно удалило любые сомнения) Mrs. Marbury might have had of her lodger's bonafides (/которые/ миссис Марбери могла иметь о благонадежности своего жильца; bonafides — честное намерение; добросовестность).
"I hope (я надеюсь) she didn't have too bad a time of it, poor dear," thought Mrs. Marbury (ей не было очень плохо из-за родов, бедняжке: «она не имела плохое время из этого, бедняжка», — думала миссис Марбери), testing an iron against her cheek (проверяя утюг /поднеся его к/ своей щеке) before beginning to iron out Lily's silk slip (прежде чем начать гладить шелковую комбинацию Лили).
Her mind ran comfortably on a well-worn obstetric track (ее мысли спокойно обдумавали акушерские вопросы: «ее мысли спокойно бежали по хорошо проезженной акушерской дорожке»).
Mr. Cust came quietly down the stairs (мистер Каст тихо спустился вниз по лестнице), a bag in his hand (/с/ сумкой в руке). His eyes rested a minute on the telephone (его глаза остановились на минуту на телефоне).
effectually [**fekt***l*], bonafides [*b**n**fa*di:z], obstetric [*b*ster*k]
In some obscure way that she could not have explained, Mr. Cust's statement that his sister had had a baby had effectually removed any doubts Mrs. Marbury might have had of her lodger's bonafides.
"I hope she didn't have too bad a time of it, poor dear," thought Mrs. Marbury, testing an iron against her cheek before beginning to iron out Lily's silk slip.
Her mind ran comfortably on a well-worn obstetric track.
Mr. Cust came quietly down the stairs, a bag in his hand. His eyes rested a minute on the telephone.
That brief conversation re-echoed in his brain (тот краткий разговор эхом прозвучал в его голове: «мозгу»).
"Is that you, Mr. Cust (это вы, мистер Каст)* I thought (я подумала) you might like to know (вам, вероятно, захочется узнать) there's an inspector from Scotland Yard may be coming to see you (там инспектор из Скотланд-Ярда, может быть, придет повидаться с вами)."
What had he said (что он сказал)* He couldn't remember (он не мог вспомнить).
"Thank you (благодарю вас) — thank you, my dear (благодарю вас, моя дорогая) … very kind of you (очень мило с вашей /стороны/)."
Something like that (что-то похожее на это).
Why had she telephoned to him (почему она позвонила ему)* Could she possibly have guessed (могла ли она, вероятно, догадаться)* Or did she just want to make sure (или она просто хотела убедиться) he would stay in for the inspector's visit (что он останется /дома/ до визита инспектора)*
re-echoe [ri(:)*ek**], kind [ka*nd], possibly [*p*s*bl*]
That brief conversation re-echoed in his brain.
"Is that you, Mr. Cust* I thought you might like to know there's an inspector from Scotland Yard may be coming to see you."
What had he said* He couldn't remember.
"Thank you — thank you, my dear … very kind of you."
Something like that.
Why had she telephoned to him* Could she possibly have guessed* Or did she just want to make sure he would stay in for the inspector's visit*
But how did she know the inspector was coming (но как она узнала, что инспектор придет)* And her voice (а ее голос) — she'd disguised her voice from her mother (она замаскировала свой голос от матери) … It looked (это выглядело) — it looked (это выглядело) — as though she knew (как будто она знала) … But surely (но, конечно) if she knew (если бы она знала), she wouldn't (она бы не) …
She might, though (хотя, она могла). Women were very queer (женщины очень странные). Unexpectedly cruel (неожиданно жестокие) and unexpectedly kind (и неожиданно добрые). He'd seen Lily once letting a mouse out of a mousetrap (однажды он видел, как Лили выпустила мышь из мышеловки).
A kind girl (добрая девушка) …
A kind, pretty girl (добрая, симпатичная девушка) …
unexpectedly [**n*ks*pekt*dl*], cruel [*kr**l], mousetrap [*ma*str*p]
But how did she know the inspector was coming* And her voice — she'd disguised her voice from her mother … It looked — it looked — as though she knew … But surely if she knew, she wouldn't …
She might, though. Women were very queer. Unexpectedly cruel and unexpectedly kind. He'd seen Lily once letting a mouse out of a mousetrap.
A kind girl …
A kind, pretty girl …
He paused by the hall stand (он остановился рядом с вешалкой в холле) with its load of umbrellas and coats (с ее грузом из зонтиков и пальто).
Should he (следует ли ему) — *
A slight noise from the kitchen decided him (легкий шум из кухни /заставил/ его решиться) …
No, there wasn't time (не было времени) …
Mrs. Marbury might come out (миссис Марбери могла выйти) …
He opened the front door (он открыл парадную дверь), passed through (прошел сквозь) and closed it behind him … (и закрыл ее за собой) …
Where (куда) … *
umbrella [*m*brel*], load [l**d], noise [n**z]
He paused by the hall stand with its load of umbrellas and coats.
Should he — *
A slight noise from the kitchen decided him …
No, there wasn't time …
Mrs. Marbury might come out …
He opened the front door, passed through and closed it behind him …
Where … *
XXIX. At Scotland Yard
(в Скотланд-Ярде)
Conference again (снова совещание).
The Assistant Commissioner (заместитель комиссара), Inspector Crome (инспектор Кроум), Poirot (Пуаро) and myself (и я сам).
The A.C. was saying (заместитель коммисара говорил): "A good tip that of yours, M. Poirot (это была хорошая подсказка от вас, мсье Пуаро), about checking a large sale of stockings (о проверке крупных продаж чулок)."
Poirot spread out his hands (Пуаро развел руками: «Пуаро разложил руки») "It was indicated (это было обозначено; to indicate — показывать; означать). This man could not be a regular agent (этот человек не мог быть постоянным агентом). He sold outright (он продавал напрямую; to sell) instead of touting for orders (вместо того, чтобы докучать заказами)."
"Got everything clear so far, inspector (пока все выяснили, инспектор)*"
"I think so, sir." Crome consulted a file (я так думаю, сэр, — Кроум заглянул в папку). "Shall I run over the position to date (следует мне сделать обзор ситуации на сегодняшний день)*"
"Yes, please (да, пожалуйста)."
A.C. [*e**s*], outright [*a*tra*t], tout [ta*t]
Conference again.
The Assistant Commissioner, Inspector Crome, Poirot and myself.
The A.C. was saying: "A good tip that of yours, M. Poirot, about checking a large sale of stockings."
Poirot spread out his hands. "It was indicated. This man could not be a regular agent. He sold outright instead of touting for orders."
"Got everything clear so far, inspector*"
"I think so, sir." Crome consulted a file. "Shall I run over the position to date*"
"Yes, please."
"I've checked up with Churston (я проверил по Черстону), Paignton (Пейнтону) and Torquay (и Торки). Got a list of people (получил список людей) where he went (к которым: «куда» он ходил) and offered stockings (и предлагал чулки). I must say (я должен сказать) he did the thing thoroughly (он делал все тщательно). Stayed at the Pitt (остановился в «Питте»), small hotel near Torre Station (маленьком отеле рядом со станцией Торр). Returned to the hotel at 10:30 on the night of the murder (вернулся в отель в десять тридцать в ночь убийства). Could have taken a train from Churston at 10:05 (вероятно, сел на поезд из Черстона на десять ноль пять), getting to Paignton at 10:15 (прибывающий до Пейнтона в десять пятнадцать). No one answering to his description noticed on train (ни один, отвечающий его описанию, не был замечен в поезде) or at stations (или на станциях), but that Thursday was Dartmouth Regatta (но в тот четверг была регата в Дартмуте) and the trains back from Kingswear were pretty full (и поезда, возвращающиеся из Кингсвера, были сильно наполнены)."
answering [**:ns*r**], Dartmouth [*d*:tm*O], regatta [r****t*]
"I've checked up with Churston, Paignton and Torquay. Got a list of people where he went and offered stockings. I must say he did the thing thoroughly. Stayed at the Pitt, small hotel near Torre Station. Returned to the hotel at 10:30 on the night of the murder. Could have taken a train from Churston at 10:05, getting to Paignton at 10:15. No one answering to his description noticed on train or at stations, but that Thursday was Dartmouth Regatta and the trains back from Kingswear were pretty full."
"Bexhill much the same (/в/ Бексхилле почти то же самое). Stayed at the Glove under his own name (остановился в «Перчатке» под своим собственным именем). Offered stockings to about a dozen addresses (предлагал чулки примерно по дюжине адресов), including Mrs. Barnard (включая миссис Барнард) and including the Ginger Cat (и включая /кафе/ «Рыжий кот»). Left hotel early in the evening (покинул отель ранним вечером). Arrived back in London about 11:30 the following morning (вернулся: «прибыл назад» в Лондон около одиннадцати тридцати на следующее утро). As to Andover (что касается Эндовера), same procedure (те же действия: «такая же процедура»). Stayed at the Feathers (останавливался в «Перьях»). Offered stockings to Mrs. Fowler (предлагал чулки миссис Фаулер), next door to Mrs. Ascher (по-соседству от миссис Эшер: «следующая дверь от миссис Эшер»), and to half a dozen other people in the street (и полудюжине других людей на улице). The pair Mrs. Ascher had (/ту/ пару, /которая/ была у миссис Эшер) I got from the niece (я получил от племянницы) (name of Drower (/по/ имени Дроуер)) — they're identical with Cust's supply (они идентичны запасу Каста)."
"So far, good," said the A.C. (пока хорошо, — сказал заместитель комиссара; so far so good — пока все идет нормально).
include [*n*klu:d], street [stri:t], supply [s**pla*]
"Bexhill much the same. Stayed at the Glove under his own name. Offered stockings to about a dozen addresses, including Mrs. Barnard and including the Ginger Cat. Left hotel early in the evening. Arrived back in London about 11:30 the following morning. As to Andover, same procedure. Stayed at the Feathers. Offered stockings to Mrs. Fowler, next door to Mrs. Ascher, and to half a dozen other people in the street. The pair Mrs. Ascher had I got from the niece (name of Drower) — they're identical with Cust's supply."
"So far, good," said the A.C..
"Acting on information received," said the inspector (действуя /согласно/ полученной информации), "I went to the address (я отправился по адресу) given me by Hartigan (/который/ мне дал Хартиган), but found (но обнаружил) that Cust had left the house about half an hour previously (что Каст покинул дом получасом ранее). He received a telephone message (он получил телефонный звонок: «сообщение»), I'm told (мне сказали). First time such a thing had happened to him (в первый раз с ним случилась такая вещь), so his landlady told me (так его домовладелица сказала мне)."
"An accomplice*" suggested the Assistant Commissioner (соучастник* — предположил заместитель комиссара).
"Hardly," said Poirot (едва ли). "It is odd that (это странно, что) — unless (если не) —"
We all looked at him inquiringly (мы все вопросительно посмотрели на него) as he paused (когда он прервался).
acting [**kt**], message [*mes**], accomplice [**k*mpl*s]
"Acting on information received," said the inspector, "I went to the address given me by Hartigan, but found that Cust had left the house about half an hour previously. He received a telephone message, I'm told. First time such a thing had happened to him, so his landlady told me."
"An accomplice*" suggested the Assistant Commissioner.
"Hardly," said Poirot. "It is odd that — unless — "
We all looked at him inquiringly as he paused.
He shook his head, however (однако он покачал головой), and the inspector proceeded (и инспектор продолжил).
"I made a thorough search of the room (я произвел тщательный осмотр комнаты) he had occupied (/которую/ он занимал). That search puts the matter beyond doubt (этот поиск ставит дело вне сомнения). I found a block of notepaper similar to that (я нашел блок почтовой бумаги, похожей на ту) on which the letters were written (на которой были написаны письма), a large quantity of hosiery (большое количество чулочных изделий) and — at the back of the cupboard (внизу шкафа) where the hosiery was stored (где хранились чулочные изделия) — a parcel much the same shape and size (сверток почти такой же формы и размера) but which turned out to contain (но которая, оказалось, содержит) — not hosiery (не чулочные изделия) — but eight new A.B.C. railway guides (а восемь новых железнодорожных справочников «Эй-би-си»)!"
"Proof positive," said the Assistant Commissioner (неопровержимое доказательство: «позитивное/прямое доказательство», — сказал заместитель комиссара).
search [s*:t*], similar [*s*m*l*], contain [k*n*te*n]
He shook his head, however, and the inspector proceeded.
"I made a thorough search of the room he had occupied. That search puts the matter beyond doubt. I found a block of notepaper similar to that on which the letters were written, a large quantity of hosiery and — at the back of the cupboard where the hosiery was stored — a parcel much the same shape and size but which turned out to contain — not hosiery — but eight new A.B.C. railway guides!"
"Proof positive," said the Assistant Commissioner.
"I've found something else, too," said the inspector (я также обнаружил еще кое-что) — his voice becoming suddenly almost human with triumph (его голос неожиданно стал почти человеческим от триумфа). "Only found it this morning, sir (только обнаружил это этим утром, сэр). Not had time to report yet (пока не было времени доложить). There was no sign of the knife in his room (там /не/ было никакого признака ножа в его комнате) —"
"It would be the act of an imbecile to bring that back with him," remarked Poirot (это был бы поступок идиота — приносить его назад с собой, — заметил Пуаро).
"After all, he's not a reasonable human being," remarked the inspector (в конце концов, он не разумное человеческое существо, — заметил инспектор). "Anyway (в любом случае), it occurred to me (это пришло мне на ум) that he might just possibly have brought it back to the house (что он, возможно, просто принес его назад в дом) and then realized the danger of hiding it (но затем понял опасность прятать его) (as M. Poirot points out (как указывает мсье Пуаро) in his room (в своей комнате), and have looked about elsewhere (и осмотрел во всех других /местах/). What place in the house would he be likely to select (какое место в доме он, вероятно, бы выбрал)* I got it straightaway (я нашел его прямо сразу). The hall stand (вешалка в холле) — no one ever moves a hall stand (никто никогда не передвигает вешалку в холле). With a lot of trouble (с большим трудом) I got it moved out from the wall (я отодвинул ее от стены: «я получил ее отодвинутой от стены») — and there it was (и там он был)!"
triumph [*tra**mf], elsewhere [*elsw**], straightaway [*stre*t*we*]
"I've found something else, too," said the inspector — his voice becoming suddenly almost human with triumph. "Only found it this morning, sir. Not had time to report yet. There was no sign of the knife in his room — "
"It would be the act of an imbecile to bring that back with him," remarked Poirot.
"After all, he's not a reasonable human being," remarked the inspector. "Anyway, it occurred to me that he might just possibly have brought it back to the house and then realized the danger of hiding it (as M. Poirot points out) in his room, and have looked about elsewhere. What place in the house would he be likely to select* I got it straightaway. The hall stand — no one ever moves a hall stand. With a lot of trouble I got it moved out from the wall — and there it was!"
"The knife (/тот/ нож)*"
''The knife. Not a doubt of it (никакого сомнения в этом). The dried blood's still on it (засохшая кровь все еще на нем)."
"Good work, Crome," said the A.C. approvingly (хорошая работа, Кроум, — одобрительно сказал заместитель комиссара). "We only need one thing more now (нам теперь нужна только еще одна вещь)."
"What's that (что это)*"
"The man himself (сам /этот/ человек)."
"We'll get him, sir (мы возьмем его, сэр). Never fear (не волнуйтесь: «вовсе не опасайтесь»)."
The inspector's tone was confident (тон инспектора был уверенным).
"What do you say, M. Poirot (что вы скажете, мсье Пуаро)*"
approvingly [**pru:v**l*], confident [*k*nf*d*nt], fear [f**]
"The knife*"
''The knife. Not a doubt of it. The dried blood's still on it."
"Good work, Crome," said the A.C. approvingly. "We only need one thing more now."
"What's that*"
"The man himself."
"We'll get him, sir. Never fear."
The inspector's tone was confident.
"What do you say, M. Poirot*"
Poirot started out of a reverie (Пуаро вышел из задумчивости; reverie — задумчивость, мечтательность).
"I beg your pardon (я прошу прощения)*"
"We were saying (мы говорили) that it was only a matter of time (что это только дело времени) before we get our man (прежде чем мы возьмем нашего человека). Do you agree (вы согласны)*"
"Oh, that (о, это) — yes. Without a doubt (без сомнения)." His tone was so abstracted (его тон был таким рассеянным) that the others looked at him curiously (что остальные посмотрели на него с любопытством).
"Is there anything worrying you, M. Poirot (что-то беспокоит вас, мсье Пуаро)*"
"There is something that worries me very much (есть нечто, что беспокоит меня очень сильно). It is the why (это «почему»)* The motive (мотив)*"
"But, my dear fellow (но, дорогой мой друг), the man's crazy," said the Assistant Commissioner impatiently (этот человек — сумасшедший, — нетерпеливо сказал заместитель комиссара).
reverie [*rev*r*], pardon [*p*:d*n], abstracted [*b*str*kt*d]
Poirot started out of a reverie.
"I beg your pardon*"
"We were saying that it was only a matter of time before we get our man. Do you agree*"
"Oh, that — yes. Without a doubt." His tone was so abstracted that the others looked at him curiously.
"Is there anything worrying you, M. Poirot*"
"There is something that worries me very much. It is the why* The motive*"
"But, my dear fellow, the man's crazy," said the Assistant Commissioner impatiently.
"I understand (я понимаю) what M. Poirot means," said Crome (что имеет в виду мсье Пуаро), coming graciously to the rescue (любезно приходя на помощь). "He's quite right (он совершенно прав). There's got to be some definite obsession (там должна быть некая определенная одержимость). I think (я думаю) we'll find the root of the matter in an intensified inferiority complex (мы найдем корни этого дела в усиленном комплексе неполноценности). There may be persecution mania, too (тут также может быть и мания преследования), and if so he may possibly associate M. Poirot with it (и если так, то он мог ассоциировать с этим мсье Пуаро). He may have the delusion (у него может быть ложное представление) that M. Poirot is a detective (что мсье Пуаро — это детектив) employed on purpose to hunt him down (нанятый специально, чтобы выследить его)."
graciously [**re***sl*], root [ru:t], delusion [d**lu:*(*)n]
"I understand what M. Poirot means," said Crome, coming graciously to the rescue. "He's quite right. There's got to be some definite obsession. I think we'll find the root of the matter in an intensified inferiority complex. There may be persecution mania, too, and if so he may possibly associate M. Poirot with it. He may have the delusion that M. Poirot is a detective employed on purpose to hunt him down."
"Hm," said the A.C. (хм, — сказал заместитель комиссара). "That's the jargon that's talked nowadays (это жаргон, на котором говорят в наши дни). In my day (в мое время: «в мои дни») if a man was mad (если человек был сумасшедшим) he was mad (он был сумасшедшим) and we didn't look about for scientific terms to soften it down (и мы не искали научных теминов, чтобы смягчить это). I suppose (я полагаю) a thoroughly up-to-date doctor would suggest (тщательный современный доктор предложил бы) putting a man like A.B.C. in a nursing home (поместить такого человека, как Эй-би-си, в частную лечебницу), telling him what a fine fellow he was for forty-five days on end (говоря ему, какой он хороший парень, в течение сорока пяти дней подряд) and then letting him out as a responsible member of society (а затем выпустить его достойным доверия членом общества: «как ответственного члена общества»)."
jargon [***:**n], scientific [*sa**n*t*f*k], society [s**sa**t*]
"Hm," said the A.C.. "That's the jargon that's talked nowadays. In my day if a man was mad he was mad and we didn't look about for scientific terms to soften it down. I suppose a thoroughly up-to-date doctor would suggest putting a man like A.B.C. in a nursing home, telling him what a fine fellow he was for forty-five days on end and then letting him out as a responsible member of society."
Poirot smiled (Пуаро улыбнулся) but did not answer (но не ответил).
The conference broke up (совещание прервалось).
"Well," said the Assistant Commissioner (так, — сказал заместитель комиссара). "As you say, Crome (как вы говорите, Кроум), pulling him in is only a matter of time (арестовать его — это только дело времени; to pull in — разг. арестовывать)."
"We'd have had him before now," said the inspector (мы бы схватили его до настоящего момента), "if he wasn't so ordinary-looking (если бы он не был таким внешне обычным). We've worried enough perfectly inoffensive citizens as it is (мы достаточно побеспокоили совершенно безобидных граждан из-за этого: «как это есть»)."
"I wonder (мне интересно) where he is at this minute," said the Assistant Commissioner (где он в данную минуту).
inoffensive [**n**fens*v], citizen [*s*t*z*n], perfectly [*p*:f*ktl*]
Poirot smiled but did not answer.
The conference broke up.
"Well," said the Assistant Commissioner. "As you say, Crome, pulling him in is only a matter of time."
"We'd have had him before now," said the inspector, "if he wasn't so ordinary-looking. We've worried enough perfectly inoffensive citizens as it is."
"I wonder where he is at this minute," said the Assistant Commissioner.
XXX. (Not from Captain Hastings' Personal Narrative)
(не из личного повествования капитана Гастингса)
Mr. Cust stood by a greengrocer's shop (мистер Каст стоял у магазина зеленщика).
He stared across the road (он пристально смотрел через дорогу).
Yes, that was it (да, вот оно).
Mrs. Ascher (миссис Эшер). Newsagent (владелица газетного киоска) and Tobacconist (и продавщица табачных изделий) … In the empty window was a sign (в пустом окне был знак).
To Let (сдается).
Empty (пусто) …
Lifeless (безжизненно) …
across [*k*r*s], tobacconist [t**b*k*n*st], lifeless [*la*fl*s]
Mr. Cust stood by a greengrocer's shop.
He stared across the road.
Yes, that was it.
Mrs. Ascher. Newsagent and Tobacconist … In the empty window was a sign.
To Let.
Empty …
Lifeless …
"Excuse me, sir (извините меня, сэр)."
The greengrocer's wife (жена зеленщика), trying to get at some lemons (пытающаяся дотянуться до каких-то лемонов).
He apologized (он извинился), moved to one side (сдвинулся в одну сторону).
Slowly he shuffled away (медленно волоча ноги, он двинулся прочь) — back towards the main street of the town (назад к главной улице города) …
It was difficult (это было трудно) — very difficult (очень трудно) — now that he hadn't any money left (теперь, когда у него не осталось денег) …
Not having had anything to eat all day (если не поешь целый день) made one feel very queer (это заставит тебя чувствовать очень странно) and light-headed (и /заставит испытывать/ головокружение) …
He looked at a poster outside a newsagent's shop (он посмотрел на плакат на газетном киоске: «снаружи газетного киоска»).
lemon [*lem*n], shuffle [**fl], poster [*p**st*]
"Excuse me, sir."
The greengrocer's wife, trying to get at some lemons.
He apologized, moved to one side.
Slowly he shuffled away — back towards the main street of the town …
It was difficult — very difficult — now that he hadn't any money left …
Not having had anything to eat all day made one feel very queer and light-headed …
He looked at a poster outside a newsagent's shop.
The A.B.C. Case(дело Эй-би-си). Murderer Still at Large(убийца все еще на свободе; to be at large — быть на свободе; на просторе). Interview with M. Hercule Poirot(интервью с мсье Эркюлем Пуаро).
Mr. Cust said to himself (мистер Каст сказал самому себе): "Hercule Poirot (Эркюль Пуаро). I wonder if he knows (мне интересно, знает ли он) —"
He walked on again (он снова подолжил идти).
It wouldn't do to stand staring at that poster (не годилось стоять, уставившись на этот плакат) …
He thought (он подумал): "I can't go on much longer (я больше не могу: «я не могу дольше продолжать»)."
Foot in front of foot (шаг за шагом: «ступня впереди ступни»; foot — ступня; шаг) … what an odd thing walking was (какая странная вещь ходьба) …
Foot in front of foot (шаг за шагом) — ridiculous (нелепо).
large [l*:*], again [***e*n], walking [*w*:k**]
The A.B.C. Case. Murderer Still at Large. Interview with M. Hercule Poirot.
Mr. Cust said to himself: "Hercule Poirot. I wonder if he knows — "
He walked on again.
It wouldn't do to stand staring at that poster …
He thought: "I can't go on much longer …"
Foot in front of foot … what an odd thing walking was …
Foot in front of foot — ridiculous.
Highly ridiculous (совершенно нелепо) …
But man was a ridiculous animal anyway (но человек — нелепое существо все равно) …
And he (а он), Alexander Bonaparte Cust (Александр Бонапарт Каст), was particularly ridiculous (был особенно нелеп) …
He always had been (он всегда был) …
People had always laughed at him (люди всегда смеялись над ним) …
He couldn't blame them (он не мог винить их) …
Where was he going (куда он шел)* He didn't know (он не знал). He'd come to the end (он дошел до предела). He no longer looked anywhere (он больше никуда не смотрел) but at his feet (кроме как под ноги).
Alexander [**l*k*z*:nd*], Bonaparte [*b**n*p*:t], anywhere [*en*w**]
Highly ridiculous …
But man was a ridiculous animal anyway …
And he, Alexander Bonaparte Cust, was particularly ridiculous …
He always had been …
People had always laughed at him …
He couldn't blame them …
Where was he going* He didn't know. He'd come to the end. He no longer looked anywhere but at his feet.
Foot in front of foot (шаг за шагом).
He looked up (он посмотрел вверх). Lights in front of him (огни перед ним). And letters (и буквы) …
Police Station (полицейский участок).
"That's funny," said Mr. Cust (это забавно). He gave a little giggle (и слегка хихикнул: «он издал небольшое хихиканье»).
Then he stepped inside (затем он ступил внутрь). Suddenly (неожиданно), as he did so (когда он так сделал), he swayed and fell forward (он покачнулся и упал вперед).
letter [*let*], inside [*n*sa*d], sway [swe*]
Foot in front of foot.
He looked up. Lights in front of him. And letters …
Police Station.
"That's funny," said Mr. Cust. He gave a little giggle.
Then he stepped inside. Suddenly, as he did so, he swayed and fell forward.
XXXI. Hercule Poirot Asks Questions
(Эркюль Пуаро задает вопросы)
It was a clear November day (был ясный ноябрьский день). Dr. Thompson and Chief Inspector Japp had come round (зашли доктор Томпсон и главный инспектор Джепп) to acquaint Poirot with the result of the police court proceedings in the case of Rex v. Alexander Bonaparte Cust (чтобы ознакомить Пуаро с результатом разбирательств полицейского суда по делу «Король против Александра Бонапарта Каста»; v. = vs. = versus — против).
Poirot himself had had a slight bronchial chill (у самого Пуаро была легкая простуда: «легкая бронхиальная простуда»; chill — простуда; озноб) which had prevented his attending (которая помешала ему присутствовать). Fortunately (к счастью) he had not insisted on having my company (он не настаивал на том, чтобы я составил ему компанию: «он не настаивал на /том, чтобы/ иметь мою компанию»).
proceeding [pr**si:d**], versus [*v*:s*s], bronchial [*br**kj*l]
It was a clear November day. Dr. Thompson and Chief Inspector Japp had come round to acquaint Poirot with the result of the police court proceedings in the case of Rex v. Alexander Bonaparte Cust.
Poirot himself had had a slight bronchial chill which had prevented his attending. Fortunately he had not insisted on having my company.
"Committed for trial," said Japp (передано в суд; to commit — совершать; передавать). "So that's that (так, такие-то дела)."
"Isn't it unusual," I asked (не правда ли, это необычно: «разве это не необычно»), "for a defence to be offered at this stage (чтобы защита была предложена на этой ступени; stage — сцена; период, ступень)* I thought prisoners always reserved their defence (я думал, заключенные всегда приберегают защиту)."
"It's the usual course," said Japp (это обычный ход /вещей/). "I suppose (я полагаю) young Lucas thought (молодой Лукас думал) he might rush it through (что он, вероятно, сможет быстро провести это /дело/; to rush — мчаться; выполнять слишком поспешно). He's a trier (он из тех, кто всегда старается взять нахрапом; trier — человек, делающий все, что в его силах; to try — пробовать, стараться, пытаться), I will say (я скажу). Insanity's the only defence possible (невменяемость является единственной возможной защитой)."
Poirot shrugged his shoulders (Пуаро пожал плечами). "With insanity there can be no acquittal (с невменяемостью там не может быть никакого оправдания). Imprisonment during His Majesty's pleasure is hardly preferable to death (бессрочное заключение: «заключение пока угодно Его Величеству» является едва ли предпочтительнее смерти)."
trial [*tra**l], trier [*tra**], acquittal [*k*w*tl]
"Committed for trial," said Japp. "So that's that."
"Isn't it unusual," I asked, "for a defence to be offered at this stage* I thought prisoners always reserved their defence."
"It's the usual course," said Japp. "I suppose young Lucas thought he might rush it through. He's a trier, I will say. Insanity's the only defence possible."
Poirot shrugged his shoulders. "With insanity there can be no acquittal. Imprisonment during His Majesty's pleasure is hardly preferable to death."
"I suppose (я полагаю) Lucas thought there was a chance," said Japp (Лукас думал, что тут есть шанс). "With a first-class alibi for the Bexhill murder (с первоклассным алиби для бексхиллского убийства), the whole case might be weakened (все дело могло быть ослаблено). I don't think (я не думаю) he realized how strong our case is (что он понимает, как сильно наше дело). Anyway Lucas goes in for originality (в любом случае Лукас любит оригинальничать: «Лукас увлекается оригинальностью»; to go in for — заниматься, увлекаться). He's a young man (он молодой человек), and he wanted to hit the public eye (и он хотел поразить публику)."
Poirot turned to Thompson (Пуаро повернулся к Томпсону). "What's your opinion, doctor (ваше мнение, доктор)*"
"Of Cust (о Касте)* Upon my soul (честное слово: «/клянусь/ моей душой»), I don't know what to say (я не знаю, что сказать). He's playing the sane man remarkably well (он играет нормального человека удивительно хорошо). He's an epileptic (он эпилептик), of course (конечно)."
"What an amazing denouement that was," I said (какая это была поразительная развязка).
strong [str**], epileptic [*ep**lept*k], denouement [de**nu:m*:*]
"I suppose Lucas thought there was a chance," said Japp. "With a first-class alibi for the Bexhill murder, the whole case might be weakened. I don't think he realized how strong our case is. Anyway Lucas goes in for originality. He's a young man, and he wanted to hit the public eye."
Poirot turned to Thompson. "What's your opinion, doctor*"
"Of Cust* Upon my soul, I don't know what to say. He's playing the sane man remarkably well. He's an epileptic, of course."
"What an amazing denouement that was," I said.
"His falling into the Andover police station in a fit (/то, что/ он ввалился в полицейский участок в Эндовере в припадке)* Yes — it was a fitting dramatic curtain to the drama (это был подходящий драматический занавес для этой драмы). A.B.C. had always timed his effects well (Эй-би-си всегда хорошо расчитывал свои эффекты)."
"Is it possible to commit a crime and be unaware of it*" I asked (возможно ли совершить преступление и не осознавать этого*).
"His denials seem to have a ring of truth in them (его отрицания, кажется, звучат правдиво: «его отрицания, кажется, имеют отзвуки правды в них»; to deny — отрицать; ring — звон; отголосок; to ring — звенеть; звучать)."
Dr. Thompson smiled a little (доктор Томпсон слегка улыбнулся). "You mustn't be taken in by that theatrical 'I swear by God' pose (вы не должны поддаваться этой театральной «я клянусь Богом» позе). It's my opinion (по-моему: «это мое мнение») that Cust knows perfectly well (что Каст отлично знает: «Каст знает совершенно хорошо») he committed the murders (что он совершил эти убийства).''
"When they're as fervent as that (когда они именно такие пылкие; fervent — горячий; пылкий) they usually do," said Japp (они обычно /так и звучат/).
curtain [*k*:t*n], denial [d**na**l], fervent [*f*:v*nt]
"His falling into the Andover police station in a fit* Yes — it was a fitting dramatic curtain to the drama. A.B.C. had always timed his effects well."
"Is it possible to commit a crime and be unaware of it*" I asked.
"His denials seem to have a ring of truth in them."
Dr. Thompson smiled a little. "You mustn't be taken in by that theatrical 'I swear by God' pose. It's my opinion that Cust knows perfectly well he committed the murders.''
"When they're as fervent as that they usually do," said Japp.
"As to your question," went on Thompson (что касается вашего вопроса, — продолжил Томпсон), "it's perfectly possible (это совершенно возможно) for an epileptic subject in a state of somnambulism to commit an action (чтобы эпилептический больной в состоянии сомнабулизма совершил действие; «для эпилептического субъекта в состоянии сомнабулизма совершать действие») and be entirely unaware of having done so (и совершенно не осознавать содеянное: «и быть совершенно неосознающим, что сделал так»). But it is the general opinion (но есть общее мнение) that such an action must 'not be contrary to the will of the person in the waking state' (что такое действие не должно быть противоположно воле человека в активном состоянии: «в бодрствующем состоянии»)."
He went on discussing the matter (он продолжил обсуждать это дело), speaking of grand mal and petit mal (рассказывая о большом эпилептическом припадке и малом эпилептическом припадке) and, to tell the truth (и, по правде говоря), confusing me hopelessly (безнадежно сбивая меня с толку) as is often the case (как это часто случается; case — случай) when a learned person holds forth on his own subject (когда эрудированный человек разглагольствует о собственном предмете; to hold forth — рассуждать, разглагольствовать).
somnambulism [s*m*n*bj*l*zm], contrary [*k*ntr*r*], forth [f*:O]
"As to your question," went on Thompson, "it's perfectly possible for an epileptic subject in a state of somnambulism to commit an action and be entirely unaware of having done so. But it is the general opinion that such an action must 'not be contrary to the will of the person in the waking state.'"
He went on discussing the matter, speaking of grand mal and petit mal and, to tell the truth, confusing me hopelessly as is often the case when a learned person holds forth on his own subject.
"However (однако), I'm against the theory (я против теории) that Cust committed these crimes (что Каст совершил эти преступления) without knowing he'd done them (не зная, что он совершил их). You might put that theory forward (можно было бы развить эту теорию: «вы могли бы продвинуть эту теорию») if it weren't for the letters (если бы не письма). The letters knock the theory on the head (письма разбивают эту теорию на голову: «стукают эту теорию по голове»). They show premeditation (они показывают преднамеренность) and a careful planning of the crime (и тщательное планирование преступления)."
"And of the letters we have still no explanation," said Poirot (и письмам мы все еще не имеем объяснения).
"That interests you (это интересует вас)*"
"Naturally (естественно) — since they were written to me (так как они были написаны мне). And on the subject of the letters Cust is persistently dumb (а по /поводу/ содержания писем Каст упорно молчит: «настойчиво молчалив»). Until I get at the reason for those letters being written to me (пока я не найду причину, по которой эти письма были написаны мне), I shall not feel that the case is solved (я не буду чувствовать, что этот случай разрешен; case — случай; юр. дело)."
explanation [*eksp**ne**(*)n], persistently [p**s*st*ntl*], dumb [d*m]
"However, I'm against the theory that Cust committed these crimes without knowing he'd done them. You might put that theory forward if it weren't for the letters. The letters knock the theory on the head. They show premeditation and a careful planning of the crime."
"And of the letters we have still no explanation," said Poirot.
"That interests you*"
"Naturally — since they were written to me. And on the subject of the letters Cust is persistently dumb. Until I get at the reason for those letters being written to me, I shall not feel that the case is solved."
"Yes — I can understand that from your point of view (я могу понять это с вашей точки зрения). There doesn't seem to be any reason to believe (кажется, нет причины верить) that the man ever came up against you in any way (что этот человек когда-либо сталкивался с вами каким-либо образом; to come up against — сталкиваться, встречаться)*"
"None whatever (никаким совершенно; whatever — какой бы ни; любой; /в отриц. предложениях/ никакой, совсем не, вообще не)."
"I might make a suggestion (я мог бы сделать преположение). Your name (ваше имя)!"
"My name (мое имя)*"
"Yes. Cust is saddled apparently by the whim of his mother (Каст, по-видимому, обременен по капризу его матери) — (Oedipus complex there), I shouldn't wonder (неудивительно: «я не стал бы удивляться»)!) — with two extremely bombastic Christian names (двумя совершенно помпезными именами; christian name — имя, данное при крещении): Alexander and Bonaparte (Александр и Бонапарт). You see the implications (вы видете следствие)* Alexander — the popularly supposed undefeatable (всеобще признан непобедимым; to defeat) who sighed for more worlds to conquer (который мечтал завоевать весь мир: «который тосковал, чтобы завоевать больше миров»). Bonaparte (Бонапарт) — the great Emperor of the French (великий французский император). He wants an adversary (он желает противника) — an adversary (противника), one might say in his class (можно сказать, своего класса). Well — there you are (и вот тут есть вы) — Hercules the strong (Геркулес сильный)."
christian [*kr*stj*n], Oedipus [*i:d*p*s], adversary [*d*v*:s*r*]
"Yes — I can understand that from your point of view. There doesn't seem to be any reason to believe that the man ever came up against you in any way*"
"None whatever."
"I might make a suggestion. Your name!"
"My name*"
"Yes. Cust is saddled apparently by the whim of his mother — (Oedipus complex there, I shouldn't wonder!) — with two extremely bombastic Christian names: Alexander and Bonaparte. You see the implications* Alexander — the popularly supposed undefeatable who sighed for more worlds to conquer. Bonaparte — the great Emperor of the French. He wants an adversary — an adversary, one might say in his class. Well — there you are — Hercules the strong."
"Your words are very suggestive, doctor (ваши слова очень наводят на мысли, доктор). They foster ideas (они питают представления) — "
"Oh, it's only a suggestion (это только предположение). Well, I must be off (мне нужно идти; to be off — уходить)."
Dr. Thompson went out (доктор Томпсон вышел). Japp remained (Джепп остался).
"Does this alibi worry you*" Poirot asked (это алиби беспокоит вас*).
"It does a little," admitted the inspector (/беспокоит/ немного, — признался инспектор). "Mind you (имейте в виду), I don't believe in it (я не верю в него), because I know it isn't true (потому что я знаю, что это не правда). But it is going to be the deuce to break it (но только дьявол разобьет его: «но это собирается дьявол разбить его»). This man Strange is a tough character (этот человек Стрейндж — крепкий орешек: «тип с крутым /нравом/»)."
"Describe him to me (опишите его мне)."
foster [*f*:st*], deuce [dju:s], tough [t*f]
"Your words are very suggestive, doctor. They foster ideas —"
"Oh, it's only a suggestion. Well, I must be off."
Dr. Thompson went out. Japp remained.
"Does this alibi worry you*" Poirot asked.
"It does a little," admitted the inspector. "Mind you, I don't believe in it, because I know it isn't true. But it is going to be the deuce to break it. This man Strange is a tough character."
"Describe him to me."
"He's a man of forty (он мужчина лет сорока). A tough (твердый), confident (уверенный), self-opinionated (имеющий собственное мнение) mining engineer (горный инженер). It's my opinion (по-моему: «это мое мнение») that it was he (что это был он) who insisted on his evidence being taken now (кто настоял, чтобы его свидетельство было принято сейчас). He wants to get off to Chile (он хочет уехать в Чили). He hoped (он надеялся) the thing might be settled out of hand (что все может уладиться немедленно; of hand — немедленно)."
"He's one of the most positive people I've ever seen," I said (он один из самых самоуверенных людей, которых я когда-либо видел; positive — позитивный; самоуверенный).
"The type of man (тип человека) who would not like to admit (который не захочет признать) he was mistaken (что он ошибался)," said Poirot thoughtfully (сказал Пуаро задумчиво; to mistake — делать ошибку).
Chile [t*a*l], engineer [*en***n**], positive [*p*z*t*v]
"He's a man of forty. A tough, confident, self-opinionated mining engineer. It's my opinion that it was he who insisted on his evidence being taken now. He wants to get off to Chile. He hoped the thing might be settled out of hand."
"He's one of the most positive people I've ever seen," I said.
"The type of man who would not like to admit he was mistaken," said Poirot thoughtfully.
"He sticks to his story (он придерживается своей истории/настаивает на своей истории; to stick — липнуть) and he's not one to be heckled (и он не такой, /кого/ можно закидать вопросами; to heckle — трепать, чесать лен; прерывать, забрасывать вопросами /исполнителя, оратора/). He swears by all that's blue (он клянется всеми чертями; by all that's blue! — черт побери!; blue — голубой, синий; непристойный) that he picked up Cust in the Whitecross Hotel at Eastbourne on the evening of July 24th (что он познакомился с Кастом в отеле «Белый крест» в Истборне вечером двадцать четвертого июня; to pick up — подбирать; знакомиться). He was lonely (ему было одиноко) and wanted someone to talk to (и /он/ хотел с кем-нибудь поговорить). As far as I can see (насколько я могу понять), Cust made an ideal listener (Каст оказался идеальным слушателем). He didn't interrupt (он не прерывал)! After dinner he and Cust played dominoes (после обеда он и Каст играли в домино). It appears (оказывается) Strange was a whale on dominoes (Стрейндж был настоящий мастер в игре домино; whale — кит; знаток, мастак) and to his surprise (и к его удивлению) Cust was pretty hot stuff too (Каст был тоже был не промах: «Каст был довольно горячей штучкой тоже»). Queer game, dominoes (странная игра домино). People go mad about it (люди с ума по ней сходят). They'll play for hours (они играют часами). That's what Strange and Cust did apparently (это то, что, по-видимому, делали Стрейндж и Каст).
Cust wanted to go to bed (Каст хотел пойти спать) but Strange wouldn't hear of it (но Стрейндж и слышать не хотел об этом) — swore (клялся; to swear — клясться) they'd keep it up until midnight at least (что они продолжали по крайней мере до полуночи). And that's what they did do (и это то, что они действительно делали). They separated at ten minutes past midnight (они расстались в десять минут первого: «в десять минут после полуночи»). And if Cust was in the Whitecross Hotel at Eastbourne (и если Каст был в отеле «Белый крест» в Истборне) at ten minutes past midnight on the morning of the 25th (в десять минут первого утром двадцать пятого) he couldn't very well be strangling Betty Barnard on the beach at Bexhill (он совершенно не мог душить Бетти Барнард на пляже в Бексхилле) between midnight and one o'clock (между полуночью и часом)."
domino [*d*m*n**], whale [we*l], separate [*sep*re*t]
"He sticks to his story and he's not one to be heckled. He swears by all that's blue that he picked up Cust in the Whitecross Hotel at Eastbourne on the evening of July 24th. He was lonely and wanted someone to talk to. As far as I can see, Cust made an ideal listener. He didn't interrupt! After dinner he and Cust played dominoes. It appears Strange was a whale on dominoes and to his surprise Cust was pretty hot stuff too. Queer game, dominoes. People go mad about it. They'll play for hours. That's what Strange and Cust did apparently.
Cust wanted to go to bed but Strange wouldn't hear of it — swore they'd keep it up until midnight at least. And that's what they did do. They separated at ten minutes past midnight. And if Cust was in the Whitecross Hotel at Eastbourne at ten minutes past midnight on the morning of the 25th he couldn't very well be strangling Betty Barnard on the beach at Bexhill between midnight and one o'clock."
"The problem certainly seems insuperable," said Poirot thoughtfully (эта проблема, разумеется, кажется непреодолимой, — задумчиво сказал Пуаро; insuperable — неодолимый, непреодолимый). "Decidedly (решительно; to decide — решать), it gives one to think (это заставляет думать: «это дает /основания/ человеку/тебе подумать»)."
"It's given Crome something to think about," said Japp (Кроуму теперь есть о чем подумать: «это дало Кроуму о чем подумать», — сказал Джепп).
"This man Strange is very positive (этот человек, Стрейндж, очень уверен)*"
"Yes. He's an obstinate devil (он упрямый дьявол). And it's difficult to see just where the flaw is (и как раз трудно понять, где изъян). Supposing (предположим) Strange is making a mistake (что Стрейндж совершает ошибку) and the man wasn't Cust (и тот человек не был Кастом) — why on earth (какого черта: «почему на земле») should he say his name is Cust (следует ему говорить, что его имя было Каст)* And the writing in the hotel register is his all right (и почерк в регистрационной книге отеля точно его). You can't say he's an accomplice (вы не можете сказать, что он соучастник) — homicidal lunatics don't have accomplices (у помешанных убийц не бывает соучастников)! Did the girl die later (умерла ли девушка позднее)* The doctor was quite firm in his evidence (доктор был достаточно тверд в своих свидетельствах), and anyway (и в любом случае) it would take some time for Cust to get out of the hotel at Eastbourne (это бы заняло Касту некоторое время, чтобы выбраться из отеля в Истборне) without being seen (без того, /чтобы/ быть замеченным) and get over to Bexhill (и добраться до Бексхилла) — fourteen miles away (в четырнадцати милях оттуда) — "
insuperable [*n*sju:p*r*bl], obstinate [**bst*n*t], flaw [fl*:]
"The problem certainly seems insuperable," said Poirot thoughtfully. "Decidedly, it gives one to think."
"It's given Crome something to think about," said Japp.
"This man Strange is very positive*"
"Yes. He's an obstinate devil. And it's difficult to see just where the flaw is. Supposing Strange is making a mistake and the man wasn't Cust — why on earth should he say his name is Cust* And the writing in the hotel register is his all right. You can't say he's an accomplice — homicidal lunatics don't have accomplices! Did the girl die later* The doctor was quite firm in his evidence, and anyway it would take some time for Cust to get out of the hotel at Eastbourne without being seen and get over to Bexhill — fourteen miles away — "
"It is a problem (это проблема) — yes," said Poirot.
"Of course (конечно), strictly speaking (строго говоря), it oughtn't to matter (это не должно иметь значения). We've got Cust on the Doncaster murder (мы поймали Каста на донкастерском убийстве) — the bloodstained coat (запятнанное кровью пальто), the knife (нож) — not a loophole there (тут ни одной лазейки). You couldn't bounce any jury into acquitting him (вам не удасться склонить ни один суд присяжных оправдать его). But it spoils a pretty case (но это портит хорошее дело). He did the Doncaster murder (он совершил донкастерское убийство). He did the Churston murder (он совершил черстонское убийство). He did the Andover murder (он совершил эндоверское убийство). Then (тогда), by hell (черт возьми; hell — ад), he must have done the Bexhill murder (он должен бы совершить бексхиллское убийство). But I don't see how (но я не понимаю как)!"
He shook his head (он покачал головой) and got up (и встал). "Now's your chance, M. Poirot," he said (теперь ваш шанс, мсье Пуаро). "Crome's in a fog (Кроум в замешательстве: «/как/ в тумане»). Exert those cellular arrangements of yours (приведите в действие эти ваши клеточные механизмы) I used to hear so much about (о которых я так много, бывало, слышал). Show us the way he did it (покажите нам, как он это сделал)."
Japp departed (Джепп ушел).
bloodstained [*bl*dste*nd], exert [***z*:t], cellular [*selj*l*]
"It is a problem — yes," said Poirot.
"Of course, strictly speaking, it oughtn't to matter. We've got Cust on the Doncaster murder — the bloodstained coat, the knife — not a loophole there. You couldn't bounce any jury into acquitting him. But it spoils a pretty case. He did the Doncaster murder. He did the Churston murder. He did the Andover murder. Then, by hell, he must have done the Bexhill murder. But I don't see how!"
He shook his head and got up. "Now's your chance, M. Poirot," he said. "Crome's in a fog. Exert those cellular arrangements of yours I used to hear so much about. Show us the way he did it."
Japp departed.
"What about it, Poirot*" I said (ну, что: «как насчет этого», Пуаро). "Are the little grey cells equal to the task (соответствуют ли маленькие серые клеточки заданию; equal — равный; соответствующий, подходящий)*"
Poirot answered my question by another (Пуаро ответил на мой вопрос другим /вопросом/). "Tell me, Hastings (скажите мне, Гастингс), do you consider the case ended (вы рассматриваете это дело как законченное)*"
"Well — yes, practically speaking (по сути говоря; practically — практически; и в сущности). We've got the man (мы взяли этого человека). And we've got most of the evidence (и у нас есть большая /часть/ доказательств). It's only the trimmings that are needed (требуется только гарнир; trimming — приведение в порядок; украшение, отделка /процесс и результат/; стрижка; подстригание; обновление прически; trimmings — гарнир; приправа /к блюдам/; аксессуары; to trim — подрезать, подстригать)."
Poirot shook his head (Пуаро покачал головой). "The case is ended (дело закончено)! The case (дело)! The case is the man, Hastings (дело — это человек, Гастингс). Until we know all about the man (пока мы не узнаем все о человеке), the mystery is as deep as ever (тайна так же глубока, так и всегда). It is not victory (это не победа) because we have put him in the dock (что мы посадили его на скамью подсудимых; dock — док; скамья подсудимых)!"
"We know a fair amount about him (мы знаем очень много о нем: «приличное количество»)."
task [t*:sk], practically [*pr*kt*k*l*], dock [d*k]
"What about it, Poirot*" I said. "Are the little grey cells equal to the task*"
Poirot answered my question by another. "Tell me, Hastings, do you consider the case ended*"
"Well — yes, practically speaking. We've got the man. And we've got most of the evidence. It's only the trimmings that are needed."
Poirot shook his head. "The case is ended! The case! The case is the man, Hastings. Until we know all about the man, the mystery is as deep as ever. It is not victory because we have put him in the dock!"
"We know a fair amount about him."
"We know nothing at all (мы не знаем вообще ничего)! We know (мы знаем) where he was born (где он родился). We know (мы знаем) he fought in the war (что он сражался на войне; to fight) and received a slight wound in the head (и получил легкое ранение в голову) and that he was discharged from the Army owing to epilepsy (и что его демобилизовали из армии из-за эпилепсии). We know that he lodged with Mrs. Marbury for nearly two years (что он проживал у миссис Марбери почти два года). We know that he was quiet and retiring (что он был тихий и скромный) — the sort of man (тот тип человека) that nobody notices (который никто не знамечает). We know that he invented (что он изобрел) and carded out an intensely clever scheme of systematized murder (и расчитал в высшей степени умную схему систематических убийств). We know that he made certain incredibly stupid blunders (что он сделал нескольно невероятно глупых просчетов; blunder — грубая ошибка)."
fought [f*:t], wound [wu:nd], scheme [ski:m]
"We know nothing at all! We know where he was born. We know he fought in the war and received a slight wound in the head and that he was discharged from the Army owing to epilepsy. We know that he lodged with Mrs. Marbury for nearly two years. We know that he was quiet and retiring — the sort of man that nobody notices. We know that he invented and carded out an intensely clever scheme of systematized murder. We know that he made certain incredibly stupid blunders."
"We know (мы знаем) that he killed without pity (что он убивал без сожаления) and quite ruthlessly (и достаточно безжалостно). We know, too (мы знаем также), that he was kindly enough (что он был достаточно добр) not to let blame rest on any other person for the crimes (/чтобы/ не позволить вине лечь на любого другого человека за преступления) he committed (которые он совершил). If he wanted to kill unmolested (если бы он хотел убивать безнаказанно: «будучи оставленным в покое»; to molest — приставать; досаждать) — how to let other persons suffer for his crimes (как позволять другим людям страдать за его преступления). Do you not see, Hastings (вы не понимаете, Гастингс), the man is a mass of contradictions (это человек является массой противоречий)* Stupid and cunning (глупый и хитрый), ruthless and magnanimous (жестокий и велокодушный) — and that there must be some dominating factor (и что тут должен быть некий доминирующий фактор) that reconciles his two natures (который примиряет его две натуры)."
"Of course (конечно), if you treat him like a psychological study," I began (если вы рассматриваете его, как психологическое исследование, — начал я).
"What else has this case been since the beginning (что еще представляло собой это дело с самого начала)* All along (все время) I have been groping my way (я искал дорогу на ощупь) — trying to get to know the murderer (пытаясь узнать убийцу). And now I realize, Hastings (и теперь я понимаю, Гастингс), that I do not know him at all (что я не знаю его вообще)! I am at sea (я в недоумении: «я в море»)."
ruthlessly [*ru:Ol*sl*], unmolested [**nm**lest*d], reconcile [r*k*n*sa*l]
"We know that he killed without pity and quite ruthlessly. We know, too, that he was kindly enough not to let blame rest on any other person for the crimes he committed. If he wanted to kill unmolested — how to let other persons suffer for his crimes. Do you not see, Hastings, the man is a mass of contradictions* Stupid and cunning, ruthless and magnanimous — and that there must be some dominating factor that reconciles his two natures."
"Of course, if you treat him like a psychological study," I began.
"What else has this case been since the beginning* All along I have been groping my way — trying to get to know the murderer. And now I realize, Hastings, that I do not know him at all! I am at sea."
"The lust for power — " I began (но жажда власти, — начал я).
"Yes — that might explain a good deal (это могло бы многое объяснить) … But it does not satisfy me (но это не удовлетворяет меня). There are things I want to know (там есть вещи, /которые/ я хочу знать). Why did he commit these murders (почему он совершил эти убийства)* Why did he choose those particular people (почему он выбрал тех определенных людей) — *"
"Alphabetically — " I began (по алфавиту, — начал я).
"Was Betty Barnard the only person in Bexhill (была ли Бетти Барнард единственным человеком в Бексхилле) whose name began with a B (чье имя начиналось на /букву/ «би»)* Betty Barnard (Бетти Барнард) — I had an idea there (у меня тут есть идея). It ought to be true (этому следует быть правдой = это, должно быть, правда) — it must be true (это должно быть правдой). But if so (но если так) — "
lust [l*st], deal [di:l], true [tru:]
"The lust for power — " I began.
"Yes — that might explain a good deal … But it does not satisfy me. There are things I want to know. Why did he commit these murders* Why did he choose those particular people — *"
"Alphabetically — " I began.
"Was Betty Barnard the only person in Bexhill whose name began with a B* Betty Barnard — I had an idea there. It ought to be true — it must be true. But if so — "
He was silent for some time (он молчал: «он был молчалив» некоторое время). I did not like to interrupt him (я не хотел его прерывать; to like — любить; хотеть). As a matter of fact (фактически), I believe I fell asleep (я думаю, я заснул).
I woke to find Poirot's hand on my shoulder (когда я проснулся, я обнаружил руку Пуаро на моем плече: «я проснулся, чтобы обнаружить руку Пуаро на моем плече»). "Mon cher Hastings," he said affectionately (фр. мой дорогой Гастингс, — сказал он мягко: «нежно»). "My good genius (мой добрый гений)."
I was quite confused by this sudden mark of esteem (я был совершенно смущен этим неожиданным знаком почтения).
"It is true," Poirot insisted (это правда, — настаивал Пуаро). "Always (всегда) — always (всегда) — you help me (вы помогаете мне) — you bring me luck (вы приносите мне удачу). You inspire me (вы вдохновляете меня)."
"How have I inspired you this time*" I asked (как я вдохновил вас в этот раз).
interrupt [**nt**r*pt], genius [**i:n**s], esteem [*s*ti:m]
He was silent for some time. I did not like to interrupt him. As a matter of fact, I believe I fell asleep.
I woke to find Poirot's hand on my shoulder. "Mon cher Hastings," he said affectionately. "My good genius."
I was quite confused by this sudden mark of esteem.
"It is true," Poirot insisted. "Always — always — you help me — you bring me luck. You inspire me."
"How have I inspired you this time*" I asked.
"While I was asking myself certain questions (пока я задавал себе определенные вопросы) I remembered a remark of yours (я вспомнил ваше замечание) — a remark absolutely shimmering in its clear vision (замечание, абсолютно сияющее в его чистом видении). Did I not say to you once (я не говорил вам однажды) that you had a genius for stating the obvious (что у вас гений замечать очевидное)* It is the obvious (это очевидное) that I have neglected (которым я пренебрег)."
"What is this brilliant remark of mine*" I asked (что это за мое блестящее замечание).
"It makes everything as clear as crystal (это делает все кристально ясным: «таким ясным, как кристалл»). I see the answers to questions (я вижу ответы на вопросы). The reason for Mrs. Ascher (причину /убийства/ миссис Эшер) (that (которую), it is true (это правда), I glimpsed long ago (я увидел давно), the reason for Sir Carmichael Clarke (причину для /убийства/ сэра Кармайкла Кларка), the reason for the Doncaster murder (причину для донкастерского убийства), and finally (и наконец) and supremely important (и в высшей степени важное), the reason for Hercule Poirot (причину для /участия/ Эркюля Пуаро)."
vision [*v***n], crystal [*kr*st*l], supremely [sju(:)*pri:ml*]
"While I was asking myself certain questions I remembered a remark of yours — a remark absolutely shimmering in its clear vision. Did I not say to you once that you had a genius for stating the obvious* It is the obvious that I have neglected."
"What is this brilliant remark of mine*" I asked.
"It makes everything as clear as crystal. I see the answers to questions. The reason for Mrs. Ascher (that, it is true, I glimpsed long ago), the reason for Sir Carmichael Clarke, the reason for the Doncaster murder, and finally and supremely important, the reason for Hercule Poirot."
"Could you kindly explain*" I asked (будьте любезны объяснить: «/не/ могли бы вы любезно объяснить»).
"Not at the moment (не сейчас). I require first a little more information (мне требуется сначала немного больше информации). That I can get from our Special Legion (которую я смогу получить от «Специального легиона»). And then (и тогда) — then, when I have got the answer to a certain question (когда я получу ответ на определенный вопрос), I will go and see A.B.C. (я пойду и увижусь с Эй-би-си). We will be face to face at last (мы будем лицом к лицу наконец) — A.B.C., and Hercule Poirot (Эй-би-си и Эркюль Пуаро) — the adversaries (противники)."
"And then (а затем)*" I asked.
require [r**kwa**], information [**nf**me**(*)n], face [fe*s]
"Could you kindly explain*" I asked.
"Not at the moment. I require first a little more information. That I can get from our Special Legion. And then — then, when I have got the answer to a certain question, I will go and see A.B.C.. We will be face to face at last — A.B.C, and Hercule Poirot — the adversaries."
"And then*" I asked.
"And then," said Poirot (а затем), "we will talk (мы будем говорить)! Je vous assure, Hastings (фр. я уверяю вас, Гастингс) — there is nothing so dangerous for anyone (там нет ничего более опасного для того) who has something to hide (кому есть что скрывать) as conversation (чем беседа)! Speech (речь), so a wise old Frenchman said to me once (как один старый мудрый француз сказал мне однажды), is an invention of man's to prevent him from thinking (это изобретение человека, чтобы мешать ему думать). It is also an infallible means of discovering (это также есть надежный способ обнаружения; infallible — не допускающий ошибок) that which he wishes to hide (того, что он хочет скрыть). A human being, Hastings (человеческое существо, Гастингс), cannot resist the opportunity to reveal himself (не может сопротивляться возможности открыться) and express his personality (и выразить свою личность) which conversation gives him (которую дает ему беседа). Every time he will give himself away (каждый раз он будет выдавать себя)."
"What do you expect Cust to tell you (что вы ожидаете, что Каст расскажет вам)*"
Hercule Poirot smiled (Эркюль Пуаро улыбнулся). "A lie (ложь)," he said. "And by it (и через нее), I shall know the truth (я узнаю правду)!"
nothing [*n*O**], infallible [*n*f*l*bl], personality [*p*:s**n*l*t*]
"And then," said Poirot, "we will talk! Je vous assure, Hastings — there is nothing so dangerous for anyone who has something to hide as conversation! Speech, so a wise old Frenchman said to me once, is an invention of man's to prevent him from thinking. It is also an infallible means of discovering that which he wishes to hide. A human being, Hastings, cannot resist the opportunity to reveal himself and express his personality which conversation gives him. Every time he will give himself away."
"What do you expect Cust to tell you*"
Hercule Poirot smiled. "A lie," he said. "And by it, I shall know the truth!"
XXXII. And Catch a Fox
(и поймать лису)
During the next few days Poirot was very busy (в течение нескольких следующих дней Пуаро был очень занят). He made mysterious absences (он загадочно исчезал: «он совершал загадочные исчезновения»), talked very little (разговаривал очень мало), frowned to himself (хмурился сам себе = задумавшись), and consistently refused to satisfy my natural curiosity (и последовательно = решительно отказывался удовлетворить мое естественное любопытство) as to the brilliance I had (относительно блеска, который я; brilliant — искрящийся, блестящий, сверкающий; блестящий, выдающийся), according to him (согласно ему = по его мнению), displayed in the past (продемонстрировал в прошлом).
I was not invited to accompany him on his mysterious comings and goings (я не был приглашен сопровождать его в его загадочных приходах и уходах) — a fact which I somewhat resented (факт, которым я несколько возмущен; to resent — негодовать, возмущаться).
Towards the end of the week (к концу недели), however (однако), he announced his intention of paying a visit to Bexhill (он объявил о своем намерении нанести визит в Бексхилл) and neighbourhood (и окрестности) and suggested (и предложил) that I should come with him (чтобы я ехал с ним). Needless to say (не нужно говорить = конечно же), I accepted with alacrity (что я принял /предложение/ с готовностью).
absence [**bs*ns], resent [r**zent], alacrity [**l*kr*t*]
During the next few days Poirot was very busy. He made mysterious absences, talked very little, frowned to himself, and consistently refused to satisfy my natural curiosity as to the brilliance I had, according to him, displayed in the past.
I was not invited to accompany him on his mysterious comings and goings — a fact which I somewhat resented.
Towards the end of the week, however, he announced his intention of paying a visit to Bexhill and neighbourhood and suggested that I should come with him. Needless to say, I accepted with alacrity.
The invitation (приглашение), I discovered (/как/ я обнаружил), was not extended to me alone (не распространялось на меня одного). The members of our Special Legion were also invited (члены «Специального легиона» были тоже приглашены).
They were as intrigued by Poirot as I was (они были также заинтригованы Пуаро, как и я). Nevertheless (тем не менее), by the end of the day (к концу дня), I had at any rate an idea as to the direction (у меня было, по меньшей мере, представление о направлении) in which Poirot's thoughts were tending (в котором склонялись мысли Пуаро).
He first visited Mr. and Mrs. Barnard (он сначала посетил мистера и миссис Барнард) and got an exact account from her (и получил точный отчет от нее) as to the hour at which Mr. Cust had called on her (относительно часа, в котором мистер Каст зашел к ней) and exactly what he had said (и что он точно сказал). He then went to the hotel (затем он пошел в отель) at which Cust had put up (в котором Каст останавливался) and extracted a minute description of that gentleman's departure (и с добыл незначительное описание отъезда этого джентельмена; to extract — извлекать; с трудом добывать; minute — мелкий, незначительный). As far as I could judge (насколько я мог судить: «так далеко как я мог судить»), no new facts were elicited by his questions (никакие новые факты не были выявлены его вопросами) but he himself seemed quite satisfied (но он сам казался вполне удовлетворенным).
extend [*ks*tend], departure [d**p*:t**], minute [*m*n*t]
The invitation, I discovered, was not extended to me alone. The members of our Special Legion were also invited.
They were as intrigued by Poirot as I was. Nevertheless, by the end of the day, I had at any rate an idea as to the direction in which Poirot's thoughts were tending.
He first visited Mr. and Mrs. Barnard and got an exact account from her as to the hour at which Mr. Cust had called on her and exactly what he had said. He then went to the hotel at which Cust had put up and extracted a minute description of that gentleman's departure. As far as I could judge, no new facts were elicited by his questions but he himself seemed quite satisfied.
Next he went to the beach to the place (затем он пошел на пляж к тому месту) where Betty Barnard's body had been discovered (где было обнаружено тело Бетти Барнард). Here he walked round in circles for some minutes (здесь он походил кругами несколько минут) studying the shingle attentively (внимательно изучая гальку). I could see little point in this (я мог видеть мало смысла в этом), since the tide covered the spot twice a day (так как прилив накрывал это место дважды в день).
However I have learnt by this time (однако к этому времени я узнал) that Poirot's actions are dictated by an idea (что действия Пуаро продиктованы идеей) — however meaningless they may seem (какими бы бессмысленными они, вероятно, /не/ казались).
He then walked from the beach to the nearest point (он затем прошел от пляжа к ближайшему месту) at which a car could have been parked (где могла бы быть припаркована машина). From there again he went to the place (оттуда он снова дошел до места) where the Eastbourne buses waited (где ждали истборнские автобусы) before leaving Bexhill (перед тем как покинуть Бексхилл).
Finally he took us all to the Ginger Cat cafe (наконец он привел нас всех в кафе «Рыжий кот») where we had a somewhat stale tea (где мы все выпили несвежего чая; stale — несвежий) served by the plump waitress (поданного пухлой официанткой), Milly Higley (Милли Хигли).
shingle [****l], dictate [d*k*te*t], stale [ste*l]
Next he went to the beach to the place where Betty Barnard's body had been discovered. Here he walked round in circles for some minutes studying the shingle attentively. I could see little point in this, since the tide covered the spot twice a day.
However I have learnt by this time that Poirot's actions are dictated by an idea — however meaningless they may seem.
He then walked from the beach to the nearest point at which a car could have been parked. From there again he went to the place where the Eastbourne buses waited before leaving Bexhill.
Finally he took us all to the Ginger Cat cafe where we had a somewhat stale tea served by the plump waitress, Milly Higley.
Here he complimented in a flowing Gallic style on the shape of her ankles (здесь он сделал комплемент в непринужденной галльской манере форме ее лодыжек; to flow — струиться, течь).
"The legs of the English (ноги англичанок) — always they are too thin (всегда они слишком тонкие)! But you, mademoiselle (но у вас, мадемуазель), have the perfect leg (совершенная ножка). It has shape (она имеет форму) — it has an ankle (она имеет лодыжку)!"
Milly Higley giggled a good deal (Милли Хигли много хихикала) and told him not to go on so (и сказала ему не продолжать /в этом духе/). She knew (она знала) what French gentlemen were like (какими были французские джентельмены).
Poirot did not trouble to contradict her mistake as to his nationality (Пуаро не побеспокоился возразить ее ошибке относительно его национальности).
He merely ogled her in such a way (он просто строил ей глазки так; to ogle — смотреть влюбленно; строить глазки) that I was startled and almost shocked (что я был поражен и почти шокирован).
flow [fl**], Gallic [***l*k], ankle [**kl]
Here he complimented in a flowing Gallic style on the shape of her ankles.
"The legs of the English — always they are too thin! But you, mademoiselle, have the perfect leg. It has shape — it has an ankle!"
Milly Higley giggled a good deal and told him not to go on so. She knew what French gentlemen were like.
Poirot did not trouble to contradict her mistake as to his nationality.
He merely ogled her in such a way that I was startled and almost shocked.
"Voila!" said Poirot (фр. вот), "I have finished in Bexhill (я закончил в Бексхилле). Presently I go to Eastbourne (в настоящее время я еду в Истборн). One little inquiry there (одно маленькое расследование там) — that is all (и это все). Unnecessary for all to accompany me (необязательно всем сопровождать меня). In the meantime come back to the hotel (пока поедемте назад в отель) and have a cocktail (и выпьем коктейль). That Carlton tea (тот чай «Карлтон»), it was abominable (был отвратителен)!"
As we were sipping our cocktails (когда мы потягивали наши коктели) Franklin Clarke said curiously (Франклин Кларк сказал с любопыством): "I suppose (я полагаю) we can guess (мы можем догадаться) what you are after (за чем вы /охотитесь/)* You're out to break that alibi (вы выбрались опровергнуть то алиби; to break — ломать; признавать недействительным). But I can't see (но я не понимаю) what you're so pleased about (чем вы так довольны). You haven't got a new fact of any kind (вы не получили никакого нового факта)."
"No (нет) — that is true (это правда)."
accompany [**k*mp*n*], abominable [**b*m*n*bl], cocktail [*k*kte*l]
"Voila!" said Poirot, "I have finished in Bexhill. Presently I go to Eastbourne. One little inquiry there — that is all. Unnecessary for all to accompany me. In the meantime come back to the hotel and have a cocktail. That Carlton tea, it was abominable!"
As we were sipping our cocktails Franklin Clarke said curiously: "I suppose we can guess what you are after* You're out to break that alibi. But I can't see what you're so pleased about. You haven't got a new fact of any kind."
"No — that is true."
"Well, then (ну, тогда)*"
"Patience (терпение). Everything arranges itself (все образуется), given time (в свое время: «/если/ дать время»)."
"You seem quite pleased with yourself anyway (вы, в любом случае, кажетесь совершенно довольным самим собой)."
"Nothing so far has contradicted my little idea (ничто пока не противоречило моей маленькой идее) — that is why (вот почему)."
His face grew serious (его лицо стало серьезным). "My friend Hastings told me once (мой друг Гастингс рассказал мне однажды) that he had (что он), as a young man played a game called The Truth (в молодости: «как молодой человек» играл в игру под названием «Правда»). It was a game (это была игра) where everyone in turn (где каждому по очереди) was asked three questions (задавалось три вопроса) — two of which must be answered truthfully (на два из которых нужно было ответить правдиво). The third one could be barred (третий мог быть пропущен; to bar — запирать на засов; исключать). The questions (вопросы), naturally (естественно), were of the most indiscreet kind (были самого нескромного типа). But to begin with (но для начала) everyone had to swear (каждому приходилось поклясться) that they would indeed speak the truth (что они действительно будут говорить правду), the whole truth (полную правду), and nothing but the truth (и ничего кроме правды)."
contradict [*k*ntr**d*kt], truthfully [*tru:Of*l*], indiscreet [*nd*s*kri:t]
"Well, then*"
"Patience. Everything arranges itself, given time."
"You seem quite pleased with yourself anyway."
"Nothing so far has contradicted my little idea — that is why."
His face grew serious. "My friend Hastings told me once that he had, as a young man played a game called The Truth. It was a game where everyone in turn was asked three questions — two of which must be answered truthfully. The third one could be barred. The questions, naturally, were of the most indiscreet kind. But to begin with everyone had to swear that they would indeed speak the truth, the whole truth, and nothing but the truth."
He paused (он прервался).
"Well*" said Megan.
"Eh bien (фр. ну, так) — me, I want to play that game (я хочу сыграть в эту игру). Only it is not necessary to have three questions (только это необязательно задавать три вопроса: «иметь три вопроса»). One will be enough (одного будет достаточно). One question to each of you (один вопрос каждому из вас)."
"Of course," said Clarke impatiently (конечно, — сказал нетерпеливо Кларк). "We'll answer anything (мы ответим на что угодно)."
"Ah, but I want it to be more serious than that (но я хочу, чтобы это было серьезнее: «более серьезно, чем то = так»). Do you all swear to speak the truth (вы все клянетесь говорить правду)*"
He was so solemn about it (он был так серьезен при этом; solemn — священный; серьезный; торжественный) that the others (что другие), puzzled (недоумевающие), became solemn themselves (стали серьезными сами). They all swore as he demanded (они все поклялись, как он требовал).
"Bon," said Poirot briskly (фр. хорошо, — отрывисто сказал Пуаро; briskly — живо, оживленно). "Let us begin (давайте начнем) — "
each [i:t*], solemn [*s*l*m], puzzle [p*zl]
He paused.
"Well*" said Megan.
"Eh bien — me, I want to play that game. Only it is not necessary to have three questions. One will be enough. One question to each of you."
"Of course," said Clarke impatiently. "We'll answer anything."
"Ah, but I want it to be more serious than that. Do you all swear to speak the truth*"
He was so solemn about it that the others, puzzled, became solemn themselves. They all swore as he demanded.
"Bon," said Poirot briskly. "Let us begin — "
"I'm ready," said Thora Grey (я готова).
"Ah, but ladies first (но дамы первые) — this time it would not be the politeness (в этот раз, пожалуй, не будет вежливости). We will start elsewhere (мы начнем с кого-нибудь еще; elsewhere — где-то в другом месте)."
He turned to Franklin Clarke (он повернулся к Франклину Кларку). "What (что), mon cher M. Clarke (фр. мой дорогой мсье Кларк), did you think of the hats (вы подумали о шляпках) the ladies wore at Ascot this year (которые женщины носили в Эскоте в этом году)*"
Franklin Clarke stared at him (Франклин Кларк уставился на него). "Is this a joke (это шутка)*"
"Certainly not (разумеется, нет)."
"Is that seriously your question (это действительно ваш вопрос)*"
politeness [p**la*tn*s], wore [w*:], joke [***k]
"I'm ready," said Thora Grey.
"Ah, but ladies first — this time it would not be the politeness. We will start elsewhere."
He turned to Franklin Clarke. "What, mon cher M. Clarke, did you think of the hats the ladies wore at Ascot this year*"
Franklin Clarke stared at him. "Is this a joke*"
"Certainly not."
"Is that seriously your question*"
"It is (/так и/ есть)."
Clarke began to grin (Кларк начал ухмыляться). "Well, M. Poirot (ну, мсье Пуаро), I didn't actually go to Ascot (я в действительности не ездил в Эскот), but from what I could see of them driving in cars (но я видел их, /когда они/ ехали на машинах), women's hats for Ascot were an even bigger joke (женские шляпки в Эскоте были даже большей шуткой = еще забавнее/нелепее) than the hats they wear ordinarily (чем те шляпки, которые они носят обычно)."
"Fantastic (причудливые; fantastic — фантастический, причудливый)*"
"Quite fantastic (совершенно причудливые)."
Poirot smiled and turned to Donald Fraser (Пуаро улыбнулся и повернулся к Дональду Фрейзеру). "When did you take your holiday this year, Monsieur (когда вы брали отпуск в этом году, мсье)*"
car [k*:], fantastic [f*n*t*st*k], holiday [*h*l*de*]
"It is."
Clarke began to grin. "Well, M. Poirot, I didn't actually go to Ascot, but from what I could see of them driving in cars, women's hats for Ascot were an even bigger joke than the hats they wear ordinarily."
"Fantastic*"
"Quite fantastic."
Poirot smiled and turned to Donald Fraser. "When did you take your holiday this year, Monsieur*"
It was Fraser's turn to stare (настала: «это была» очередь Фрейзера уставиться /на Пуаро/). "My holiday (мой отпуск)* The first two weeks in August (первые две недели в августе)."
His face quivered suddenly (его лицо неожиданно скривилось). I guessed (я догадался) that the question had brought the loss of the girl he loved back to him (что вопрос напомнил ему о потери девушки, которую он любил: «что вопрос принес потерю девушки, /которую/ он любил, назад ему»).
Poirot, however, did not seem to pay much attention to the reply (Пуаро, однако, казалось, не обратил много внимания на ответ). He turned to Thora Grey (он повернулся к Торе Грей) and I heard the slight difference in his voice (и я услышал легкое изменение в его голосе). It had tightened up (он утратил мягкость; to tighten up — затягивать). His question came sharp and clear (его вопрос прозвучал резко и четко).
"Mademoiselle (мадемуазель), in the event of Lady Clarke's death (в случае смерти леди Кларк), would you have married Sir Carmichael (вы бы вышли за сэра Кармайкла) if he had asked you (если бы он сделал вам предложение: «попросил вас»)*"
loss [l*s], difference [*d*f*r*ns], event [**vent]
It was Fraser's turn to stare. "My holiday* The first two weeks in August."
His face quivered suddenly. I guessed that the question had brought the loss of the girl he loved back to him.
Poirot, however, did not seem to pay much attention to the reply. He turned to Thora Grey and I heard the slight difference in his voice. It had tightened up. His question came sharp and clear.
"Mademoiselle, in the event of Lady Clarke's death, would you have married Sir Carmichael if he had asked you*"
The girl sprang up (девушка подпрыгнула). "How dare you ask me such a question (как вы смеете задавать мне такой вопрос). It's — it's insulting (это оскорбительно; to insult — оскорблять, обижать)!"
"Perhaps (возможно). But you have sworn to speak the truth (но вы поклялись говорить правду; to swear). Eh bien (фр. ну, так) — yes or no (да или нет)*"
"Sir Carmichael was wonderfully kind to me (сэр Кармайкл был удивительно добр ко мне). He treated me almost like a daughter (он обращался со мной почти как с дочерью). And that's how I felt to him (и это то, что я чувствовала по отношению к нему = и именно так…) — just affectionate and grateful (только нежные и благодарные /чувства/; affectionate — любящий, нежный)."
"Pardon me (простите меня), but that is not answering yes or no (но это не значит ответить «да» или «нет»), mademoiselle (мадемуазель)."
She hesitated (она поколебалась). "The answer (ответ), of course (конечно), is no (нет)!"
He made no comment (он не прокомментировал: «он /не/ сделал никакого комментария»). "Thank you, mademoiselle (благодарю вас, мадемуазель)."
dare [d**], insulting [*n*s*lt**], comment [*k*m*nt]
The girl sprang up. "How dare you ask me such a question. It's — it's insulting!"
"Perhaps. But you have sworn to speak the troth. Eh bien — yes or no*"
"Sir Carmichael was wonderfully kind to me. He treated me almost like a daughter. And that's how I felt to him — just affectionate and grateful."
"Pardon me, but that is not answering yes or no, mademoiselle."
She hesitated. "The answer, of course, is no!"
He made no comment. "Thank you, mademoiselle."
He turned to Megan Barnard (он повернулся к Меган Барнард). The girl's face was very pale (лицо девушки было очень бледным). She was breathing hard (она тяжело дышала) as though braced up for an ordeal (как будто готовилась к суровому испытанию; to brace up — быть готовым к трудностям; ordeal — суровое испытание; средневековые ордалии /испытание огнем или водой: ordeal by fire, ordeal by water/).
Poirot's voice came out like the crack of a whiplash (голос Пуаро прозвучал как удар кнута). "Mademoiselle (мадемуазель), what do you hope (каким, вы надеетесь) will be the result of my investigations (будет результат моих расследований)* Do you want me to find out the truth (вы хотите, чтобы я узнал правду) — or not (или нет)*"
Her head went back proudly (ее голова гордо откинулась назад). I was fairly sure of her answer (я был вполне уверен в ее ответе). Megan, I knew (я знал), had a fanatical passion for truth (имела фанатическую страсть к правде).
Her answer came clearly (ее ответ вышел четким) — and it stupefied me (и он поразил меня; to stupefy — притуплять; приводить в оцепенение).
ordeal [*:*di:l], whiplash [*w*pl**], stupefy [*stju:p*fa*]
He turned to Megan Barnard. The girl's face was very pale. She was breathing hard as though braced up for an ordeal.
Poirot's voice came out like the crack of a whiplash. "Mademoiselle, what do you hope will be the result of my investigations* Do you want me to find out the truth — or not*"
Her head went back proudly. I was fairly sure of her answer. Megan, I knew, had a fanatical passion for truth.
Her answer came clearly — and it stupefied me.
"No!"
We all jumped (мы все подпрыгнули). Poirot leaned forward (Пуаро наклонился вперед), studying her face (изучая ее лицо). "Mademoiselle Megan," he said (мадемуазель Меган), "you may not want the truth but (вы, возможно, не хотите правды, но) — ma foi (фр. клянусь честью: «мое слово») — you can speak it (вы можете сказать ее)!"
He turned towards the door (он повернулся к двери), then (затем), recollecting (вспомнив), went to Mary Drower (пошел к Мэри Дроуер).
"Tell me, mon enfant (скажите мне, дитя мое), have you a young man (есть ли у вас молодой человек)*"
Mary, who had been looking apprehensive (которая выглядела настороженной; to apprehend — понимать, предчувствовать /что-л. дурное/), looked startled and blushed (вздрогнула и покраснела: «выглядела пораженной и покрасневшей»).
"Oh, Mr. Poirot (о, мистер Пуаро), I — I — well, I'm not sure (я не уверена)."
young [j**], apprehensive [**pr**sens*v], startle [st*:tl]
"No!"
We all jumped. Poirot leaned forward, studying her face. "Mademoiselle Megan," he said, "you may not want the truth but — ma foi — you can speak it!"
He turned towards the door, then, recollecting, went to Mary Drower.
"Tell me, mon enfant, have you a young man*"
Mary, who had been looking apprehensive, looked startled and blushed.
"Oh, Mr. Poirot, I — I — well, I'm not sure."
He smiled (он улыбнулся). "Alors c'est bien (ну, хорошо), mon enfant (дитя мое)."
He looked round for me (он оглянулся в /поисках/ меня). "Come, Hastings (идемте, Гастингс), we must start for Eastbourne (мы должны отправляться в Истборн)."
The car was waiting (машина ждала) and soon we were driving along the coast road (и вскоре мы ехали по дороге вдоль побережья) that leads through Pevensey to Eastbourne (которая ведет через Певенси в Истборн).
"Is it any use asking you anything, Poirot (стоит ли спрашивать вас о чем-либо, Пуаро; use — употребление; польза; is there any use* — стоит ли*)*"
"Not at this moment (не сейчас: «не в этот момент»). Draw your own conclusions as to what I am doing (делайте свои собственные выводы относительно того, что я делаю)."
I relapsed into silence (я вновь погрузился в молчание).
coast [k**st], road [r**d], conclusion [k*n*klu:*(*)n]
He smiled. "Alors c'est bien, mon enfant."
He looked round for me. "Come, Hastings, we must start for Eastbourne."
The car was waiting and soon we were driving along the coast road that leads through Pevensey to Eastbourne.
"Is it any use asking you anything, Poirot*"
"Not at this moment. Draw your own conclusions as to what I am doing."
I relapsed into silence.
Poirot, who seemed pleased with himself (который казался довольным собой), hummed a little tune (мурлыкал песенку: «маленький напев»). As we passed through Pevensey (когда мы проезжали через Певенси) he suggested that we stop (он предложил, чтобы мы остановились) and have a look over the castle (и осмотрели замок).
As we were returning towards the car (когда мы возвращались к машине), we paused a moment to watch a ring of children (мы остановись посмотреть на круг детей) — Brownies (девочек-скаутов; brownie — девочка-скаут младшего возраста), I guessed (как я догадался), by their getup (по их экипировке) — who were singing a ditty in shrill (которые пели песенку резкими), untuneful voices (нестройными голосами) …
"What is it that they say, Hastings (что это, что они говорят, Гастингс)* I cannot catch the words (я не могу уловить слова)."
I listened (я слушал) — till I caught one refrain (пока я не уловил один припев).
castle [k*:sl], brownie [*bra*n*], refrain [r**fre*n]
Poirot, who seemed pleased with himself, hummed a little tune. As we passed through Pevensey he suggested that we stop and have a look over the castle.
As we were returning towards the car, we paused a moment to watch a ring of children — Brownies, I guessed, by their getup — who were singing a ditty in shrill, untuneful voices …
"What is it that they say, Hastings* I cannot catch the words."
I listened — till I caught one refrain.
" — And catch a fox (и поймать лиса)
And put him in a box (и посадить его в ящик)
And never let him go (и никогда его не выпускать: «и никогда не позволять ему уйти») ."
"And catch a fox and put him in a box and never let him go!" repeated Poirot (повторил Пуаро).
His face had gone suddenly grave and stern (его лицо неожиданно стало серьезным и строгим). "It is very terrible that, Hastings (очень ужасно это, Гастингс)." He was silent a minute (он молчал: «он был молчалив» с минуту). "You hunt the fox here (вы охотитесь на лис здесь)*"
"I don't (я нет). I've never been able to afford to hunt (я никогда не был в состоянии позволить себе охотиться). And I don't think (и я не думаю) there's much hunting in this part of the world (здесь много возможностей для охоты: «там есть много /возможностей/ для охоты в этой части мира»)."
fox [f*ks], stern [st*:n], afford [**f*:d]
" — And catch a fox
And put him in a box
And never let him go."
"And catch a fox and put him in a box and never let him go!" repeated Poirot.
His face had gone suddenly grave and stern. "It is very terrible that, Hastings." He was silent a minute. "You hunt the fox here*"
"I don't. I've never been able to afford to hunt. And I don't think there's much hunting in this part of the world."
"I meant in England generally (я имел в виду в Англии в общем). A strange sport (странный спорт). The waiting at the covert side (ожидание в засаде: «скрытой стороне») — then they sound the tally-ho (затем они кричат /собакам/ «ату!»), do they not (не так ли)* — and the run begins (и погоня начинается) — across the country (по всей местности) — over the hedges and ditches (по горам по долам: «через преграды и ямки») — and the fox he runs (а лис, он бежит) — and sometimes he doubles back (и иногда он запутыват след; to double — удваивать; double back — запутывать след /о преследуемом звере/) — but the dogs (но собаки) — "
"Hounds (гончие)!"
" — hounds are on his trail (гончие идут по его следу: «гончие на его следе»), and at last they catch him (и наконец они ловят его) and he dies (и он умирает) — quickly and horribly (быстро и ужасно)."
"I suppose (я полагаю) it does sound cruel (это действительно звучит жестоко), but really (но на самом деле) — "
covert [*k**v*:t], tally-ho [*t*l**h**], hound [ha*nd]
"I meant in England generally. A strange sport. The waiting at the covert side — then they sound the tally-ho, do they not* — and the run begins — across the country — over the hedges and ditches — and the fox he runs — and sometimes he doubles back — but the dogs — "
"Hounds!"
" — hounds are on his trail, and at last they catch him and he dies — quickly and horribly."
"I suppose it does sound cruel, but really — "
"The fox enjoys it (лис получает от этого удовольствие: «наслаждается этим»)* Do not say les betises, my friend (не говорите фр. глупостей, мой друг). Tout de meme (фр. все равно) — it is better that (лучше эта) — the quick (быстрая), cruel death (жестокая смерть) than what those children were singing (чем то, что те дети пели) … To be shut away (быть закрытым) — in a box (в ящике) — for ever (навсегда) … No, it is not good (это нехорошо), that (это)."
He shook his head (он покачал головой). Then he said (затем он сказал), with a change of tone (с переменой в тоне): "Tomorrow (завтра), I am to visit the man Cust (я должен посетить этого человека, Каста)," and he added to the chauffeur (и он добавил шоферу): "Back to London (назад в Лондон)."
"Aren't you going to Eastbourne*" I cried (вы не едете в Истборн* — вскричал я).
"What need (какова нужда)* I know (я знаю) — quite enough for my purpose (вполне достаточно для моей цели)."
quick [kw*k], box [b*ks], London [*l*nd*n]
"The fox enjoys it* Do not say les betises, my friend. Tout de meme it is better that — the quick, cruel death than what those children were singing … To be shut away — in a box — for ever … No, it is not good, that."
He shook his head. Then he said, with a change of tone: "Tomorrow, I am to visit the man Cust," and he added to the chauffeur: "Back to London."
"Aren't you going to Eastbourne*" I cried.
"What need* I know — quite enough for my purpose."
XXXIII. Alexander Bonaparte Cust
(Александр Бонапарт Каст)
I was not present at the interview (я не присутствовал на беседе) that took place between Poirot and that strange man (которая произошла между Пуаро и тем странным человеком) — Alexander Bonaparte Cust (Александром Бонапартом Кастом). Owing to his association with the police (благодаря его отношениям с полицией) and the peculiar circumstances of the case (и особыми обстоятельствами дела), Poirot had no difficulty in obtaining a Home Office order (у Пуаро не было трудностей получить министерский ордер) — but that order did not extend to me (но тот ордер не распространялся на меня), and in any case (и в любом случае) it was essential (это было важно), from Poirot's point of view (с точки зрения Пуаро), that that interview should be absolutely private (что этой беседе следует быть совершенно частной) — the two men face to face (двое мужчин лицом к лицу).
difficulty [*d*f*k*lt*], Home Office [*h**m**f*s], absolutely [**bs(*)lu:tl*]
I was not present at the interview that took place between Poirot and that strange man — Alexander Bonaparte Cust. Owing to his association with the police and the peculiar circumstances of the case, Poirot had no difficulty in obtaining a Home Office order — but that order did not extend to me, and in any case it was essential, from Poirot's point of view, that that interview should be absolutely private — the two men face to face.
He has given me, however (он дал мне, однако), such a detailed account of what passed between them (такой тщательный отчет того, что произошло между ними) that I set it down with as much confidence on paper (что я изложил его с такой уверенностью на бумаге; to set down — класть; записывать, письменно излагать) as though I had actually been present (как если бы я действительно /там/ присутствовал).
Mr. Cust seemed to have shrunk (мистер Каст, казалось, съежился; to shrink — уменьшаться; усыхать). His stoop was more apparent (его сутулость была более явной). His fingers plucked vaguely at his coat (его пальцы рассеянно теребили пальто; to pluck — собирать; щипать, перебирать).
For some time (некоторое время), I gather (я делаю вывод = как я понял), Poirot did not speak (Пуаро не говорил).
He sat (он сидел) and looked at the man opposite him (и смотрел на человека напротив него).
shrunk [*r**k], pluck [pl*k], coat [k**t]
He has given me, however, such a detailed account of what passed between them that I set it down with as much confidence on paper as though I had actually been present.
Mr. Cust seemed to have shrunk. His stoop was more apparent. His fingers plucked vaguely at his coat.
For some time, I gather, Poirot did not speak.
He sat and looked at the man opposite him.
The atmosphere became restful (обстановка стала мирной) — soothing (успокаивающей) — full of infinite leisure (полной бесконечного расслабления). It must have been a dramatic moment (это, должно быть, был драматический момент) — this meeting of the two adversaries in the long drama (эта встреча двух противников в долгой драме). In Poirot's place (на месте Пуаро) I should have felt the dramatic thrill (я бы почувствовал драматический трепет).
Poirot, however (Пуаро, однако), is nothing if not matter-of-fact (это сплошная прозаичность; matter-of-fact — основанный на фактах, сухой, прозаичный; лишенный фантазии). He was absorbed in producing a certain effect upon the man opposite him (он был поглощен тем, что производил определенное впечатление на человека напротив него).
At last he said gently (наконец он мягко сказал): "Do you know who I am (вы знаете, кто я)*"
infinite [**nf*n*t], leisure [*le**], matter-of-fact [*m*t*r(*)v*f*kt]
The atmosphere became restful — soothing — full of infinite leisure. It must have been a dramatic moment — this meeting of the two adversaries in the long drama. In Poirot's place I should have felt the dramatic thrill.
Poirot, however, is nothing if not matter-of-fact. He was absorbed in producing a certain effect upon the man opposite him.
At last he said gently: "Do you know who I am*"
The other shook his head (другой покачал головой). "No — no — I can't say (я не могу сказать) I do (что я /знаю/). Unless you are Mr. Lucas's (только если вы не мистера Лукаса) — what do they call it (как они называют это)* — junior (помощник; junior — младший; подчиненный). Or perhaps you come from Mr. Maynard (или, может быть, вы пришли от мистера Мейнарда)*"
(Maynard & Cole were the defending solicitors («Мейнард-энд-Коул» были юристами защиты).)
His tone was polite (его тон был вежливый) but not very interested (но не очень заинтересованный). He seemed absorbed in some inner abstraction (он казался поглощенным внутренними мыслями; abstraction — абстракция; погруженность мысли, задумчивость).
"I am Hercule Poirot (я — Эркюль Пуаро)…"
Poirot said the words very gently (Пуаро сказал эти слова очень мягко) … and watched for the effect (и наблюдал за эффектом).
Mr. Cust raised his head a little (мистер Каст немного поднял голову). "Oh, yes (о, да)*"
He said it as naturally (он сказал это так естественно) as Inspector Crome might have said it (как инспектор Кроум мог бы сказать это) — but without the superciliousness (но без надменности; supercilious — высокомерный, надменный, презрительный).
solicitor [s**l*s*t*], abstraction [*b*str*k*(*)n], superciliousness [*sju:p**s*l**sn*s]
The other shook his head. "No — no — I can't say I do. Unless you are Mr. Lucas's — what do they call it* — junior. Or perhaps you come from Mr. Maynard*"
(Maynard & Cole were the defending solicitors.)
His tone was polite but not very interested. He seemed absorbed in some inner abstraction.
"I am Hercule Poirot …"
Poirot said the words very gently … and watched for the effect.
Mr. Cust raised his head a little. "Oh, yes*"
He said it as naturally as Inspector Crome might have said it — but without the superciliousness.
Then (затем), a minute later (минутой спустя), he repeated his remark (он повторил свое замечание). "Oh, yes*" he said (о, да*), and this time his tone was different (и на этот раз его тон был другим) — it held an awakened interest (он содержал пробудившийся интерес). He raised his head and looked at Poirot (он поднял голову и посмотрел на Пуаро).
Hercule Poirot met his gaze (Эркюль Пуаро встретил его взгляд) and nodded his own head gently once or twice (и кивнул головой один или два раза).
"Yes," he said. "I am the man (я тот человек) to whom you wrote the letters (которому вы писали ваши письма)."
At once the contact was broken (неожиданно контакт нарушился). Mr. Cust dropped his eyes (мистер Каст опустил глаза) and spoke irritably and fretfully (и заговорил раздраженно и нетерпеливо; fretful — капризный, раздражительный, нетерпеливый).
"I never wrote to you (я никогда не писал вам). Those letters weren't written by me (те письма не были написаны мною). I've said so again and again (я уже говорил так снова и снова)."
"I know," said Poirot (я знаю). "But if you did not write them (но если не вы написали их), who did (кто же написал)*"
interest [**nt*r*st], gaze [*e*z], fretfully [*fretf*l*]
Then, a minute later, he repeated his remark. "Oh, yes*" he said, and this time his tone was different — it held an awakened interest. He raised his head and looked at Poirot.
Hercule Poirot met his gaze and nodded his own head gently once or twice.
"Yes," he said. "I am the man to whom you wrote the letters."
At once the contact was broken. Mr. Cust dropped his eyes and spoke irritably and fretfully.
"I never wrote to you. Those letters weren't written by me. I've said so again and again."
"I know," said Poirot. "But if you did not write them, who did*"
"An enemy (враг). I must have an enemy (у меня, должно быть, есть враг). They are all against me (они все против меня). The police (полиция) — everyone (каждый) — all against me (все против меня). It's a gigantic conspiracy (это гигантский заговор; conspiracy — секретность; тайный сговор)."
Poirot did not reply (Пуаро не ответил).
Mr. Cust said (мистер Каст сказал): "Everyone's hand has been against me (все были против меня: «рука каждого против меня») — always (всегда)."
"Even when you were a child (даже когда вы были ребенком)*"
Mr. Cust seemed to consider (мистер Каст, казалось, раздумывал). "No — no — not exactly then (не совсем тогда; exactly — точно). My mother was very fond of me (моя мать очень любила меня). But she was ambitious (но она была честолюбива) — terribly ambitious (ужасно честолюбива). That's why she gave me those ridiculous names (поэтому он дала мне эти нелепые имена). She had some absurd idea (у нее была некая абсурдная идея) that I'd cut a figure in the world (что я стану значительной мировой фигурой; to cut a /fine/ figure — производить /хорошее/ впечатление; to cut — вырезать; кроить). She was always urging me to assert myself (она всегда торопила меня утвердиться) — talking about will power (говорила о силе воли) … saying anyone could be master of his fate (говорила, что каждый может быть хозяином своей судьбы) … she said I could do anything (она говорила, что я смогу сделать что угодно)!"
gigantic [*a****nt*k], conspiracy [k*n*spa**r*s*], ambitious [*m*b***s]
"An enemy. I must have an enemy. They are all against me. The police — everyone — all against me. It's a gigantic conspiracy."
Poirot did not reply.
Mr. Cust said: "Everyone's hand has been against me — always."
"Even when you were a child*"
Mr. Cust seemed to consider. "No — no — not exactly then. My mother was very fond of me. But she was ambitious — terribly ambitious. That's why she gave me those ridiculous names. She had some absurd idea that I'd cut a figure in the world. She was always urging me to assert myself — talking about will power … saying anyone could be master of his fate … she said I could do anything!"
He was silent for a minute (он молчал: «был молчалив» с минуту).
"She was quite wrong, of course (она была совершенно неправа, конечно). I realized that myself quite soon (я достаточно скоро это осознал сам). I wasn't the sort of person to get on in life (я был не тем человеком, чтобы преуспевать в жизни). I was always doing foolish things (я всегда делал глупости: «глупые вещи») — making myself look ridiculous (заставляя себя выглядеть нелепо). And I was timid (и я был застенчив) — afraid of people (боялся людей). I had a bad time at school (мне плохо приходилось в школе) — the boys found out my Christian names (мальчишки узнали мои имена) — they used to tease me about them (они, бывало, дразнили меня из-за них). I did very badly at school (я очень плохо успевал в школе) — in games (в играх) and work (и работе) and everything (и во всем)."
He shook his head (он покачал головой). "Just as well poor mother died (как раз тогда моя бедная мать умерла). She'd have been disappointed (она была разочарована) … Even when I was at the Commercial College (даже когда я был в колледже коммерции) I was stupid (я был туп) — it took me longer to learn typing and shorthand (у меня занимало дольше, чтобы научиться печатать и стенографировать; shorthand — стенография) than anyone else (чем у кого-либо еще). And yet I didn't feel stupid (и все же я не чувствовал себя тупым) — if you know what I mean (если вы знаете, что я имею в виду)."
timid [*t*m*d], tease [ti:z], shorthand [***:th*nd]
He was silent for a minute.
"She was quite wrong, of course. I realized that myself quite soon. I wasn't the sort of person to get on in life. I was always doing foolish things — making myself look ridiculous. And I was timid — afraid of people. I had a bad time at school — the boys found out my Christian names — they used to tease me about them. I did very badly at school — in games and work and everything."
He shook his head. "Just as well poor mother died. She'd have been disappointed … Even when I was at the Commercial College I was stupid — it took me longer to learn typing and shorthand than anyone else. And yet I didn't feel stupid — if you know what I mean."
He cast a sudden appealing look at the other man (он бросил неожиданный умоляющий взгляд на другого человека).
"I know what you mean," said Poirot (я знаю, что вы имеете в виду). "Go on (продолжайте)."
"It was just the feeling (это просто было чувство) that everybody else thought me stupid (что все остальные думали, что я тупой). Very paralysing (это очень обескураживающе; to paralyze — парализовывать; лишать сил). It was the same thing later in the office (все то же было и позднее, на работе/в офисе)."
"And later still in the war*" prompted Poirot (а еще позднее, на войне* — подсказал Пуаро).
Mr. Cust's face lightened up suddenly (неожиданно лицо мистера Каста просветлело). "You know," he said (вы знаете), "I enjoyed the war (я наслаждался войной). What I had of it, that was (это на самом деле так было: «что я имел из этого, это было»). I felt (я чувствовал /себя/), for the first time (в первый раз), a man like anybody else (человеком, подобным всем другим). We were all in the same box (мы были все в одинаково трудном положении; to be in a /tight/ box — быть в трудном положении: «в /тесном/ ящике»). I was as good as anyone else (я был таким же, как все: «я был так же хорош, как любой другой»)."
appealing [**pi:l**], paralysing [*p*r*la*z**], prompt [pr*mpt]
He cast a sudden appealing look at the other man.
"I know what you mean," said Poirot. "Go on."
"It was just the feeling that everybody else thought me stupid. Very paralysing. It was the same thing later in the office."
"And later still in the war*" prompted Poirot.
Mr. Cust's face lightened up suddenly. "You know," he said, "I enjoyed the war. What I had of it, that was. I felt, for the first time, a man like anybody else. We were all in the same box. I was as good as anyone else."
His smile faded (его улыбка померкла; to fade — вянуть, увядать).
"And then I got that wound on the head (а затем я получил то ранение в голову). Very slight (очень легкое). But they found out I had fits (но они обнаружили/выявили, что у меня были припадки) … I'd always known, of course (я всегда знал, конечно), that there were times (что были времена) when I hadn't been quite sure (когда я не был совсем уверен) what I was doing (что я делал). Lapses (провалы /памяти/), you know (вы знаете). And of course (и, конечно), once or twice I'd fallen down (раз или два я упал). But I don't really think (но я действительно не думаю) they ought to have discharged me for that (что им следовало увольнять меня из-за этого). No, I don't think it was right (я не думаю, что это было правильно)."
"And afterwards*" asked Poirot (а затем*).
fade [fe*d], lapse [l*ps], afterwards [**:ft*w*dz]
His smile faded.
"And then I got that wound on the head. Very slight. But they found out I had fits … I'd always known, of course, that there were times when I hadn't been quite sure what I was doing. Lapses, you know. And of course, once or twice I'd fallen down. But I don't really think they ought to have discharged me for that. No, I don't think it was right."
"And afterwards*" asked Poirot.
"I got a place as a clerk (я получил место клерка). Of course (конечно) there was good money to be got just then (тут были хорошие деньги, /которые можно/ было получить как раз тогда). And I didn't do so badly after the war (и я не так плохо справлялся после войны). Of course (конечно), a smaller salary (меньшая зарплата) … … And — I didn't seem to get on (я как-то не преуспевал: «я не казался продвигаться»). I was always being passed over for promotion (меня всегда обходили с повышением). I wasn't going ahead enough (я не достаточно рвался вперед). It grew very difficult (становилось очень трудно; to grow) — really very difficult (действительно очень трудно) … Especially when the slump came (особенно когда начался кризис; slump — резкое или внезапное падение; кризис). To tell you the truth (по правде вам говоря), I'd got hardly enough to keep body and soul together (я получал едва ли достаточно, чтобы сводить концы с концами: «держать тело и душу вместе») (and you've got to look presentable as a clerk (а, будучи клерком, надо выглядеть представительно)) when I got the offer of this stocking job (когда я получил предложение об этой чулочной работе). A salary and commission (жалование и комиссионные)!"
Poirot said gently (Пуаро мягко сказал): "But you are aware (но вы понимаете), are you not (что вы не /работаете там/), that the firm (что фирма) who (которая) you say (/как/ вы говорите) employed you (наняла вас) deny the fact (отрицает этот факт)*"
promotion [pr**m***(*)n], slump [sl*mp], commission [k**m**(*)n]
"I got a place as a clerk. Of course there was good money to be got just then. And I didn't do so badly after the war. Of course, a smaller salary … And — I didn't seem to get on. I was always being passed over for promotion. I wasn't going ahead enough. It grew very difficult — really very difficult … Especially when the slump came. To tell you the truth, I'd got hardly enough to keep body and soul together (and you've got to look presentable as a clerk) when I got the offer of this stocking job. A salary and commission!"
Poirot said gently: "But you are aware, are you not, that the firm who you say employed you deny the fact*"
Mr. Cust got excited again (мистер Каст опять разволновался). "That's because they're in the conspiracy (это потому что они в заговоре) — they must be in the conspiracy (они, должно быть, в заговоре).''
He went on (он продолжил): "I've got written evidence (у меня есть письменные доказательства), written evidence (письменные доказательства). I've got their letters to me (у меня есть их письма ко мне), giving me instructions (дающие мне инструкции) as to what places to go (как то, в какие места ехать) and a list of people to call on (и список людей, /которых надо/ посетить)."
"Not written evidence exactly (не письменные доказательства /более/ точно) — typewritten evidence (а напечатанные доказательства)."
"It's the same thing (это одно и тоже). Naturally a big firm of wholesale manufacturers typewrite their letters (естественно, что крупная фирма оптовых производителей печатает свои письма)."
"Don't you know, Mr. Cust (вы не знаете, мистер Каст), that a typewriter can be identified (что печатная машинка может быть определена; to identify — устанавливать тождество; опознавать)* All those letters were typed by one particular machine (все те письма были напечатаны на одной определенной машине)."
instruction [*n*str*k*(*)n], wholesale [*h**lse*l], typewriter [*ta*pra*t*]
Mr. Cust got excited again. "That's because they're in the conspiracy — they must be in the conspiracy.''
He went on: "I've got written evidence, written evidence. I've got their letters to me, giving me instructions as to what places to go and a list of people to call on."
"Not written evidence exactly — typewritten evidence."
"It's the same thing. Naturally a big firm of wholesale manufacturers typewrite their letters."
"Don't you know, Mr. Cust, that a typewriter can be identified* All those letters were typed by one particular machine."
"What of it (что из этого)*"
"And that machine was your own (и что эта машина была вашей собственной) — the one found in your room (той, найденной у вас в комнате)."
"It was sent me by the firm at the beginning of my job (она была послана мне компанией в начале моей работы)."
"Yes, but these letters were received afterwards (но эти письма были получены после). So it looks (так это выглядит), does it not (не так ли), as though you typed them yourself (как будто вы напечатали их сами) and posted them to yourself (и отправили их по почте самому себе)*"
"No, no! It's all part of the plot against me (это все часть заговора против меня)!"
He added suddenly (он неожиданно добавил): "Besides (кроме того), their letters would be written on the same kind of machine (их письма были бы написаны на машинке того же самого типа)."
beginning [b****n**], besides [b**sa*dz], machine [m***i:n]
"What of it*"
"And that machine was your own — the one found in your room."
"It was sent me by the firm at the beginning of my job."
"Yes, but these letters were received afterwards. So it looks, does it not, as though you typed them yourself and posted them to yourself*"
"No, no! It's all part of the plot against me!"
He added suddenly: "Besides, their letters would be written on the same kind of machine."
"The same kind (того же типа), but not the same actual machine (но не на той же реально существующей машинке; actual — актуальный; действительный)."
Mr. Cust repeated obstinately (мистер Каст упрямо повторил): "It's a plot (это заговор; plot — заговор)!"
"And the A.B.C.'s that were found in the cupboard (и /железнодорожные справочники/ «Эй-би-си», которые были найдены в шкафу)*"
"I know nothing about them (я /не/ знаю ничего о них). I thought (я думал) they were all stockings (это все были чулки)."
"Why did you tick off the name of Mrs. Ascher in that first list of people in Andover (почему вы отметили галочкой имя миссис Эшер в первом списке людей в Эндовере)*"
"Because I decided to start with her (потому что я решил начать с нее). One must begin somewhere (нужно с чего-то начинать; somewhere — где-либо)."
"Yes that is true (да, это правда). One must begin somewhere (нужно с чего-то начинать)."
actual [**kt***l], obstinately [**bst*n*tl*], tick [t*k]
"The same kind, but not the same actual machine."
Mr. Cust repeated obstinately: "It's a plot!"
"And the A.B.C.'s that were found in the cupboard*"
"I know nothing about them. I thought they were all stockings."
"Why did you tick off the name of Mrs. Ascher in that first list of people in Andover*"
"Because I decided to start with her. One must begin somewhere."
"Yes, that is true. One must begin somewhere."
"I don't mean that!" said Mr. Cust (я не это имею в виду). "I don't mean what you mean (я не имею в виду то, что имеете в виду вы)!"
"But you know what I meant (а вы знаете, что я имел в виду)*"
Mr. Cust said nothing (мистер Каст ничего не сказал). He was trembling (он дрожал). "I didn't do it!" he said (я не делал этого). "I'm perfectly innocent (я совершенно невиновен)! It's all a mistake (это все ошибка). Why, look at that second crime (да посмотрите же на второе преступление; why — почему; /междометие/ выражает самые разнообразные эмоции в зависимости от контекста: удивление, согласие или несогласие, нетерпение и т. п.) — that Bexhill one (то, бексхиллское). I was playing dominoes at Eastbourne (я играл в домино в Истборне). You've got to admit that (вам придется признать это)!"
His voice was triumphant (его голос был торжествующим).
trembling [*trembl**], innocent [**n(*)s*nt], triumphant [tra***mf*nt]
"I don't mean that!" said Mr. Cust. "I don't mean what you mean!"
"But you know what I meant*"
Mr. Cust said nothing. He was trembling. "I didn't do it!" he said. "I'm perfectly innocent! It's all a mistake. Why, look at that second crime — that Bexhill one. I was playing dominoes at Eastbourne. You've got to admit that!"
His voice was triumphant.
"Yes," said Poirot. His voice was meditative (его голос был задумчивым) — silky (вкрадчивым: «шелковым»). "But it's so easy (но так легко), isn't it (не так ли), to make a mistake of one day (сделать ошибку на один день)* And if you're an obstinate (и если вы упрямый), positive man (и самоуверенный человек), like Mr. Strange (как мистер Стрейндж), you'll never consider the possibility of having been mistaken (вы никогда не учтете возможность /того, что вы/ ошиблись). What you've said you'll stick to (что вы сказали, за то вы будете держаться). He's that kind of man (он такой человек: «он такой тип человека»). And the hotel register (и регистрационнная книга в отеле) — it's very easy to put down the wrong date (очень легко поставить неправильную дату) when you're signing it (когда вы подписываете ее) probably no one will notice it at the time (возможно, никто не заметит этого сразу)."
"I was playing dominoes that evening (я играл в домино в тот вечер)!"
"You play dominoes very well (вы играете в домино очень хорошо), I believe (я полагаю: «верю»)."
meditative [*med*t*t*v], stick [st*k], wrong [r**]
"Yes," said Poirot. His voice was meditative — silky. "But it's so easy, isn't it, to make a mistake of one day* And if you're an obstinate, positive man, like Mr. Strange, you'll never consider the possibility of hawing been mistaken. What you've said you'll stick to. He's that kind of man. And the hotel register — it's very easy to put down the wrong date when you're signing it — probably no one will notice it at the time."
"I was playing dominoes that evening!"
"You play dominoes very well, I believe."
Mr. Cust was a little flurried by this (мистер Каст был слегка взволнован этим; to flurry — волновать; будоражить). "I — I — well, I believe (я думаю) I do (я /хорошо играю/)."
"It is a very absorbing game (это очень поглощающая игра), is it not (не так ли), with a lot of skill in it (требующая большого мастерства: «с большим мастерством в ней»)*"
"Oh, there's a lot of play in it (о, /нужно/ много искусства в ней; play — игра; искусство, умение в игре) — a lot of play (много умения)! We used to play a lot in the City (мы, бывало, много играли в Сити), in the lunch hour (во время обеденного перерыва). You'd be surprised the way total strangers come together over a game of dominoes (вы были бы удивлены, насколько совершенные незнакомцы сходятся = сближаются за игрой в домино)."
He chuckled (он хохотнул). "I remember one man (я помню одного человека) — I've never forgotten him (я никогда не забуду его) because of something he told me (из-за того, что он мне сказал) — we just got talking over a cup of coffee (мы просто разговорились за чашкой кофе), and we started dominoes (и мы начали /играть/ в домино). Well, I felt after twenty minutes (я чувствовал через двадцать минут) that I'd known that man all his life (что я знал этого человека всю его жизнь)."
"What was it that he told you*" asked Poirot (что было то, что он сказал вам = и что же именно он сказал вам*).
flurry [*fl*r*], chuckle [t**kl], twenty [*twent*]
Mr. Cust was a little flurried by this. "I — I — well, I believe I do."
"It is a very absorbing game, is it not, with a lot of skill in it*"
"Oh, there's a lot of play in it — a lot of play! We used to play a lot in the City, in the lunch hour. You'd be surprised the way total strangers come together over a game of dominoes."
He chuckled. "I remember one man — I've never forgotten him because of something he told me — we just got talking over a cup of coffee, and we started dominoes. Well, I felt after twenty minutes that I'd known that man all his life."
"What was it that he told you*" asked Poirot.
Mr. Cust's face clouded over (лицо мистера Каста помрачнело; to cloud — покрываться тучами; мрачнеть). "It gave me a turn (это меня потрясло) — a nasty turn (ужасно потрясло). Talking of your fate being written in your hand (говорил о твоей судьбе, написанной на твоей руке), he was (он). And he showed me his hand (и он показал мне его руку) and the lines that showed (и линии, которые показывали) he'd have two near escapes of being drowned (он дважды едва не утонет: «у него будет два близких избегания утопания») — and he had had two near escapes (и он дважды едва не утонул). And then he looked at mine (а затем он посмотрел на мою /руку/) and he told me some amazing things (и рассказал мне несколько удивительных вещей). Said (сказал) I was going to be one of the most celebrated men in England (я буду одним из самых известных людей в Англии) before I died (прежде чем я умру). Said the whole country would be talking about me (что вся страна будет говорить обо мне). But he said (но он сказал) — he said — "
Mr. Cust broke down (мистер Каст превался) — faltered (дрогнув; to falter — спотыкаться).
"Yes*"
Poirot's gaze held a quiet magnetism (взгляд Пуаро обладал спокойной притягательностью: «содержал тихий магнетизм»). Mr. Cust looked at him (мистер Каст посмотрел на него), looked away (посмотрел в сторону), then back again (затем снова назад) like a fascinated rabbit (как кролик на удава: «как загипнотизированный кролик»; to fascinate — зачаровывать; гипнотизировать, зачаровывать взглядом)
falter [*f*:lt*], magnetism [*m**n*t*zm], fascinated [*f*s*ne*t*d]
Mr. Cust's face clouded over. "It gave me a turn — a nasty turn. Talking of your fate being written in your hand, he was. And he showed me his hand and the lines that showed he'd have two near escapes of being drowned — and he had had two near escapes. And then he looked at mine and he told me some amazing things. Said I was going to be one of the most celebrated men in England before I died. Said the whole country would be talking about me. But he said — he said — "
Mr. Cust broke down — faltered.
"Yes*"
Poirot's gaze held a quiet magnetism. Mr. Cust looked at him, looked away, then back again like a fascinated rabbit.
"He said — he said (он сказал) — that it looked (что это выглядело) as though I might die a violent death (как будто я мог умереть ужасной смертью) — and he laughed and said (и он засмеялся и сказал): 'Almost looks (выглядит почти /так/) as though you might die on the scaffold (как будто вы можете умереть на эшафоте),' and then he laughed (а затем он засмеялся) and said that was only his joke (что это была только его шутка) …"
He was silent suddenly (неожиданно он замолчал). His eyes left Poirot's face (его взгляд оставил лицо Пуаро) — they ran from side to side (он бегал по сторонам: «из стороны в сторону») …
"My head (моя голова) — I suffer very badly with my head (я страдаю очень сильно из-за моей головы), the headaches are something cruel sometimes (головные боли иногда жестокие). And then there are times (и временами: «затем есть времена») when I don't know (когда я не знаю) — when I don't know — "
He broke down (он прервался).
Poirot leant forward (Пуаро наклонился вперед). He spoke very quietly (он говорил очень тихо) but with great assurance (но очень убедительно: «но с большой убедительностью»).
violent [*va**l*nt], scaffold [*sk*f(*)ld], badly [*b*dl*]
"He said — he said — that it looked as though I might die a violent death — and he laughed and said: 'Almost looks as though you might die on the scaffold,' and then he laughed and said that was only his joke …"
He was silent suddenly. His eyes left Poirot's face — they ran from side to side …
"My head — I suffer very badly with my head … the headaches are something cruel sometimes. And then there are times when I don't know — when I don't know — "
He broke down.
Poirot leant forward. He spoke very quietly but with great assurance.
"But you do know (но вы на самом деле знаете), don't you," he said (не так ли), "that you committed the murders (что вы совершили эти убийства)*''
Mr. Cust looked up (мистер Каст посмотрел вверх). His glance was quite simple and direct (его взгляд был совершенно простым и прямым). All resistance had left him (все сопротивление оставило его). He looked strangely at peace (он выглядел странно умиротворенным).
"Yes," he said. "I know."
"But (но) — I'm right (я прав), am I not (не так ли)* — you don't know why you did them (вы не знаете, почему вы совершили их)*"
Mr. Cust shook his head (мистер Каст покачал его головой).
"No," he said. "I don't (я не /знаю/)."
commit [k**m*t], resistance [r**z*st*ns], peace [pi:s]
"But you do know, don't you," he said, "that you committed the murders*"
Mr. Cust looked up. His glance was quite simple and direct. All resistance had left him. He looked strangely at peace.
"Yes," he said. "I know."
"But — I'm right, am I not* — you don't know why you did them*"
Mr. Cust shook his head.
"No," he said. "I don't."
XXXIV. Poirot Explains
(Пуаро объясняет)
We were sitting in a state of tense attention (мы сидели в состоянии напряженного внимания) to listen to Poirot's final explanation of the case (чтобы послушать последние объяснения Пуаро об этом деле).
"All along," he said (все это время), "I have been worried over the why of this case (я беспокоился по поводу «почему» этого дела = искал причину). Hastings said to me the other day (Гастингс сказал мне на днях) that the case was ended (что дело закончено). I replied to him (я ответил ему) that the case was the man (что это дело — это человек). The mystery was not the mystery of the murders (загадка была не в загадке убийств), but the mystery of A.B.C. (а в загадке Эй-би-си). Why did he find it necessary to commit these murders (почему он посчитал: «нашел» необходимым совершать эти преступления)* Why did he select me as his adversary (почему он выбрал меня как своего противника)*"
tense [tens], attention [**ten*(*)n], select [s**lekt]
We were sitting in a state of tense attention to listen to Poirot's final explanation of the case.
"All along," he said, "I have been worried over the why of this case. Hastings said to me the other day that the case was ended. I replied to him that the case was the man. The mystery was not the mystery of the murders, but the mystery of A.B.C.. Why did he find it necessary to commit these murders* Why did he select me as his adversary*"
"It is no answer (это не ответ) to say that the man was mentally unhinged (говорить, что человек был с душевным расстройством; to unhinge —выбивать из колеи, лишать душевного равновесия: «снимать с /верных/ петель»; hinge — петля /напр., дверная/). To say a man does mad things (сказать, что человек совершает сумасшедшие вещи) because he is mad (потому что он сумасшедший) is merely unintelligent and stupid (это просто неумно и тупо). A madman is as logical and reasoned in his action as a sane man (сумасшедший человек столь же логичен и разумен в своих действиях, как здоровый человек; to reason — рассуждать; аргументировать) — given his peculiar biased point of view (принимая во внимание его причудливо склоненную = необъективную точку зрения; to bias — склонять; настраивать). For example (например), if a man insists on going out (если человек настаивает на /том, что бы/ выйти) and squatting about in nothing but a loincloth (и разгуливать ни в чем, в одной лишь набедренной повязке; loin — поясница; to squat — сидеть на корточках; садиться на корточки) his conduct seems eccentric in the extreme (его поведение кажется эксцентричным в крайней степени). But once you know (но стоит вам узнать) that the man himself is firmly convinced (что сам человек твердо убежден) that he is Mahatma Gandhi (что он Махатма Ганди), then his conduct becomes perfectly reasonable and logical (тогда его поведение становится совершенно разумным и логичным)."
bias [*ba**s], squat [skw*t], loincloth [*l**nkl*O]
"It is no answer to say that the man was mentally unhinged. To say a man does mad things because he is mad is merely unintelligent and stupid. A madman is as logical and reasoned in his action as a sane man — given his peculiar biased point of view. For example, if a man insists on going out and squatting about in nothing but a loincloth his conduct seems eccentric in the extreme. But once you know that the man himself is firmly convinced that he is Mahatma Gandhi, then his conduct becomes perfectly reasonable and logical."
"What was necessary in this case (что было необходимо в этом деле) was to imagine a mind so constituted (это вообразить ум, устроенный так) that it was logical (чтобы было логично) and reasonable to commit four or more murders (и разумно совершить четыре или больше убийств) and to announce them beforehand by letters written to Hercule Poirot (и объявить о них заранее письмами, написанными Эркюлю Пуаро)."
"My friend, Hastings (мой друг Гастингс), will tell you (расскажет вам) that from the moment (что с того момента) I received the first letter (как я получил первое письмо) I was upset and disturbed (я был расстроен и взволнован; to upset — опрокидывать, переворачивать /о лодке, автомобиле и т. п./; upset — расстроенный, огорченный). It seemed to me at once (мне сразу показалось) that there was something very wrong about the letter (что было что-то очень неправильное относительно этого письма = что в этом письме что-то не так)."
"You were quite right," said Franklin Clarke dryly (вы были совершенно правы, — сказал Франклин Кларк сухо).
constitute [*k*nst*tju:t], reasonable [*ri:z*n*bl], disturb [d*s*t*:b]
"What was necessary in this case was to imagine a mind so constituted that it was logical and reasonable to commit four or more murders and to announce them beforehand by letters written to Hercule Poirot."
"My friend, Hastings, will tell you that from the moment I received the first letter I was upset and disturbed. It seemed to me at once that there was something very wrong about the letter."
"You were quite right," said Franklin Clarke dryly.
"Yes. But there (но там), at the very start (с самого начала), I made a grave error (я совершил серьезную ошибку). I permitted my feeling (я позволил моему чувству) — my very strong feeling about the letter (моему очень сильному чувству относительно письма) to remain a mere impression (остаться простым впечатлением). I treated it (я отнесся к нему) as though it had been an intuition (как будто это была интуиция). In a well-balanced (в хорошо сбалансированном), reasoning mind (рассуждающем = склонном к рассудениям уме) there is no such thing as an intuition (нет такой вещи, как интуиция) — an inspired guess (вдохновенная догадка)! You can guess (вы можете догадаться), of course (конечно) — and a guess is either right (и догадка является либо правильной) or wrong (либо неправильной). If it is right (если она правильная) you call it an intuition (вы называете ее интуицией). If it is wrong (если она неверная) you usually do not speak of it again (вы обычно снова о ней не говорите).
But what is often called an intuition is really impression (но то, что часто называют интуицией, является на самом деле впечатлением) based on logical deduction (основанном на логической дедукции) or experience (или опыте). When an expert feels (когда эксперт чувствует) that there is something wrong about a picture (что с картиной что-то не так) or a piece of furniture (или с предметом мебели) or the signature on a cheque (или с подписью на чеке) he is really basing that feeling on a host of small signs and details (он, на самом деле, основывает это чувство на группе маленьких знаков и деталей). He has no need to go into them minutely (ему нет нужды вникать в них детально/досконально) — his experience obviates that (его опыт избегает этого) — the net result is the definite impression (конечный результат является определенным впечатлением) that something is wrong (что что-то неверно). But it is not a guess (но это не догадка), it is an impression based on experience (это есть впечатление, основанное на опыте)."
deduction [d**d*k*(*)n], intuition [**ntju(:)**(*)n], obviate [**bv*e*t]
"Yes. But there, at the very start, I made a grave error. I permitted my feeling — my very strong feeling about the letter to remain a mere impression. I treated it as though it had been an intuition. In a well-balanced, reasoning mind them is no such thing as an intuition — an inspired guess! You can guess, of course — and a guess is either right or wrong. If it is right you call it an intuition. If it is wrong you usually do not speak of it again.
But what is often called an intuition is really impression based on logical deduction or experience. When an expert feels that there is something wrong about a picture or a piece of furniture or the signature on a cheque he is really basing that feeling on a host of small signs and details. He has no need to go into them minutely — his experience obviates that — the net result is the definite impression that something is wrong. But it is not a guess, it is an impression based on experience."
"Eh bien (ну, так), I admit (я признаю) that I did not regard that first letter (что не рассматривал то первое письмо) in the way I should (тем образом, которым мне следовало). It just made me extremely uneasy (это просто меня крайне обеспокоило: «это просто сделало меня крайне неспокойным»). The police regarded it as a hoax (полиция рассматривала это как розыгрыш). I myself took it seriously (я сам принимал это серьезно). I was convinced (я был убежден) that a murder would take place in Andover (что убийство произойдет в Эндовере) as stated (как утверждалось). As you know (как вы знаете), a murder did take place (убийство действительно произошло)."
"There was no means at that point (не было ни единой возможности на том этапе), as I well realized (как я хорошо осознавал), of knowing who the person was (узнать, кто был этот человек) who had done the deed (который совершил этот поступок). The only course open to me was to try and understand (единственный открытый для меня путь был попытаться понять) just what kind of a person had done it (просто какого типа человек = что за человек сделал это)."
"I had certain indications (у меня были некоторые указания/знаки). The letter (письмо) — the manner of the crime (способ убийства) — the person murdered (/сам/ убитый человек). What I had to discover was (что мне нужно было выяснить, было): the motive of the crime (мотив преступления), the motive of the letter (мотив письма)."
"Publicity," suggested Clarke (известность, — предложил Кларк).
"Surely an inferiority complex covers that," added Thora Gray (несомненно, комплекс неполноценности покрывает = объясняет это, — добавила Тора Грей).
means [mi:nz], course [k*:s], indication [**nd**ke**(*)n]
"Eh bien, I admit that I did not regard that first letter in the way I should. It just made me extremely uneasy. The police regarded it as a hoax. I myself took it seriously. I was convinced that a murder would take place in Andover as stated. As you know, a murder did take place."
"There was no means at that point, as I well realized, of knowing who the person was who had done the deed. The only course open to me was to try and understand just what kind of a person had done it."
"I had certain indications. The letter — the manner of the crime — the person murdered. What I had to discover was: the motive of the crime, the motive of the letter."
"Publicity," suggested Clarke.
"Surely an inferiority complex covers that," added Thora Gray.
"That was (это был), of course (конечно), the obvious line to take (очевидный путь, /чтобы его/ придерживаться). But why me (но почему я)* Why Hercule Poirot* Greater publicity could be ensured by sending the letters to Scotland Yard (если отправить письма в Скотланд-Ярд, можно было бы добиться большей известности: «бoльшая известность могла быть обеспечена отправлением писем в Скотланд-Ярд»). More again by sending them to a newspaper (еще бoльшая, если отправить их в газету). A newspaper might not print the first letter (газета, вероятно, не напечатала бы первое письмо), but by the time the second crime took place (но к тому моменту, когда произошло второе преступление), A.B.C. could have been assured of all the publicity (Эй-би-си мог бы быть уверен во всей известности) the press could give (которую пресса могла дать). Why, then, Hercule Poirot* Was it for some personal reason (было это по какой-то личной причине)* There was (было), discernible in the letter (заметное в письме), a slight anti-foreign bias (легкое предубеждение против иностранцев; bias — наклон; предубеждение) — but not enough to explain the matter to my satisfaction (но недостаточное, чтобы объяснить дело, /чтобы/ я был удовлетворен: «до моего удовлетворения» = удовлетворительно в моих глазах)."
ensure [*n****], discernible [d**s*:n*bl], anti-foreign [**nt**f*r*n]
"That was, of course, the obvious line to take. But why me* Why Hercule Poirot* Greater publicity could be ensured by sending the letters to Scotland Yard. More again by sending them to a newspaper. A newspaper might not print the first letter, but by the time the second crime took place, A.B.C. could have been assured of all the publicity the press could give. Why, then, Hercule Poirot* Was it for some personal reason* There was, discernible in the letter, a slight anti-foreign bias — but not enough to explain the matter to my satisfaction."
"Then the second letter arrived (затем прибыло второе письмо) — and was followed by the murder of Betty Barnard at Bexhill (и /за ним/ последовало убийство Бетти Барнард в Бексхилле). It became clear now (тут стало ясным) (what I had already suspected (что я уже подозревал)) that the murders were to proceed in an alphabetical plan (что убийства должны были следовать в алфавитном порядке), but that fact (но тот факт), which seemed final to most people (который казался окончательным для большинства людей), left the main question unaltered (оставлял главный вопрос неизменным; to alter — изменять) to my mind (для моего ума). Why did A.B.C. need to commit these murders (зачем Эй-би-си было необходимо совершать эти преступления)*"
Megan Barnard stirred in her chair (Меган Барнард заерзала на своем стуле; to stir — шевелиться; двигаться). "Isn't there such a thing as (нет ли такой вещи как) — as a blood lust*" she said (как жажда крови*).
follow [*f*l**], stir [st*:], unaltered [**n**:lt*d]
"Then the second letter arrived — and was followed by the murder of Betty Barnard at Bexhill. It became clear now (what I had already suspected) that the murders were to proceed in an alphabetical plan, but that fact, which seemed final to most people, left the main question unaltered to my mind. Why did A.B.C. need to commit these murders*"
Megan Barnard stirred in her chair. "Isn't them such a thing as — as a blood lust*" she said.
Poirot turned to her (Пуаро повернулся к ней). "You are quite right, mademoiselle (вы совершенно правы, мадемуазель). There is such a thing (такое существует). The lust to kill (жажда убивать). But that did not quite fit the facts of the case (но это не совсем подходит под обстоятельства дела). A homicidal maniac (маньяк-убийца) who desires to kill (который желает убивать) usually desires to kill as many victims as possible (обычно желает убить как можно больше жертв: «так много жертв, как возможно»). It is a recurring craving (это повторяющееся стремление; craving — страстное желание, стремление; to crave — страстно желать, жаждать; to recur — снова приходить на ум; повторяться). The great idea of such a killer is to hide his tracks (главная мысль такого убийцы — это спрятать свои следы) — not to advertise them (не рекламировать их). When we consider (когда мы считаем) the four victims selected (что четыре жертвы выбраны) — or at any rate three of them (или, по крайней мере, три из них) (for I know very little of Mr. Downes or Mr. Earlsfield (так как я знаю очень мало о мистере Даунсе или мистере Эрлсфильде)), we realize (мы понимаем) that if he had chosen (что если он выбрал), the murderer could have done away with them without incurring any suspicion (убийца мог бы покончить с ними, не навлекая на себя какое-либо подозрение: «без навлечения на себя какого-либо подозрения»; to incur — подвергаться; навлекать на себя)."
recurring [r**k*:r**], craving [*kre*v**], incur [*n*k*:]
Poirot turned to her. "You are quite right, mademoiselle. There is such a thing. The lust to kill. But that did not quite fit the facts of the case. A homicidal maniac who desires to kill usually desires to kill as many victims as possible. It is a recurring craving. The great idea of such a killer is to hide his tracks — not to advertise them. When we consider the four victims selected — or at any rate three of them (for I know very little of Mr. Downes or Mr. Earlsfield), we realize that if he had chosen, the murderer could have done away with them without incurring any suspicion."
"Franz Ascher (Франц Эшер), Donald Fraser (Дональд Фрейзер) or Megan Barnard (или Меган Баранрд), possibly Mr. Clarke (возможно, мистер Кларк) — those are the people (это те люди) the police would have suspected (которых заподозрила бы полиция) even if they had been unable to get direct proof (даже если бы она /полиция/ была не в состоянии получить прямые доказательства). An unknown homicidal murderer would not have been thought of (о неизвестном маньяке-убийце не подумали бы = никто бы и не подумал)! Why, then (почему же тогда), did the murderer feel it necessary to call attention to himself (убийца чувствует необходимым привлечь внимание к себе)* Was it the necessity of leaving on each body a copy of an A.B.C. railway guide (было ли необходимо оставлять на каждом теле копию железнодорожного справочника «Эй-би-си»)* Was that the compulsion (было ли это принуждением; compulsion — принуждение, насилие)*"
unable [**n*e*bl], proof [pru:f], compulsion [k*m*p*l*(*)n]
"Franz Ascher, Donald Fraser or Megan Barnard, possibly Mr. Clarke — those are the people the police would have suspected even if they had been unable to get direct proof. An unknown homicidal murderer would not have been thought of! Why, then, did the murderer feel it necessary to call attention to himself* Was it the necessity of leaving on each body a copy of an A.B.C. railway guide* Was that the compulsion*"
"Was there some complex connected with the railway guide (был ли тут комплекс, связанный с железнодорожным справочником)*"
"I found it quite inconceivable at this point to enter into the mind of the murderer (я нахожу совершенно немыслимым на этом этапе проникнуть в ход мыслей убийцы: «зайти в ум убийцы»; conceivable — мыслимый, постижимый; вероятный, возможный, потенциальный; to conceive — полагать, размышлять; постигать; представлять себе). Surely it could not be magnanimity (конечно, это не могло быть великодушие = не могло же это быть великодушие)* A horror of responsibility for the crime being fastened on an innocent person (ужас ответственности за убийство, возложенный на невиновного человека)*"
"Although I could not answer the main question (хотя я не мог ответить на главный вопрос), certain things I did feel (определенные вещи я действительно чувствовал) I was learning about the murderer (что я узнаю об убийце = я чувствовал , что все же узнаю об убийце определенные вещи)."
"Such as*" asked Fraser (такие как* = какие, например*).
inconceivable [**nk*n*si:v*bl], horror [*h*r*], fasten [*f*:s(*)n]
"Was there some complex connected with the railway guide*"
"I found it quite inconceivable at this point to enter into the mind of the murderer. Surely it could not be magnanimity* A horror of responsibility for the crime being fastened on an innocent person*"
"Although I could not answer the main question, certain things I did feel I was learning about the murderer."
"Such as*" asked Fraser.
"To begin with (начнем с /того/) — that he had a tabular mind (у него был системный ум; tabular — в виде таблиц, табличный). His crimes were listed by alphabetical progression (его преступления были составлены в алфавитной последовательности; to progress — развиваться; двигаться вперед) — that was obviously important to him (что, очевидно, было важно для него). On the other hand (с другой стороны), he had no particular taste in victims (у него не было определнного вкуса к жертвам) — Mrs. Ascher (миссис Эшер), Betty Barnard (Бетти Барнард), Sir Carmichael Clarke (сэр Кармайкл Кларк), they all differed widely from each other (они все отличались в значительной степени друг от друга; wide — широкий; большой). There was no sex complex (там /не/ было никакого сексуального комплекса) — no particular age complex (никакого определенного возрастного комплекса), and that seemed to me to be a very curious fact (и это показалось мне было очень любопытным фактом).
If a man kills indiscriminately (если человек убивает без разбора; to discriminate — различать, отличать) it is usually because he removes anyone who stands in his way (это обычно потому, что он убирает любого, кто стоит на его пути) or annoys him (или раздражает его). But the alphabetical progression showed (но алфавитная последовательность показывала) that such was not the case here (что здесь был не тот случай). The other type of killer usually selects a particular type of victim (другой тип убийцы обычно выбирает определенный тип жертвы) — nearly always of the opposite sex (почти всегда противоположного пола). There was something haphazard about the procedure of A.B.C. (было что-то бессистемное в действиях Эй-би-си; haphazard — случайный; бессистемный) that seemed to me to be at war with the alphabetical selection (что, как показалось мне, противоречило алфавитному отбору: «было в войне с алфавитным отбором»)."
tabular [*t*bj*l*], indiscriminately [**nd**skr*m*n*tl*], war [w*:]
"To begin with — that he had a tabular mind. His crimes were listed by alphabetical progression — that was obviously important to him. On the other hand, he had no particular taste in victims — Mrs. Ascher, Betty Barnard, Sir Carmichael Clarke, they all differed widely from each other. There was no sex complex — no particular age complex, and that seemed to me to be a very curious fact.
If a man kills indiscriminately it is usually because he removes anyone who stands in his way or annoys him. But the alphabetical progression showed that such was not the case here. The other type of killer usually selects a particular type of victim — nearly always of the opposite sex. There was something haphazard about the procedure of A.B.C. that seemed to me to be at war with the alphabetical selection."
"The slight inferences I permitted myself to make (небольшие выводы я позволил себе сделать; to infer — заключать; делать /логический/ вывод). The choice of the A.B.C. suggested to me (выбор Эй-би-си предложил мне /то/) what I may call a railway-minded man (что я могу назвать железнодорожно ориентированным человеком). This is more common in men than women (это более обычно среди мужчин, чем среди женщин). Small boys love trains better than small girls do (маленькие мальчики любят поезда больше, чем маленькие девочки). It might be the sign, too, of an in some ways undeveloped mind (это тоже могло быть знаком, некоторым образом, неразвитого ума; to develop — развивать/ся/). The 'boy' motif still predominated (лейтмотив «мальчика» все еще доминировал; to predominate — преобладать, господствовать)."
inference [**nf(*)r(*)ns], undeveloped [**nd**vel*pt], predominate [pr**d*m*ne*t]
"The slight inferences I permitted myself to make. The choice of the A.B.C. suggested to me what I may call a railway-minded man. This is more common in men than women. Small boys love trains better than small girls do. It might be the sign, too, of an in some ways undeveloped mind. The 'boy' motif still predominated."
"The death of Betty Barnard (смерть Бетти Барнард) and the manner of it (и ее способ) gave me certain other indications (дали мне определенные другие указания). The manner of her death was particularly suggestive (способ ее смерти был особенно наводящим на мысли). (Forgive me, Mr. Fraser. (простите меня, мистер Фрейзер)) To begin with (начнем с того), she was strangled with her own belt (она была задушена своим собственным поясом) — therefore she must almost certainly have been killed by someone (поэтому она почти наверняка должна была быть убита кем-то) with whom she was on friendly or affectionate terms (с кем она была в дружеских или любовных отношениях). When I learnt something of her character (когда я узнал кое-что о ее характере) a picture grew up in my mind (картинка вырисовалась у меня в уме)."
suggestive [s***est*v], term [t*:m], character [*k*r*kt*]
"The death of Betty Barnard and the manner of it gave me certain other indications. The manner of her death was particularly suggestive. (Forgive me, Mr. Fraser.) To begin with, she was strangled with her own belt — therefore she must almost certainly have been killed by someone with whom she was on friendly or affectionate terms. When I learnt something of her character a picture grew up in my mind."
"Betty Barnard was a flirt (Бетти Барнард была кокеткой) … She liked attention from a personal male (она любила внимание от ярких мужчин; personal — личный; относящийся к личности). Therefore A.B.C. (поэтому Эй-би-си), to persuade her to come out with him (что бы уговорить ее пойти с ним), must have a certain amount of attraction (должен иметь определенную притягательность; to attract — привлекать, притягивать) — of the sex appeal (сексуальную привлекательность; to appeal — привлекать, притягивать). He must be able (он должен был быть в состоянии), as you English say (как вы, англичане, говорите), to 'get off' (произвести впечатление). He must be capable of the click (он должен был быть способен нравиться; to click — щелкать; нравиться /друг другу/; ладить /с кем-л./)! Visualize the scene on the beach thus (представьте сцену на пляже так): the man admires her belt (мужчина восхищается ее поясом). She takes it off (она снимает его). He passes it playfully round her neck (он пропускает его игриво вокруг ее шеи) — says, perhaps (говорит, возможно), 'I shall strangle you (я тебя задушу).' It is all very playful (это есть все очень игриво). She giggles (она хихикает) — and he pulls (и он тянет)."
Donald Fraser sprang up (Дональд Фрейзер подпрыгнул). He was livid (он был мертвенно-бледен). "M. Poirot — for God's sake (ради Бога)."
flirt [fl*:t], click [kl*k], visualize [*v*zj**la*z]
"Betty Barnard was a flirt. She liked attention from a personal male. Therefore A.B.C., to persuade her to come out with him, must have a certain amount of attraction — of the sex appeal! He must be able, as you English say, to 'get off.' He must be capable of the click! Visualize the scene on the beach thus: the man admires her belt. She takes it off. He passes it playfully round her neck — says, perhaps, 'I shall strangle you.' It is all very playful. She giggles — and he pulls."
Donald Fraser sprang up. He was livid. "M. Poirot — for God's sake."
Poirot made a gesture (Пуаро сделал жест /рукой/). "It is finished (закончено). I say no more (я не скажу больше /ни слова/). It is over (это завершено). We pass to the next murder (мы переходим к следующему убийству), that of Sir Carmichael Clarke (убийству сэра Кармайкла Кларка). Here the murderer goes back to his first method (здесь убийца возвращается к своему первому методу) — the blow on the head (удару по голове). The same alphabetical complex (тот же алфавитный комплекс) — but one fact worries me a little (но один факт беспокоит меня немного). To be consistent (чтобы быть последовательным) the murderer should have chosen his towns in some definite sequence (убийца должно был выбирать города в некоей определенной последовательности)."
"If Andover is the 155th name under A (если Эндовер сто пятьдесят пятый /город/ под /буквой/ «эй»), then the B crime should be the 155th also (тогда преступление /на букву/ «би» тоже должно быть сто пятьдесят пятым) — or it should be the 156th (или оно должно быть сто пятьдесят шестым) and the C the 157th (а /на букву/ «си» — сто пятьдесят седьмым). Here again the towns seemed to be chosen in rather too haphazard a fashion (здесь снова кажется, что города были выбраны несколько слишком случайным способом).''
"Isn't that because you're rather biased on that subject, Poirot*" I suggested (не потому ли это, что вы слишком предвзяты в отношении этого: «этой темы», Пуаро* — предложил я). "You yourself are normally methodical and orderly (вы сами обычно методичны и упорядочены). It's almost a disease with you (это почти болезнь у вас)."
sequence [*si:kw*ns], methodical [m**O*d*k*l], disease [d**zi:z]
Poirot made a gesture. "It is finished. I say no more. It is over. We pass to the next murder, that of Sir Carmichael Clarke. Here the murderer goes back to his first method — the blow on the head. The same alphabetical complex — but one fact worries me a little. To be consistent the murderer should have chosen his towns in some definite sequence."
"If Andover is the 155th name under A, then the B crime should be the 155th also — or it should be the 156th and the C the 157th. Here again the towns seemed to be chosen in rather too haphazard a fashion.''
"Isn't that because you're rather biased on that subject, Poirot*" I suggested. "You yourself are normally methodical and orderly. It's almost a disease with you."
"No, it is not a disease (это не болезнь)! Quelle idee (фр. что за мысль)! But I admit (но я признаю) that I may be overstressing that point (что я, возможно, придаю слишком большое значение этому моменту; to overstress — перегружать, перенапрягать). Passons (фр. оставим /это/)!"
"The Churston crime gave me very little extra help (черстонское преступление мало мне помогло: «дало мне очень мало дополнительной помощи»). We were unlucky over it (нам не повезло с ним), since the letter announcing it went astray (так как письмо, возвещающее его, потерялось; to go astray — сбиться с пути), hence no preparations could be made (так что никаких приготовлений не могло быть сделано; hence — отсюда; поэтому, следовательно)."
"But by the time the D crime was announced (но к тому моменту, когда было объявлено преступление /на букву/ «ди»), a very formidable system of defence had been evolved (была развернута очень замечательная система защиты). It must have been obvious (должно было быть очевидно) that A.B.C. could not much longer hope to get away with his crimes (что Эй-би-си не мог больше надеяться выходить сухим из воды с его преступлениями; to get away — уходить; выйти сухим из воды)."
overstress [***v**stres], astray [**stre*], formidable [*f*:m*d*bl]
"No, it is not a disease! Quelle idee! But I admit that I may be overstressing that point. Passons!"
"The Churston crime gave me very little extra help. We were unlucky over it, since the letter announcing it went astray, hence no preparations could be made."
"But by the time the D crime was announced, a very formidable system of defence had been evolved. It must have been obvious that A.B.C. could not much longer hope to get away with his crimes."
"Moreover (более того), it was at this point (именно на этом этапе) that the clue of the stockings came into my hands (улика с чулками попала в мои руки). It was perfectly clear (было совершенно ясно) that the presence of an individual selling stockings (что присутствие человека, продающего чулки) on and near the scene of each crime (на /месте/ и вблизи места каждого преступления) could not be a coincidence (не могло быть случайным; coincidence — совпадение). Hence the stocking-seller must be the murderer (следовательно, продавец чулок должен быть убийцей). I may say (я могу сказать) that his description (что его описание), as given me by Miss Grey (как оно было дано мне мисс Грей), did not quite correspond with my own picture of the man (не совсем соотносилось с моим собственным представлением о человеке) who strangled Betty Barnard (который задушил Бетти Барнард)."
hence [hens], incidence [**ns*d(*)ns], correspond [*k*r**sp*nd]
"Moreover, it was at this point that the clue of the stockings came into my hands. It was perfectly clear that the presence of an individual selling stockings on and near the scene of each crime could not be a coincidence. Hence the stocking-seller must be the murderer. I may say that his description, as given me by Miss Grey, did not quite correspond with my own picture of the man who strangled Betty Barnard."
"I will pass over the next stages quickly (я пропущу несколько этапов: «я пройду мимо следующих эпатов быстро»). A fourth murder was committed (четвертое убийство было совершено) — the murder of a man named George Earlsfield (убийство человека по имени Джордж Эрлсфилд) — it was supposed (предположительно) in mistake for a man named Downes (по ошибке вместо человека по имени Даунс), who was something of the same build (который был несколько похожего сложения) and who was sitting near him in the cinema (и который сидел рядом с ним в кино)."
"And now at last comes the turn of the tide (и теперь, наконец, поворот прилива = начинается отлив; tide — прилив, отлив /т.е. сам поток прилива или отлива/). Events play against A.B.C. instead of into his hands (события играют против Эй-би-си вместо /того, чтобы/ /играть/ ему на руку). He is marked down (он замечен/помечен) — hunted (/на него/ охотятся) — and at last arrested (и наконец, /он/ арестован)."
"The case (дело), as Hastings says (как говорит Гастингс), is ended (закончено)!"
stage [ste**], cinema [*s*n*m*], tide [ta*d]
"I will pass over the next stages quickly. A fourth murder was committed — the murder of a man named George Earlsfield — it was supposed in mistake for a man named Downes, who was something of the same build and who was sitting near him in the cinema."
"And now at last comes the turn of the tide. Events play against A.B.C. instead of into his hands. He is marked down — hunted — and at last arrested."
"The case, as Hastings says, is ended!"
"True enough (достаточно верно) as far as the public is concerned (насколько это имеет отношение к публике). The man is in prison (человек в тюрьме) and will eventually (и, в конечном итоге), no doubt (без сомнения), go to Broadmoor (пойдет в Бродмур). There will be no more murders (не будет больше убийств). Exit (выход)! Finis (конец)! R.I.P (да упокоится с миром)."
"But not for me (но не для меня). I know nothing (я не знаю ничего) — nothing at all (совершенно ничего)! Neither the why (ни почему) nor the wherefore (ни по какой причине; wherefore — почему*, по какой причине*)."
"And there is one small vexing fact (и есть один маленький досаждающий факт; to vex — досаждать, раздражать; возмущать, сердить; беспокоить, волновать). The man Cust has an alibi for the night of the Bexhill crime (у этого человека, Каста, имеется алиби на ночь преступления в Бексхилле)."
"That's been worrying me all along," said Franklin Clarke (это волновало меня все время).
"Yes. It worried me (это беспокоило /и/ меня). For the alibi (что /касается/ алиби), it has the air of being genuine (оно кажется подлинным: «оно имеет вид быть подлинным»). But it cannot be genuine unless (но оно не может быть подлинным, если не = разве что) — and now we come to two very interesting speculations (и теперь мы подходим к двум очень интересным предположениям)."
wherefore [*w**f*:], vexing [*veks**], speculation [*spekju:*le**(*)n]
"True enough as far as the public is concerned. The man is in prison and will eventually, no doubt, go to Broadmoor. There will be no more murders. Exit! Finis! R.I.P."
"But not for me. I know nothing — nothing at all! Neither the why nor the wherefore."
"And there is one small vexing fact. The man Cust has an alibi for the night of the Bexhill crime."
"That's been worrying me all along," said Franklin Clarke.
"Yes. It worried me. For the alibi, it has the air of being genuine. But it cannot be genuine unless — and now we come to two very interesting speculations."
"Supposing (предположим), my friends (друзья мои), that while Cust committed three of the crimes (что, хотя Каст совершил три преступления; while — пока; хотя) — the A (/под буквой/ «эй»), C (/под буквой/ «си») and D crimes (и /под буквой/ «ди» преступления) — he did not commit the B crime (он не совершил преступления /под буквой/ «би»)."
"M. Poirot (мсье Пуаро). It isn't (это не) — "
Poirot silenced Megan Barnard with a look (Пуаро усмирил Меган Барнард взглядом; to silence — заставить замолчать; усмирять). "Be quiet, mademoiselle (спокойно: «будьте тихой», мадемуазель). I am for the truth (я /выступаю/ за правду), I am (я)! I have done with lies (я покончил с ложью = мне надоела ложь). Supposing (предположим), I say (я скажу), that A.B.C. did not commit the second crime (что Эй-би-си не совершал второго преступления). It took place (оно произошло), remember (помните), in the early hours of the 25th (в ранний час двадцать пятого) — the day he had arrived for the crime (в день, когда он прибыл для /совершения/ преступления). Supposing (предположим) someone had forestalled him (что кто-то опередил его)* What in those circumstances would he do (что в тех обстоятельствах он бы сделал)* Commit a second murder (совершит второе убийство), or lie low (или заляжет /низко/) and accept the first (и примет первое /преступление/) as a kind of macabre present (в качестве жуткого подарка; macabre — относящийся к смерти; страшный)*"
while [wa*l], forestall [f*:*st*:l], macabre [m**k*:br]
"Supposing, my friends, that while Cust committed three of the crimes — the A, C and D crimes — he did not commit the B crime."
"M. Poirot. It isn't — "
Poirot silenced Megan Barnard with a look. "Be quiet, mademoiselle. I am for the truth, I am! I have done with lies. Supposing, I say, that A.B.C. did not commit the second crime. It took place, remember, in the early hours of the 25th — the day he had arrived for the crime. Supposing someone had forestalled him* What in those circumstances would he do* Commit a second murder, or lie low and accept the first as a kind of macabre present*"
"M. Poirot!" said Megan. "That's a fantastic thought (это абсурдная: «фантастическая» мысль)! All the crimes must have been committed by the same person (все преступления должны были быть совершены одним и тем же человеком)!"
He took no notice of her (он не обратил на нее никакого внимания) and went steadily on (и твердо продолжил): "Such a hypothesis had the merit of explaining one fact (такая гипотеза имела достоинство объяснить один факт) — the discrepancy between the personality of Alexander Bonaparte Cust (несоответствие между личностью Александра Бонапарта Каста) (who could never have made the click with any girl (который, возможно, никогда не имел успеха ни у одной девушки; to make a click with — быть популярным, иметь успех)) and the personality of Betty Barnard's murderer (и личностью убийцы Бетти Барнард). And it has been known (а было известно), before now (раньше; before now — до сих пор, раньше), that would-be murderers have taken advantage of the crimes (что предполагаемые убийцы извлекали для себя выгоду из преступлений; would-be — предполагаемый) committed by other people (совершенных другими людьми). Not all the crimes of Jack the Ripper were committed by Jack the Ripper (не все убийства Джека Потрошителя были совершены Джеком Потрошителем), for instance (например). So far, so good (пока все идет нормально: «так = настолько далеко, так хорошо»)."
discrepancy [d**skrep(*)ns*], would-be [*w*dbi:], advantage [*d*v*:nt**]
"M. Poirot!" said Megan. "That's a fantastic thought! All the crimes must have been committed by the same person!"
He took no notice of her and went steadily on: "Such a hypothesis had the merit of explaining one fact — the discrepancy between the personality of Alexander Bonaparte Cust (who could never have made the click with any girl) and the personality of Betty Barnard's murderer. And it has been known, before now, that would-be murderers have taken advantage of the crimes committed by other people. Not all the crimes of Jack the Ripper were committed by Jack the Ripper, for instance. So far, so good."
"But then I came up against a definite difficulty (но затем я столкнулся с определенной сложностью; to come up against — столкнуться с чем-либо)."
"Up to the time of the Barnard murder (до времени убийства Барнард), no facts about the A.B.C. murders had been made public (никакие факты об убийствах Эй-би-си не стали публичными = не стали достоянием публики). The Andover murder had created little interest (эндоверское убийство породило мало интереса; to create — творить, создавать). The incident of the open railway guide had not even been mentioned in the press (случай с открытым железнодорожным справочником даже не был упомянут в прессе). It therefore followed (поэтому следует) that whoever killed Betty Barnard must have had access to facts known only to certain persons (что кто бы ни убил Бетти Барнард, он должен был иметь доступ к фактам, известным только определенным людям) — myself (мне /самому/), the police (полиции), and certain relations and neighbours of Mrs. Ascher (и некоторым родственникам и соседям миссис Эшер)."
"That line of research seemed to lead me up against a blank wall (эта линия расследования, казалось, привела меня к белой/пустой стене; blank — белый; пустой)."
The faces (лица) that looked at him (которые смотрели на него) were blank too (были пустыми тоже). Blank (сбитыми с толку; blank — озадаченный, смущенный) and puzzled (и озадаченными).
Donald Fraser said thoughtfully (Дональд Фрейзер сказал задумчиво): "The police (полицейские), after all (в конце концов), are human beings (человеческие существа). And they're good-looking men (и они симпатичные мужчины) — "
He stopped (он остановился), looking at Poirot inquiringly (глядя вопросительно на Пуаро).
access [**kses], blank [bl**k], whoever [hu(:)*ev*]
"But then I came up against a definite difficulty."
"Up to the time of the Barnard murder, no facts about the A.B.C. murders had been made public. The Andover murder had created little interest. The incident of the open railway guide had not even been mentioned in the press. It therefore followed that whoever killed Betty Barnard must have had access to facts known only to certain persons — myself, the police, and certain relations and neighbours of Mrs. Ascher."
"That line of research seemed to lead me up against a blank wall."
The faces that looked at him were blank too. Blank and puzzled.
Donald Fraser said thoughtfully: "The police, after all, are human beings. And they're good-looking men — "
He stopped, looking at Poirot inquiringly.
Poirot shook his head gently (Пуаро мягко покачал головой). "No — it is simpler than that (это проще, чем это). I told you (я сказал вам) that there was a second speculation (что было второе предположение; to speculate — обдумывать; полагать, предполагать)."
"Supposing (предположим) that Cust was not responsible for the killing of Betty Barnard (что Каст не был ответственен за убийство Бетти Барнард)* Supposing (предположим) that someone else killed her (что кто-то другой убил ее). Could that someone else have been responsible for the other murders too (мог /ли/ этот кто-то другой быть ответственен за два других убийства тоже)*"
"But that doesn't make sense!" cried Clarke (но это не имеет смысла, — воскликнул Кларк).
"Doesn't it (неужели)* I did then (я сделал тогда) what I ought to have done at first (что мне следовало сделать сначала). I examined the letters (я изучил письма) I had received (которые я получил) from a totally different point of view (с совершенно отличной = иной точки зрения; total). I had felt from the beginning (я чувствовал с самого начала) that there was something wrong with them (что с ними было что-то не так: «что там было что-то неправильное с ними») — just as a picture expert knows (именно подобно тому, как эксперт по живописи знает: «как раз как картинный эксперт знает») a picture is wrong (что картина фальшива) … "
simple [s*mpl], totally [*t**t(*)l*], expert [*eksp*:t]
Poirot shook his head gently. "No — it is simpler than that. I told you that there was a second speculation."
"Supposing that Cust was not responsible for the killing of Betty Barnard* Supposing that someone else killed her. Could that someone else have been responsible for the other murders too*"
"But that doesn't make sense!" cried Clarke.
"Doesn't it* I did then what I ought to have done at first. I examined the letters I had received from a totally different point of view. I had felt from the beginning that there was something wrong with them — just as a picture expert knows a picture is wrong … "
"I had assumed (я допустил), without pausing to consider (не переставая раздумывать), that what was wrong with them (что то, что было неправильно с ними) was the fact (был тот факт) that they were written by a madman (что они были написаны сумасшедшим)."
"Now I examined them again (и вот я изучил их снова) — and this time I came to a totally different conclusion (и на этот раз пришел к совершенно отличному выводу). What was wrong with them (то, что было в них не так) was the fact (был тот факт) that they were written by a sane man (что они были написаны здравым человеком)!"
"What*" I cried (что* — воскликнул я).
"But yes (ну да) — just that precisely (именно так: «как раз это точно»)! They were wrong (они были неправильными) as a picture is wrong (как картина неправильна) — because they were a fake (потому что они были подделкой). They pretended to be the letters of a madman (они претендовали /на то, чтобы/ быть письмами сумасшедшего = выдавали себя за…) — of a homicidal lunatic (помешанного убийцы: «убийственного лунатика»), but in reality they were nothing of the kind (но в реальности они не были ничем подобным = не были таковыми)."
assume [**sju:m], fake [fe*k], pretend [pr**tend]
"I had assumed, without pausing to consider, that what was wrong with them was the fact that they were written by a madman."
"Now I examined them again — and this time I came to a totally different conclusion. What was wrong with them was the fact that they were written by a sane man!"
"What*" I cried.
"But yes — just that precisely! They were wrong as a picture is wrong — because they were a fake. They pretended to be the letters of a madman — of a homicidal lunatic, but in reality they were nothing of the kind."
"It doesn't make sense," Franklin Clarke repeated (это не имеет смысла, — повторил Франклин Кларк).
"Mais si (фр. да нет же/наоборот). One must reason (нужно рассуждать) — reflect (размышлять). What would be the object of writing such letters (что было бы причиной написания таких писем)* To focus attention on the writer (сфокусировать внимание на авторе), to call attention to the murders (обратить внимание на убийства)! En verite (фр. поистине), it did not seem to make sense at first sight (это, казалось, не имело смысла на первый взгляд). And then I saw light (а затем я увидел свет). It was to focus attention on several murders (оно должно было сфокусировать внимание на нескольких убийствах) — on a group of murders (на группе убийств) … Is it not your great Shakespeare (/разве/ это не ваш великий Шекспир) who has said (который сказал), 'You cannot see the trees for the wood (вы не можете увидеть деревьев из-за леса)'*"
focus [*f**k*s], sight [sa*t], Shakespeare [**e*ksp**]
"It doesn't make sense," Franklin Clarke repeated.
"Mais si. One must reason — reflect. What would be the object of writing such letters* To focus attention on the writer, to call attention to the murders! En verite, it did not seem to make sense at first sight. And then I saw light. It was to focus attention on several murders — on a group of murders … Is it not your great Shakespeare who has said, 'You cannot see the trees for the wood'*"
I did not correct Poirot's literary reminiscences (я не исправил литературные воспоминания = ссылки Пуаро). I was trying to see his point (я пытался понять его идею). A glimmer came to me (слабый проблеск /понимания/ пришел ко мне; glimmer — мерцание; слабый проблеск). He went on (он продолжал): "When do you notice a pin least (когда вы менее всего замечаете булавку)* When it is in a pincushion (когда она в подушечке для булавок)! When do you notice an individual murder least (когда вы менее всего заметите отдельное убийство; individual — частный, отдельный)* When it is one of a series of related murders (когда оно в серии сходных убийств)."
glimmer [**l*m*], pincushion [*p*n*k**(*)n], related [r**le*t*d]
I did not correct Poirot's literary reminiscences. I was trying to see his point. A glimmer came to me. He went on: "When do you notice a pin least* When it is in a pincushion! When do you notice an individual murder least* When it is one of a series of related murders."
"I had to deal with an intensely clever (мне пришлось иметь дело с чрезвычайно умным; intense — интенсивный; значительный), resourceful murderer (находчивым убийцей; resource — ресурс; способ, средство; изобретательность) — reckless (безрассудным = отчаянным), daring (дерзким) and a thorough gambler (и законченным игроком; thorough — тщательный; законченный). Not Mr. Cust (не мистером Кастом)! He could never have committed these murders (он никогда бы не смог совершить этих убийств)! No, I had to deal with a very different stamp of man (мне пришлось иметь дело с очень отличным типом человека) — a man with a boyish temperament (мужчиной с мальчишеским темпераментом) (witness the schoolboy-type letters (доказательством /служат/ письма, как бы написанные школьником: «школьного типа») and the railway guide (и железнодорожный справочник)), an attractive man to women (мужчиной, привлекательным для женщин), and a man with a ruthless disregard for human life (и с мужчиной с жестоким пренебрежением к человеческой жизни), a man (мужчиной) who was necessarily a prominent person in one of the crimes (который был обязательно заметной фигурой в одном из преступлений)!
Consider (рассудите) when a man or woman is killed (когда мужчина или женщина убиты), what are the questions (какие бывают вопросы) that the police ask (которые задает полиция)* Opportunity (возможность). Where was everybody at the time of the crime (где был каждый во время преступления)* Motive (мотив). Who benefited by the deceased's death (кто выигрывал от смерти покойного; decease — гибель, кончина)* If the motive and the opportunity are fairly obvious (если мотив и возможность вполне очевидны), what is a would-be murderer to do (что должен был сделать предполагаемый убийца)* Fake an alibi (сфабриковать алиби) — that is (то есть), manipulate time in some way (манипулировать временем каким-то образом)* But that is always a hazardous proceeding (но это всегда рискованное дело). Our murderer thought of a more fantastic defence (наш убийца подумал об очень необычной защите)."
gambler [***mbl*], deceased [d**si:st], hazardous [*h*z*d*s]
"I had to deal with an intensely clever, resourceful murderer — reckless, daring and a thorough gambler. Not Mr. Cust! He could never have committed these murders! No, I had to deal with a very different stamp of man — a man with a boyish temperament (witness the schoolboy-type letters and the railway guide), an attractive man to women, and a man with a ruthless disregard for human life, a man who was necessarily a prominent person in one of the crimes!
Consider when a man or woman is killed, what are the questions that the police ask* Opportunity. Where was everybody at the time of the crime* Motive. Who benefited by the deceased's death* If the motive and the opportunity are fairly obvious, what is a would-be murderer to do* Fake an alibi — that is, manipulate time in some way* But that is always a hazardous proceeding. Our murderer thought of a more fantastic defence."
"Create a homicidal murderer (создать маньяка-убийцу)!"
"I had now only to review the various crimes (мне нужно было = осталось теперь только просмотреть различные преступления) and find the possible guilty person (и найти вероятно виновного человека; guilt — вина). The Andover crime (эндоверское убийство)* The most likely suspect for that was Franz Ascher (самый вероятный подозреваемый для этого = для совершения его был Франц Эшер), but I could not imagine (но я не мог представить) Ascher inventing and carrying out such an elaborate scheme (Эшера, изобретающего и осуществляющего такую тщательно продуманную схему), nor could I see him planning a premeditated murder (не мог я увидеть, /как/ он планировал преднамеренное убийство). The Bexhill crime (бексхиллское убийство)* Donald Fraser was a possibility (Дональд Фрейзер был вариантом: «возможностью»)."
"He had brains and ability (у него был ум и способности), and a methodical turn of mind (и методический склад ума). But his motive for killing his sweetheart could only be jealousy (но его мотивом для убийства его возлюбленной могла быть только ревность; sweetheart — возлюбленная) — and jealousy does not tend to premeditation (а ревность не склонна к преднамеренности). Also I learned (также я выяснил) that he had his holiday early in August (что у него был отпуск в начале августа: «ранним августом»), which rendered it unlikely (который делал невероятным; to render — отдавать, возмещать; приводить в какое-л. состояние, изменять состояние) that he had anything to do with the Churston crime (что он имел какое-либо отношение к черстонскому преступлению). We come to the Churston crime next (далее мы подходим к черстонскому убийству) — and at once we are on infinitely more promising ground (и сразу оказываемся на бесконечно более обещающей почве)."
elaborate [**l*b*r*t], sweetheart [*swi:th*:t], ground [*ra*nd]
"Create a homicidal murderer!"
"I had now only to review the various crimes and find the possible guilty person. The Andover crime* The most likely suspect for that was Franz Ascher, but I could not imagine Ascher inventing and carrying out such an elaborate scheme, nor could I see him planning a premeditated murder. The Bexhill crime* Donald Fraser was a possibility."
"He had brains and ability, and a methodical turn of mind. But his motive for killing his sweetheart could only be jealousy — and jealousy does not tend to premeditation. Also I learned that he had his holiday early in August, which rendered it unlikely that he had anything to do with the Churston crime. We come to the Churston crime next — and at once we are on infinitely more promising ground."
"Sir Carmichael Clarke was an immensely wealthy man (сэр Кармайкл Кларк был безмерно богатый человек; immense — безмерный). Who inherits his money (кто наследует его деньги)* His wife (его жена), who is dying (которая умирает), has a life interest in it (имеет право на пожизненное владение ими), and it then goes to his brother Franklin (а затем они отходят к его брату, Франклину)."
Poirot turned slowly round till his eyes met those of Franklin Clarke (Пуаро медленно поворачивался, пока его глаза не встретились с /глазами/ Франклина Кларка).
"I was quite sure then (тогда я был совершенно уверен = тут я вполне обрел уверенность). The man (тот человек) I had known a long time in my secret mind (которого я знал так долго в моих тайных мыслях: «в моем тайном мозгу») was the same as the man (был тем же самым человеком) whom I had known as a person (которого я знал лично: «как личность»)."
"A.B.C. and Franklin Clarke were one and the same (Эй-би-си и Франклин Кларк были одним и тем же /человеком/). The daring adventurous character (дерзкий авантюрный характер), the roving life (бродячая жизнь), the partiality for England (/националистическая/ пристрастность к Англии; partiality — пристрастность, несправедливость) that had showed itself (которая проявилась), very faintly (очень слабо), in the jeer at foreigners (в насмешке над иностранцами). The attractive (привлекательная) free (свободная) and easy manner (и легкая манера /общения/) — nothing easier for him (ничего проще для него) than to pick up a girl in a cafe (чем познакомиться с девушкой в кафе).
daring [*d**r**], adventurous [*d*vent**r*s], partiality [*p*:****l*t*]
"Sir Carmichael Clarke was an immensely wealthy man. Who inherits his money* His wife, who is dying, has a life interest in it, and it then goes to his brother Franklin."
Poirot turned slowly round till his eyes met those of Franklin Clarke.
"I was quite sure then. The man I had known a long time in my secret mind was the same as the man whom I had known as a person."
"A.B.C. and Franklin Clarke were one and the same. The daring adventurous character, the roving life, the partiality for England that had showed itself, very faintly, in the jeer at foreigners. The attractive free and easy manner — nothing easier for him than to pick up a gift in a cafe.
The methodical tabular mind (методичный системный ум) — he made a list here one day (он составил список здесь однажды), ticked off over the headings A.B.C. (отметил пункты /буквами/ «эй», «би», «си»; heading —заголовок; рубрика) — and finally (и наконец), the boyish mind (мальчишеский ум) — mentioned by Lady Clarke (упомянутый леди Кларк) and even shown by his taste in fiction (и даже проявленный в его вкусе в литературе = в его выборе чтения; fiction — беллетристика; художественная литература) — I have ascertained (я обнаружил) that there is a book in the library called The Railway Children by E. Nesbit (что там в библиотеке есть книга Э. Несбит под названием «Дети железной дороги»). I had no further doubt in my own mind (я /не/ имел никаких дальнейших сомнений в моем собственном уме) — A.B.C. (Эй-би-си), the man who wrote the letters (человек, который написал письма) and committed the crimes (и совершил преступления), was Franklin Clarke (был Франклин Кларк)."
heading [*hed**], ascertain [**s**te*n], library [*la*br*r*]
The methodical tabular mind — he made a list here one day, ticked off over the headings A.B.C. — and finally, the boyish mind — mentioned by Lady Clarke and even shown by his taste in fiction — I have ascertained that there is a book in the library called The Railway Children by E. Nesbit. I had no further doubt in my own mind — A.B.C., the man who wrote the letters and committed the crimes, was Franklin Clarke."
Clarke suddenly burst out laughing (Кларк неожиданно рассмеялся: «взорвался смехом»). "Very ingenious (очень остроумно; ingenious — изобретательный; остроумный)! And what about our friend Cust (а как насчет нашего друга Каста), caught red-handed (пойманного на месте преступления: «с красными /от крови/ руками»)*"
"What about the blood on his coat (что = как насчет крови на его пальто)* And the knife he hid in his lodgings (и ножа, который он прятал в своем жилище)* He may deny (он может отрицать) he committed the crimes (что он совершил эти преступления) — "
Poirot interrupted (Пуаро прервал /его/). "You are quite wrong (вы совершенно неправы). He admits the fact (он признает этот факт)."
"What (что)*" Clarke looked really startled (Кларк выглядел действительно пораженным).
"Oh, yes," said Poirot gently (о, да, — мягко сказал Пуаро). "I had no sooner spoken to him than I was aware (как только я поговорил с ним, я осознал: «я не так скоро поговорил с ним, как я осознал») that Cust believed himself to be guilty (что Каст считает себя виновным)."
"And even that didn't satisfy M. Poirot*" said Clarke (и даже это не удовлетворило мсье Пуаро*).
red-handed [*red*h*nd*d], burst [b*:st], startled [*st*:tld]
Clarke suddenly burst out laughing. "Very ingenious! And what about our friend Cust, caught red-handed*"
"What about the blood on his coat* And the knife he hid in his lodgings* He may deny he committed the crimes — "
Poirot interrupted. "You are quite wrong. He admits the fact."
"What*" Clarke looked really startled.
"Oh, yes," said Poirot gently. "I had no sooner spoken to him than I was aware that Cust believed himself to be guilty."
"And even that didn't satisfy M. Poirot*" said Clarke.
"No. Because as soon as I saw him (потому что как только я увидел его: «так скоро как я увидел его») I also knew (я также понял) that he could not be guilty (что он не может быть виновным)! He has neither the nerve nor the daring (он не имеет ни нервов = выдержки, ни дерзости) — nor (ни), I may add (я могу добавить = я бы добавил), the brains to plan (мозгов, /чтобы/ планировать)! All along I have been aware of the dual personality of the murderer (все время я осознавал двойственную личность убийцы). Now I see wherein it consisted (теперь я понимаю, в чем она состояла). Two people were involved (два человека были вовлечены) — the real murderer (настоящий убийца), cunning (хитрый), resourceful (находчивый) and calculating (и расчетливый) — and the pseudo murderer (и псевдоубийца), stupid (тупой), vacillating (нерешительный; to vacillate — колебаться; проявлять нерешительность) and suggestible (и поддающийся внушению)."
"Suggestible (поддающийся внушению) — it is in that word (это в этом слове) that the mystery of Mr. Cust consists (в котором состоит загадка мистера Каста)!"
"It was not enough for you, Mr. Clarke (это не было достаточным для вас, мистер Кларк), to devise this plan of a series (разработать этот план из серии /убийств/) to distract attention from a single crime (чтобы отвести внимание от единственного преступления). You had also to have a stalking horse (вам так же пришлось заполучить подставное лицо: «заслонную лошадь»)
dual [*dju:*l], pseudo [(p)*sju:d**], vacillating [*v*s*le*t**]
"No. Because as soon as I saw him I also knew that he could not be guilty! He has neither the nerve nor the daring — nor, I may add, the brains to plan! All along I have been aware of the dual personality of the murderer. Now I see wherein it consisted. Two people were involved — the real murderer, cunning, resourceful and calculating — and the pseudo murderer, stupid, vacillating and suggestible."
"Suggestible — it is in that word that the mystery of Mr. Cust consists!"
"It was not enough for you, Mr. Clarke, to devise this plan of a series to distract attention from a single crime. You had also to have a stalking horse."
"I think (я думаю) the idea first originated in your mind (эта идея впервые родилась в вашем уме) as the result of a chance encounter in a city coffee den (в результате случайного знакомства в маленькой городской кофейне; den —логово; маленькая, тесная комнатка) with this odd personality with his bombastic Christian names (с этой странной личностью с его напыщенными именами). You were at that time turning over in your mind various plans for the murder of your brother (вы были в это время проворачивали в своей голове различные планы убийства вашего брата)."
"Really (действительно)* And why (а почему)*"
"Because you were seriously alarmed for the future (потому что вы были сильно обеспокоены будущим). I do not know (я не знаю) whether you realize it, Mr. Clarke (осознаете ли вы это, мистер Кларк), but you played into my hands (но вы сыграли мне на руку) when you showed me a certain letter (когда показали мне определенное письмо) written to you by your brother (написанное вам вашим братом). In it he displayed very clearly his affection and absorption in Miss Thora Grey (в нем он очень отчетливо выражал свою привязанность и поглощенность мисс Торой Грей). His regard may have been a paternal one (его забота могла быть отцовской; regard — внимание; забота) — or he may have preferred to think it so (или он, возможно, предпочитал так думать).
alarm [**l*:m], absorption [*b*s*:p*(*)n], paternal [p**t*:n*l]
"I think the idea first originated in your mind as the result of a chance encounter in a city coffee den with this odd personality with his bombastic Christian names. You were at that time turning over in your mind various plans for the murder of your brother."
"Really* And why*"
"Because you were seriously alarmed for the future. I do not know whether you realize it, Mr. Clarke, but you played into my hands when you showed me a certain letter written to you by your brother. In it he displayed very clearly his affection and absorption in Miss Thora Grey. His regard may have been a paternal one — or he may have preferred to think it so.
Nevertheless (тем не менее), there was a very real danger (была очень реальная опасность) that on the death of your sister-in-law (что после смерти вашей невестки) he might (он мог), in his loneliness (в своем одиночестве), turn to this beautiful girl for sympathy and comfort (обратиться к этой красивой девушке за сочувствием и успокоением) and it might end (и это могло закончиться) — as so often happens with elderly men (как так часто случается с пожилыми мужчинами) — in his marrying her (его женитьбой на ней). Your fear was increased by your knowledge of Miss Grey (ваш страх увеличился при вашем знакомстве с мисс Грей). You are (вы являетесь), I fancy (/как/ я представляю), an excellent (отличным), if somewhat cynical judge of character (хотя и несколько циничным знатоком характеров). You judged (вы вынесли суждение), whether correctly or not (правильно или нет), that Miss Grey was a type of young woman 'on the make' (что мисс Грей была типом молодой женщины, стремящейся к наживе; on the make — амер. стремящийся к наживе). You had no doubt (вы не имели сомнения) that she would jump at the chance of becoming Lady Clarke (что она ухватится за шанс стать леди Кларк; to jump — прыгать; захватывать)."
increase [*n*kri:z], cynical [*s*n*k*l], jump [**mp]
Nevertheless, there was a very real danger that on the death of your sister-in-law he might, in his loneliness, turn to this beautiful girl for sympathy and comfort and it might end — as so often happens with elderly men — in his marrying her. Your fear was increased by your knowledge of Miss Grey. You are, I fancy, an excellent, if somewhat cynical judge of character. You judged, whether correctly or not, that Miss Grey was a type of young woman 'on the make.' You had no doubt that she would jump at the chance of becoming Lady Clarke."
"Your brother was an extremely healthy and vigorous man (ваш брат был крайне здоровым и энергичным человеком). There might be children (могли бы быть дети) and your chance of inheriting your brother's wealth would vanish (и ваш шанс унаследовать богатство вашего брата испарился бы)."
"You have been (вы были), I fancy (/как/ я представляю), in essence a disappointed man all your life (по сути, разочарованным человеком всю вашу жизнь). You have been the rolling stone (вы были перекати-поле: «катящимся камнем») — and you have gathered very little moss (и вы собрали очень мало мха = не обросли деньгами/состоянием). You were particularly jealous of your brother's wealth (вы особенно завидовали богатству вашего брата)."
vigorous [*v***r*s], essence [*es*ns], wealth [welO]
"Your brother was an extremely healthy and vigorous man. There might be children and your chance of inheriting your brother's wealth would vanish."
"You have been, I fancy, in essence a disappointed man all your life. You have been the rolling stone — and you have gathered very little moss. You were particularly jealous of your brother's wealth."
"I repeat then (я повторяю затем) that, turning over various schemes in your mind (что /в тот момент, когда вы/ проворачивали различные схемы в вашем уме), your meeting with Mr. Cust gave you an idea (ваша встреча с мистером Кастом натолкнула вас на мысль: «дала вам идею»). His bombastic Christian names (его помпезные имена), his account of his epileptic seizures (его рассказ об эпилептических припадках) and of his headaches (и его головных болях), his whole shrinking and insignificant personality (его вся пугливая и незначительная личность; to shrink — уменьшаться, сокращаться; сжиматься, съеживаться; отскочить; отпрянуть, отшатнуться), struck you (поразила вас) as fitting him for the tool you wanted (как подгонка = возможностью подогнать его под инструмент, в котором вы нуждались). The whole alphabetical plan sprang into your mind (целая алфавитная схема появилась в вашем уме) — Cust's initials (инициалы Каста) — the fact (тот факт) that your brother's name began with a C (что имя вашего брата начиналось с /буквы/ «си») and that he lived at Churston (и что он жил в Черстоне) were the nucleus of the scheme (были ядром схемы). You even went so far (вы даже пошли так далеко) as to hint to Cust at his possible end (что намекнули Касту на его возможный конец) — though you could hardly hope (хотя вы едва ли могли надеяться) that that suggestion would bear the rich fruit that it did (что это предположение принесет /столь/ богатые плоды, как оно сделало)."
seizure [*si:**], nucleus [*nju:kl**s], fruit [fru:t]
"I repeat then that, turning over various schemes in your mind, your meeting with Mr. Cust gave you an idea. His bombastic Christian names, his account of his epileptic seizures and of his headaches, his whole shrinking and insignificant personality, struck you as fitting him for the tool you wanted. The whole alphabetical plan sprang into your mind — Cust's initials — the fact that your brother's name began with a C and that he lived at Churston were the nucleus of the scheme. You even went so far as to hint to Cust at his possible end — though you could hardly hope that that suggestion would bear the rich fruit that it did."
"Your arrangements were excellent (ваши приготовления были отличными). In Cust's name (от имени Каста) you wrote for a large consignment of hosiery to be sent to him (вы написали, чтобы ему прислали большую партию чулочных изделий: «чтобы большая партия чулочных изделий была прислана ему»; consignment — партия отправленного/прибывшего товара). You yourself sent a number of A.B.C.'s (вы сами послали некоторое количество железнодорожных справочников «Эй-би-си») looking like a similar parcel (выглядящих, как похожие свертки). You wrote to him (вы написали ему) — a typed letter (напечатанное письмо) purporting (/которое, как/ подразумевалось) to be from the same firm (было из той же фирмы) offering him a good salary and commission (предлагающее ему хорошее жалование и коммисию). Your plans were so well laid beforehand (ваши планы столь хорошо были размечены: «положены» заранее) that you typed all the letters (что вы напечатали все письма) that were sent subsequently (которые были отправлены впоследствии), and then presented him with the machine (а затем подарили ему машинку) on which they had been typed (на которой они были напечатаны)."
consignment [k*n*sa*nm*nt], purport v. [p*:*p*:t], subsequently [*s*bs*kw*ntl*]
"You had now to look about for two victims whose names began with A and B respectively and who lived at places also beginning with those same letters."
"You hit on Andover as quite a likely spot and your preliminary reconnaissance there led you to select Mrs. Ascher's shop as the scene of the first crime. Her name was written clearly over the door, and you found by experiment that she was usually alone in the shop. Her murder needed nerve, daring and reasonable luck."
"You had now to look about for two victims (вам теперь пришлось искать две жертвы) whose names began with A and B respectively (чьи имена начинались на /буквы/ «эй» и «би» соответственно) and who lived at places also beginning with those same letters (и которые так же жили в местах /с названиями/, тоже начинающимися с тех самых букв)."
"You hit on Andover (вы случайно наткнулись на Эндовер) as quite a likely spot (как достаточно подходящее место) and your preliminary reconnaissance there led you to select Mrs. Ascher's shop (и ваша первоначальная разведка там заставила вас выбрать магазин миссис Эшер) as the scene of the first crime (как место первого преступления). Her name was written clearly over the door (ее имя было четко написано над дверью), and you found by experiment (и вы обнаружили в /ходе/ эксперимента) that she was usually alone in the shop (что обычно она была одна в магазине). Her murder needed nerve (ее убийство требовало хладнокровия: «нервов»), daring (дерзости) and reasonable luck (и сносной = некоторой удачи)."
respectively [r**spekt*vl*], preliminary [pr**l*m*n*r*], reconnaissance [r**k*n*s(*)ns]
"Your arrangements were excellent. In Cust's name you wrote for a large consignment of hosiery to be sent to him. You yourself sent a number of A.B.C.'s looking like a similar parcel. You wrote to him — a typed letter purporting to be from the same firm offering him a good salary and commission. Your plans were so well laid beforehand that you typed all the letters that were sent subsequently, and then presented him with the machine on which they had been typed."
"For the letter B you had to vary your tactics (для буквы «би» вам пришлось изменить вашу тактику). Lonely women in shops might conceivably have been warned (одинокие женщины в магазинах могли, предположительно, быть предупреждены). I should imagine (я вполне представляю = думаю) that you frequented a few cafes and teashops (что вы зачастили в несколько кафе и закусочных), laughing and joking with the girls there (смеясь и шутя с девушками там) and finding out (и выясняя) whose name began with the right letter (чье имя начиналось с правильной буквы) and who would be suitable for your purpose (и кто был бы подходящим для вашей цели)."
"In Betty Barnard you found just the type of girl (в Бетти Барнард вы обнаружили как раз тот тип девушки) you were looking for (/который/ вы искали). You took her out once or twice (вы вывели ее /в свет/ раз или два), explaining to her (объяснив ей) that you were a married man (что вы были женатым человеком), and that outings must therefore take place in a somewhat hole-and-corner manner (и что выходы должны поэтому проходить отчасти тайно: «в секретной манере»; hole-and-corner — тайный, секретный: «нора и угол»)."
conceivably [k*n*si:v*bl*], frequent [fri:*kw*nt], hole-and-corner [*h**l*nd*k*:n*]
"For the letter B you had to vary your tactics. Lonely women in shops might conceivably have been warned. I should imagine that you frequented a few cafes and teashops, laughing and joking with the girls there and finding out whose name began with the right letter and who would be suitable for your purpose."
"In Betty Barnard you found just the type of girl you were looking for. You took her out once or twice, explaining to her that you were a married man, and that outings must therefore take place in a somewhat hole-and-corner manner."
"Then (затем), your preliminary plans completed (когда ваши первоначальные планы завершились), you set to work (вы принялись за работу)! You sent the Andover list to Cust (вы отправили эндоверский список Касту), directing him to go there on a certain date (направляя его туда в определенный день) and you sent off the first A.B.C. letter to me (и вы послали первое письмо Эй-би-си мне)."
"On the appointed day (в назначенный день), you went to Andover (вы поехали в Эндовер) — and killed Mrs. Ascher (и убили миссис Эшер) — without anything occurring to damage your plans (и вашим планам при этом ничто не помешало: «без того, чтобы что-нибудь случилось, что повредило вашим планам»)."
"Murder No. 1 was successfully accomplished (убийство номер один было успешно доведено до конца; to accomplish — совершать, выполнять; доводить до конца, завершать)."
"For the second murder (что касается второго убийства), you took the precaution of committing it (вы были осторожны = проявили осторожность, совершив его), in reality (в действительности), the day before (днем раньше). I am fairly certain (я совершенно уверен) that Betty Barnard was killed well before midnight on the 24th July (что Бетти Барнард была убита гораздо раньше полуночи двадцать четвертого июля)."
complete [k*m*pli:t], damage [*d*m**], accomplish [**k*mpl**]
"Then, your preliminary plans completed, you set to work! You sent the Andover list to Cust, directing him to go there on a certain date and you sent off the first A.B.C. letter to me."
"On the appointed day, you went to Andover — and killed Mrs. Ascher — without anything occurring to damage your plans."
"Murder No. 1 was successfully accomplished."
"For the second murder, you took the precaution of committing it, in reality, the day before. I am fairly certain that Betty Barnard was killed well before midnight on the 24th July."
"We now come to murder No. 3 (теперь мы подходим к убийству номер три) — the important (важное) — in fact (фактически), the real murder from your point of view (настоящее убийство с вашей точки зрения)."
"And here a full measure of praise is due to Hastings (и здесь вся хвала Гастингсу: «и здесь полная мера похвалы это благодаря Гастингсу»), who made a simple and obvious remark (который сделал простое и очевидное замечание) to which no attention was paid (на которое не обратили внимание)."
"He suggested (он предположил) that the third letter went astray intentionally (что третье письмо потерялось преднамеренно). And he was right (и он был прав)!"
"In that one simple fact lies the answer to the question (в этом простом факте лежит ответ на вопрос) that has puzzled me so all along (который ставил меня в тупик столь долго). Why were the letters addressed in the first place to Hercule Poirot (почему письма были сначала адресованы Эркюлю Пуаро), a private detective (частному детективу), and not to the police (а не в полицию)*"
"Erroneously (ошибочно) I imagined some personal reason (я вообразил некую личную причину)."
praise [pre*z], intentionally [*n*ten*(*)n(*)l], erroneously [**r**n**sl*]
"We now come to murder No. 3 — the important — in fact, the real murder from your point of view."
"And here a full measure of praise is due to Hastings, who made a simple and obvious remark to which no attention was paid."
"He suggested that the third letter went astray intentionally. And he was right! ."
"In that one simple fact lies the answer to the question that has puzzled me so all along. Why were the letters addressed in the first place to Hercule Poirot, a private detective, and not to the police*"
"Erroneously I imagined some personal reason."
"Not at all (вовсе нет)! The letters were sent to me (письма были отправлены мне) because the essence of your plan was (потому, что суть вашего плана была /такова/) that one of them should be wrongly addressed (что одно из них должно быть неверно адресовано) and go astray (и потеряться) — but you cannot arrange for a letter (но вы не можете организовать, чтобы письмо) addressed to the Criminal Investigation Department of Scotland Yard (адресованное Отделению криминальных расследований Скотланд-Ярда) to go astray (потерялось)! It is necessary to have a private address (было необходимо иметь частный адрес). You chose me (вы выбрали меня) as a fairly well-known person (как достаточно хорошо известную личность), and a person (и человека) who was sure to take the letters to the police (который наверняка отнесет эти письма в полицию) — and also (а так же), in your rather insular mind (в вашем достаточно недалеком: «островном /намек на островное расположение Великобритании/» уме; insular — островной; недалекий, ограниченный), you enjoyed scoring off a foreigner (вы наслаждались /тем, что/ выигрывали у иностранца)."
"You addressed your envelope very cleverly (вы очень умно написали адрес на вашем конверте) — Whitehaven (Уайтхэйвен) — Whitehorse (Уайтхорс) — quite a natural slip (достаточно естественная описка; to slip — скользить; поскользнуться). Only Hastings was sufficiently perspicacious (только Гастингс был в достаточной мере проницательным) to disregard subtleties (чтобы не обратить внимания на тонкости; subtlety — тонкость; утонченность) and go straight for the obvious (и идти прямо к очевидному)!"
insular [**nsj*l*], perspicacious [*p*:sp**ke**(*)s], subtlety [*s*tlt*]
"Not at all! The letters were sent to me because the essence of your plan was that one of them should be wrongly addressed and go astray — but you cannot arrange for a letter addressed to the Criminal Investigation Department of Scotland Yard to go astray! It is necessary to have a private address. You chose me as a fairly well-known person, and a person who was sure to take the letters to the police — and also, in your rather insular mind, you enjoyed scoring off a foreigner."
"You addressed your envelope very cleverly — Whitehaven — Whitehorse — quite a natural slip. Only Hastings was sufficiently perspicacious to disregard subtleties and go straight for the obvious!"
"Of course (конечно) the letter was meant to go astray (предполагалось, что письмо потеряется)! The police were to be set on the trail (полицию нужно было навести на след) only when the murder was safely over (только /тогда/, когда убийство было безопасно завершено). Your brother's nightly walk provided you with the opportunity (ночные прогулки вашего брата предоставили вам возможность). And so successfully had the A.B.C. terror taken hold on the public mind (и столь успешно ужас Эй-би-си охватил мысли общественности) that the possibility of your guilt never occurred to anyone (что даже возможность вашей вины никогда ни у кого не возникала)."
"After the death of your brother (после смерти вашего брата), of course (конечно), your object was accomplished (ваша цель была достигнута). You had no wish to commit any more murders (вы не имели желания совершать другие убийства). On the other hand (с другой строны), if the murders stopped without reason (если бы убийства прекратились без причины), a suspicion of truth might come to someone (кто-нибудь мог бы заподозрить правду: «подозрение правды могло прийти к кому-нибудь»)."
trail [tre*l], terror [*ter*], wish [w**]
"Of course the letter was meant to go astray! The police were to be set on the trail only when the murder was safely over. Your brother's nightly walk provided you with the opportunity. And so successfully had the A.B.C. terror taken hold on the public mind that the possibility of your guilt never occurred to anyone."
"After the death of your brother, of course, your object was accomplished. You had no wish to commit any more murders. On the other hand, if the murders stopped without reason, a suspicion of truth might come to someone."
"Your stalking horse (ваше подставное лицо), Mr. Cust, had so successfully lived up to his role of the invisible (столь успешно вжился в его роль невидимого) — because insignificant (потому что незначительного) — man (человека), that so far no one had noticed (которого пока никто не заметил) that the same person had been seen in the vicinity of the three murders (что этого же человека видели поблизости от трех убийств)! To your annoyance (к вашему раздражению), even his visit to Combeside had not been mentioned (даже его визит в Кумсайд не был упомянут). The matter had passed completely out of Miss Grey's head (этот случай: «это дело» полностью вылетел из головы мисс Грей)."
"Always daring (всегда дерзкий), you decided (вы решили) that one more murder must take place (что еще одно убийство должно произойти) but that this time the trail must be well blazed (но в этот раз след должен был быть хорошо отмечен; blaze — белая звездочка /на лбу животного/; метка на дереве; тропинка в лесу, помеченная метками)."
"You selected Doncaster for the scene of operations (вы выбрали Донкастер для сцены действий)."
invisible [*n*v*z*bl], annoyance [**n***ns], operation [**p**re**(*)n]
"Your stalking horse, Mr. Cust, had so successfully lived up to his role of the invisible — because insignificant — man, that so far no one had noticed that the same person had been seen in the vicinity of the three murders! To your annoyance, even his visit to Combeside had not been mentioned. The matter had passed completely out of Miss Grey's head."
"Always daring, you decided that one more murder must take place but that this time the trail must be well blazed."
"You selected Doncaster for the scene of operations."
"Your plan was very simple (ваш план был очень прост). You yourself would be on the scene in the nature of things (по сути вещей, вы сами были бы на месте /преступления/). Mr. Cust would be ordered to Doncaster by his firm (мистер Каст будет направлен в Донкастер его фирмой). Your plan was to follow him round (ваш план был проследить его) and trust to opportunity (и положиться на удобный случай; opportunity — благоприятный случай, стечение обстоятельств, возможность). Everything fell out well (все сложилось хорошо; to fall out — выпадать; случаться). Mr. Cust went to a cinema (мистер Каст пошел в кино). That was simplicity itself (это была сама простота). You sat a few seats away from him (вы сели на отдалении нескольких сидений от него). When he got up to go (когда он поднялся, чтобы уйти), you did the same (вы сделали тоже). You pretended to stumble (вы притворились, что споткнулись), leaned over (перегнулись) and stabbed a dozing man in the row in front (и закололи спящего человека в ряду впереди), slid the A.B.C. on to his knees (незаметно бросили /железнодорожный справочник/ «Эй-би-си» ему на колени; to slide — скользить; незаметно сунуть) and managed to collide heavily with Mr. Cust in the darkened doorway (и /вам/ удалось тяжело столкнуться с Кастом в затемненном проходе), wiping the knife on his sleeve (вытерев нож об его рукав) and slipping it into his pocket (и сунув его ему в карман; to slip — скользить; незаметно сунуть)."
simplicity [s*m*pl*s*t*], collide [k**la*d], sleeve [sli:v]
"Your plan was very simple. You yourself would be on the scene in the nature of things. Mr. Cust would be ordered to Doncaster by his firm. Your plan was to follow him round and trust to opportunity. Everything fell out well. Mr. Cust went to a cinema. That was simplicity itself. You sat a few seats away from him. When he got up to go, you did the same. You pretended to stumble, leaned over and stabbed a dozing man in the row in front, slid the A.B.C. on to his knees and managed to collide heavily with Mr. Cust in the darkened doorway, wiping the knife on his sleeve and slipping it into his pocket."
"You were not in the least at pains to choose a victim (вы не прилагали ни малейших усилий, чтобы выбрать жертву; to be at pains — очень стараться, прилагать усилия; pains — муки; усилия) whose name began with D (чье имя начиналось с /буквы/ «ди»). Anyone would do (любой подошел бы)! You assumed (вы допустили) — and quite rightly (и совершенно правильно) — that it would be considered to be a mistake (что это посчитают за ошибку). There was sure to be someone (там наверняка был кто-то) whose name began with D not far off in the audience (недалеко среди публики, чье имя начиналось с /буквы/ «ди»). It would be assumed (допустят) that he had been intended to be the victim (что он предназначался в жертвы)."
"And now, my friends (а теперь, друзья мои), let us consider the matter from the point of view of the false A.B.C. (давайте рассмотрим это дело с точки зрения фальшивого Эй-би-си) — from the point of view of Mr. Cust (с точки зрения мистера Каста)."
pains [pe*nz], intend [*n*tend], point [p**nt]
"You were not in the least at pains to choose a victim whose name began with D. Anyone would do! You assumed — and quite rightly — that it would be considered to be a mistake. There was sure to be someone whose name began with D not far off in the audience. It would be assumed that he had been intended to be the victim."
"And now, my friends, let us consider the matter from the point of view of the false A.B.C. — from the point of view of Mr. Cust."
"The Andover crime means nothing to him (эндоверское преступление ничего не значило для него). He is shocked and surprised by the Bexhill crime (он был шокирован и удивлен бексхиллским преступлением) — why, he himself was there about the time (как же так, он сам был там в это время)! Then comes the Churston crime (затем происходит черстонское преступление) and the headlines in the newspapers (и /появляются/ заголовки в газетах)."
"An A.B.C. crime at Andover (преступление Эй-би-си в Эндовере) when he was there (когда он там был), an A.B.C. crime at Bexhill (преступление Эй-би-си в Бексхилле), and now another close by (и теперь еще /одно/ рядом) … Three crimes (три преступления) and he has been at the scene of each of them (и он был на месте каждого из них). Persons suffering from epilepsy often have blanks (люди, страдающие эпилепсией, часто имеют провалы /в памяти/) when they cannot remember (когда они не могут вспомнить) what they have done (что они делали) … Remember (помните) that Cust was a nervous (что Каст был нервный), highly neurotic subject (высоко невротичный субъект) and extremely suggestible (и крайне внушаемый)."
"Then he receives the order to go to Doncaster (затем он получает приказ ехать в Донкастер)."
nervous [*n*:v*s], highly [*ha*l*], neurotic [nj***r*t*k]
"The Andover crime means nothing to him. He is shocked and surprised by the Bexhill crime — why, he himself was there about the time! Then comes the Churston crime and the headlines in the newspapers."
"An A.B.C. crime at Andover when he was there, an A.B.C. crime at Bexhill, and now another close by … Three crimes and he has been at the scene of each of them. Persons suffering from epilepsy often have blanks when they cannot remember what they have done … Remember that Cust was a nervous, highly neurotic subject and extremely suggestible."
"Then he receives the order to go to Doncaster."
"Doncaster! And the next A.B.C. crime is to be in Doncaster (а следующее преступление Эй-би-си должно быть в Донкастере). He must have felt (он, должно быть, чувствовал) as though it was fate (словно это была судьба). He loses his nerve (он теряет самообладание), fancies (воображает) his landlady is looking at him suspiciously (что его домовладелица смотрит на него подозрительно = с подозрением), and tells her (и говорит ей) he is going to Cheltenham (что он едет в Челтнем)."
"He goes to Doncaster (он едет в Донкастер) because it is his duty (потому что это его обязанность). In the afternoon he goes to a cinema (днем он идет в кино). Possibly (возможно) he dozes off for a minute or two (он дремлет там минуту или две)."
"Imagine his feelings (представьте себе его чувства) when on his return to his inn he discovers (когда по возвращении в свою гостиницу он обнаруживает) that there is blood on his coat sleeve (что на его рукаве пальто — кровь) and a bloodstained knife in his pocket (и нож с пятнами крови в его кармане). All his vague forebodings leap into certainty (все его смутные подозрения резко меняются на определенные: «прыгают = делают скачок в определенность»)."
duty [*dju:t*], doze [d**z], foreboding [f*:*b**d**]
"Doncaster! And the next A.B.C. crime is to be in Doncaster. He must have felt as though it was fate. He loses his nerve, fancies his landlady is looking at him suspiciously, and tells her he is going to Cheltenham."
"He goes to Doncaster because it is his duty. In the afternoon he goes to a cinema. Possibly he dozes off for a minute or two."
"Imagine his feelings when on his return to his inn he discovers that there is blood on his coat sleeve and a bloodstained knife in his pocket. All his vague forebodings leap into certainty."
"He — he himself (он сам) — is the killer (/и/ есть убийца). He remembers his headaches (он вспоминает свои головные боли) — his lapses of memory (свои провалы памяти). He is quite sure of the truth (он совершенно уверен в правде) — he, Alexander Bonaparte Cust, is a homicidal lunatic (помешанный убийца)."
"His conduct after that is the conduct of a hunted animal (его поведение после этого — это поведение преследуемого животного). He gets back to his lodgings in London (он добирается до своего жилища в Лондоне). He is safe there (он в безопасности там) — known (его /там/ знают). They think (они думают) he has been in Cheltenham (что он был в Челтнеме). He has the knife with him still (у него все еще с собой нож) — a thoroughly stupid thing to do (совершенно глупо так делать), of course (конечно). He hides it behind the hall stand (он трячет его за вешалкой в холле)."
"Then (затем), one day (однажды), he is warned (его предупреждают) that the police are coming (что идет полиция). It is the end (это конец)! They know (они знают)."
"The hunted animal does his last run (преследуемое животное совершает свой последний забег) …"
conduct [*k*nd*kt], safe [se*f], run [**n*m*l]
"He — he himself — is the killer. He remembers his headaches — his lapses of memory. He is quite sure of the truth — he, Alexander Bonaparte Cust, is a homicidal lunatic."
"His conduct after that is the conduct of a hunted animal. He gets back to his lodgings in London. He is safe there — known. They think he has been in Cheltenham. He has the knife with him still — a thoroughly stupid thing to do, of course. He hides it behind the hall stand."
"Then, one day, he is warned that the police are coming. It is the end! They know."
"The hunted animal does his last run …"
"I do not know (я не знаю) why he went to Andover (почему он поехал в Эндовер) — a morbid desire (нездоровое желание), I think (я думаю), to go and look at the place (поехать и посмотреть на место) where the crime was committed (где было совершено преступление) — the crime he committed (преступление, которое он совершил) though he can remember nothing about it (хотя он ничего не может вспомнить об этом) …"
"He has no money left (у него не осталось денег) — he is worn out (он измучен; to wear — носить /одежду/; изнашивать) … his feet lead him of his own accord to the police station (его ноги привели его по его собственной воле в полицейский участок)."
"But even a cornered beast will fight (но даже загнанный в угол зверь будет бороться). Mr. Cust fully believes (мистер Каст полностью верит) that he did the murders (что он совершил эти убийства) but he sticks strongly to his plea of innocence (но он твердо держиться за свое заявление о невиновности; plea — юр. заявление, сделанное в суде одной из сторон). And he holds with desperation to that alibi for the second murder (и он держится с отчаяньем за алиби /на время/ второго убийства). At least that cannot be laid to his door (по крайней мере, его нельзя ему приписать: «его нельзя положить к его двери»)."
morbid [*m*:b*d], plea [pli:], desperation [*desp**re**(*)n]
"I do not know why he went to Andover — a morbid desire, I think, to go and look at the place where the crime was committed — the crime he committed though he can remember nothing about it …"
"He has no money left — he is worn out … his feet lead him of his own accord to the police station."
"But even a cornered beast will fight. Mr. Cust fully believes that he did the murders but he sticks strongly to his plea of innocence. And he holds with desperation to that alibi for the second murder. At least that cannot be laid to his door."
"As I say (как я сказал), when I saw him (когда я увидел его), I knew at once (я понял сразу) that he was not the murderer (что он не был убийцей) and that my name meant nothing to him (и что мое имя ничего не значило для него). I knew too (я также понял), that he thought himself the murderer (что он считал себя убийцей)!"
"After he had confessed his guilt to me (после того, как он сознался мне в своей вине; to confess — признавать/ся/; сознаваться), I knew more strongly than ever (я был более, чем когда-либо, уверен) that my own theory was right (что моя собственная теория была правильной)."
"Your theory," said Franklin Clarke (ваша теория), "is absurd (абсурдна)!"
Poirot shook his head (Пуаро покачал головой). "No, Mr. Clarke (нет, мистер Кларк). You were safe enough so long (вы были в достаточной безопасности на протяжении /лишь/ того времени) as no one suspected you (пока никто не подозревал вас). Once you were suspected (как только вас заподозрили) proofs were easy to obtain (доказательства было легко достать; to obtain — получать; добывать)."
"Proofs (доказательства)*"
strongly [*str**l*], obtain [*b*te*n], once [w*ns]
"As I say, when I saw him, I knew at once that he was not the murderer and that my name meant nothing to him. I knew too, that he thought himself the murderer!"
"After he had confessed his guilt to me, I knew more strongly than ever that my own theory was right."
"Your theory," said Franklin Clarke, "is absurd!"
Poirot shook his head. "No, Mr. Clarke. You were safe enough so long as no one suspected you. Once you were suspected proofs were easy to obtain."
"Proofs*"
"Yes, I found the stick (я обнаружил трость) that you used in the Andover and Churston murders (которую вы использовали в эндоверском и черстонском убийствах) in a cupboard at Combeside (в шкафу в Кумсайде). An ordinary stick with a thick knob handle (обычную трость с толстым набалдашником: «с толстой шарообразной ручкой»; knob — узел, нарост /у растений/; набалдашник). A section of wood had been removed (часть дерева была удалена) and melted lead poured in (и внутрь залит расплавленный свинец). Your photograph was picked out from half a dozen others by two people (двое людей опознали вас по фотографии из полудюжины других: «ваша фотография была выбрана из полудюжины других двумя людьми») who saw you leaving the cinema (которые видели вас выходящим из кинотеатра) when you were supposed to be on the racecourse at Doncaster (когда предполагалось, что вы были на ипподроме в Донкастере). You were identified at Bexhill the other day by Milly Higley (вас опознала Милли Хигли на днях в Бексхилле) and a girl from the Scarlet Runner Roadhouse (и девушка из придорожного кафе «Алый бегун»), where you took Betty Barnard to dine on the fatal evening (куда вы водили Бетти обедать в роковой вечер). And finally (и, в конце концов) — most damning of all (и самое гибельное из всего) — you overlooked a most elementary precaution (вы проглядели совершенно элементарную предосторожность)."
knob [n*b], lead [led], scarlet [*sk*:l*t]
"Yes, I found the stick that you used in the Andover and Churston murders in a cupboard at Combeside. An ordinary stick with a thick knob handle. A section of wood had been removed and melted lead poured in. Your photograph was picked out from half a dozen others by two people who saw you leaving the cinema when you were supposed to be on the racecourse at Doncaster. You were identified at Bexhill the other day by Milly Higley and a girl from the Scarlet Runner Roadhouse, where you took Betty Barnard to dine on the fatal evening. And finally — most damning of all — you overlooked a most elementary precaution."
"You left a fingerprint on Cust's typewriter (вы оставили отпечатки пальцев на пишущей машинке Каста) — the typewriter that (печатную машинку эту), if you are innocent (если вы невиновны), you could never have handled (вы бы никогда не смогли бы потрогать)."
Clarke sat quite still for a minute (Кларе сидел достаточно тихо с минуту), then he said (затем он сказал): "Rouge (фр. красное), impair (фр. нечетное), manque (фр. промах)! — you win, M. Poirot (вы выиграли, мсье Пуаро). But it was worth trying (но стоило попытаться)!"
With an incredibly rapid motion (невероятно быстрым движением), he whipped a small automatic from his pocket (он выхватил маленький автоматический /пистолет/ из кармана) and held it to his head (и приставил его к своей голове).
I gave a cry (я вскрикнул: «я издал крик») and involuntarily flinched (и непроизвольно вздрогнул) as I waited for the report (так как я ждал выстрела; report — звенящее эхо /обычно от звука взрыва, выстрела/).
But no report came (но выстрела не последовало; report — звенящее эхо /обычно от звука взрыва, выстрела/) — the hammer clicked harmlessly (курок щелкнул в холостую: «безвредно»; hammer — молот; курок).
Clarke stared at it in astonishment (Кларк посмотрел на его в изумлении) and uttered an oath (и произнес проклятье).
automatic [**:t**m*t*k], report [r**p*:t], oath [**O]
"You left a fingerprint on Cust's typewriter — the typewriter that, if you are innocent, you could never have handled."
Clarke sat quite still for a minute, then he said: "Rouge, impair, manque! — you win, M. Poirot. But it was worth trying!"
With an incredibly rapid motion, he whipped a small automatic from his pocket and held it to his head.
I gave a cry and involuntarily flinched as I waited for the report.
But no report came — the hammer clicked harmlessly.
Clarke stared at it in astonishment and uttered an oath.
"No, Mr. Clarke," said Poirot (нет, мистер Кларк). "You may have noticed (вы, вероятно, заметили) I had a new manservant today (что у меня сегодня новый слуга) — a friend of mine (мой друг) — an expert sneak thief (профессиональный вор; sneak thief — вор, который крадет легко доступные вещи, не используя грубую силу и не проникая в помещения путем взлома; to sneak — красться, подкрадываться). He removed your pistol from your pocket (он вытащил пистолет из вашего кармана), unloaded it (разрядил его), and returned it (и вернул его) all without your being aware of the fact (так, что вы не заметили: «все без вашего осознания этого факта»)."
"You unutterable little jackanapes of a foreigner!" cried Clarke (вы, невыразимый маленький выскочка-иностранец! — закричал Кларк; jackanapes — обезьяна; выскочка), purple with rage (багровый от ярости).
"Yes, yes, that is how you feel (это то, как вы чувствуете = именно таковы ваши чувства по отношению ко мне). No, Mr. Clarke (нет, мистер Кларк), no easy death for you (никакой легкой смерти для вас). You told Mr. Cust (вы сказали мистеру Касту) that you had had near escapes from drowning (что дважды чуть не утонули). You know what that means (вы знаете, что это значит) — that you were born for another fate (что вы были рождены для другой судьбы)."
"You — "
born [b*:n], thief [Oi:f], jackanapes [***k*ne*ps]
"No, Mr. Clarke," said Poirot. "You may have noticed I had a new manservant today — a friend of mine — an expert sneak thief. He removed your pistol from your pocket, unloaded it, and returned it all without your being aware of the fact."
"You unutterable little jackanapes of a foreigner!" cried Clarke, purple with rage.
"Yes, yes, that is how you feel. No, Mr. Clarke, no easy death for you. You told Mr. Cust that you had had near escapes from drowning. You know what that means — that you were born for another fate."
"You — "
Words failed him (ему не хватило слов: «слова подвели его»). His face was livid (его лицо было злым; livid — синевато-багровый; злой, в ярости). His fists clenched menacingly (его кулаки угрожающе сжимались; menace — угроза, опасность; to menace — угрожать).
Two detectives from Scotland Yard emerged from the next room (два детектива из Скотланд-Ярда появились из соседней комнаты).
One of them was Crome (один из них был Кроум). He advanced (он приблизился) and uttered his time-honoured formula (и произнес освященную временем формулу; honour — слава; почтение, уважение): "I warn you (я предупреждаю вас) that anything you say may be used as evidence (что все, что вы скажете, может быть использовано как свидетельство)."
"He has said quite enough," said Poirot (он уже достаточно сказал), and he added to Clarke (и добавил Кларку): "You are very full of an insular superiority (вы полны островного = вызванного английской ограниченностью превосходства), but for myself (но, что касается меня) I consider your crime not an English crime at all (я считаю ваше преступление вовсе не английским преступлением) — not aboveboard (не честным; aboveboard — открытый, честный /первоначально — о положении рук карточного игрока поверх стола/) — not sporting (не спортивным; sporting — спортивный; охотничий; готовый идти на риск, рисковый) — "
menacingly [*men*s**l*], formula [*f*:mj*l*], sporting [*sp*:t**]
Words failed him. His face was livid. His fists clenched menacingly.
Two detectives from Scotland Yard emerged from the next room.
One of them was Crome. He advanced and uttered his time-honoured formula: "I warn you that anything you say may be used as evidence."
"He has said quite enough," said Poirot, and he added to Clarke: "You are very full of an insular superiority, but for myself I consider your crime not an English crime at all — not aboveboard — not sporting — "
XXXV. Finale
(Заключение)
I am sorry to relate that (к сожалению приходится рассказывать это: «мне жаль рассказывать это») as the door closed behind Franklin Clarke (когда дверь за Франклином Кларком закрылась) I laughed hysterically (я истерично засмеялся).
Poirot looked at me in mild surprise (Пуаро посмотрел на меня с легким удивлением).
"It's because you told him his crime was not sporting," I gasped (это потому, что вы сказали ему, что его преступление было неспортивным, — я задыхался /от смеха/).
"It was quite true (это было совершенной правдой). It was abominable (это было гнусно) — not so much the murder of his brother (не столько убийство его брата) — but the cruelty (сколько жестокость) that condemned an unfortunate man to a living death (которая приговорила несчастного человека к жалкому существованию: «живой смерти»). To catch a fox (поймать лиса) and put him in a box (и посадить его в ящик) and never let him go (и никогда не выпускать). That is not le sport (это не фр. спорт)!"
hysterically [h*s*ter*k*l*], condemn [k*n*dem], unfortunate [*n*f*:*n*t]
I am sorry to relate that as the door closed behind Franklin Clarke I laughed hysterically.
Poirot looked at me in mild surprise.
"It's because you told him his crime was not sporting," I gasped.
"It was quite true. It was abominable — not so much the murder of his brother — but the cruelty that condemned an unfortunate man to a living death. To catch a fox and put him in a box and never let him go. That is not le sport!"
Megan Barnard gave a deep sigh (Меган Барнард глубоко вздохнула).
"I can't believe it (я не могу поверить в это) — I can't (я не могу). Is it true (это правда)*"
"Yes, mademoiselle (да, мадемуазель). The nightmare is over (кошмар закончен)."
She looked at him (она посмотрела на него) and her colour deepened (и покраснела: «ее цвет стал более глубоким»).
Poirot turned to Fraser (Пуаро повернулся к Фрейзеру).
"Mademoiselle Megan, all along, was haunted by a fear (мадемуазель Меган все время была преследуема страхом) that it was you (что это были вы) who had committed the second crime (кто совершил второе убийство)."
nightmare [*na*tm**], haunt [h*:nt], deepen [*di:p*n]
Megan Barnard gave a deep sigh.
"I can't believe it — I can't. Is it true*"
"Yes, mademoiselle. The nightmare is over."
She looked at him and her colour deepened.
Poirot turned to Fraser.
"Mademoiselle Megan, all along, was haunted by a fear that it was you who had committed the second crime."
Donald Fraser said quietly (Дональд Фрейзер сказал тихо): "I fancied so myself at one time (я сам так считал одно время)."
"Because of your dream (из-за вашего сна)*" He drew a little nearer to the young man (он придвинулся ближе к молодому человеку) and dropped his voice confidentially (и конфеденциально понизил голос). "Your dream has a very natural explanation (ваш сон имеет очень естественное объяснение). It is (это /значит/) that you find (что вы находите) that already the image of one sister fades in your memory (что образ одной сестры тускнеет в вашей памяти) and that its place is taken by the other sister (и что его место занято другой сестрой). Mademoiselle Megan replaces her sister in your heart (мадемуазель Меган заменяет свою сестру в вашем сердце), but since you cannot bear to think (но, поскольку вы не можете вынести мысли: «вы не можете выносить думать») of yourself being unfaithful so soon to the dead (о вашей столь скорой неверности умершей: «о том, что вы сами неверны умершей»; faith — вера, доверие), you strive to stifle the thought (вы стараетесь задушить эту мысль; to strive — стараться), to kill it (убить ее)! That is the explanation of the dream (вот объяснение вашего сна)."
confidentially [*k*nf**den***l*], unfaithful [**n*fe*Of*l], strive [stra*v]
Donald Fraser said quietly: "I fancied so myself at one time."
"Because of your dream*" He drew a little nearer to the young man and dropped his voice confidentially. "Your dream has a very natural explanation. It is that you find that already the image of one sister fades in your memory and that its place is taken by the other sister. Mademoiselle Megan replaces her sister in your heart, but since you cannot bear to think of yourself being unfaithful so soon to the dead, you strive to stifle the thought, to kill it! That is the explanation of the dream."
Fraser's eyes went toward Megan (взгляд Фрейзера перешел на Меган).
"Do not be afraid to forget," said Poirot gently (не бойтесь забыть, — мягко сказал Пуаро). "She was not so well worth remembering (ее не стоило бы так хорошо помнить; worth — стоящий; заслуживающий). In Mademoiselle Megan you have one in a hundred (в мадемуазель Меган у вас одно на сотню) — un c*ur magnifique (фр. прекрасное сердце)!"
Donald Fraser's eyes lit up (глаза Дональда Фрейзера загорелись). "I believe you are right (я думаю, вы правы)."
We all crowded round Poirot asking questions (мы все столпились вокруг Пуаро, задавая вопросы), elucidating this point and that (разъясняя то и это: «разъясняя этот пункт и другой»; to elucidate).
"Those questions, Poirot (те вопросы, Пуаро)* That you asked of everybody (которые вы задавали всем). Was there any point in them (в них был смысл)*"
worth [w*:O], hundred [*h*ndr*d], elucidating [**lu:s*de*t**]
Fraser's eyes went toward Megan.
"Do not be afraid to forget," said Poirot gently. "She was not so well worth remembering. In Mademoiselle Megan you have one in a hundred — un c*ur magnifique!"
Donald Fraser's eyes lit up. "I believe you are right."
We all crowded round Poirot asking questions, elucidating this point and that.
"Those questions, Poirot* That you asked of everybody. Was there any point in them*"
"Some of them were simplement une blague (некоторые из них были фр. просто шуткой). But I learnt one thing (но я узнал одну вещь) that I wanted to know (которую я хотел знать) — that Franklin Clarke was in London (что Франклин Кларк был в Лондоне) when the first letter was posted (когда было отправлено первое письмо) — and also I wanted to see his face (и я так же хотел видеть его лицо) when I asked my question of Mademoiselle Thora (когда я задавал вопрос мадемуазель Торе). He was off his guard (он был /застигнут/ врасплох: «он был без стражи»). I saw all the malice and anger in his eyes (я видел всю злость и гнев в его глазах)."
"You hardly spared my feelings," said Thora Grey (вы едва ли пощадили мои чувства).
"I do not fancy you returned me a truthful answer, mademoiselle," said Poirot dryly (я не представлял, что вы ответите мне правду: «мне вернете правдивый ответ», мадемуазель, — сухо сказал Пуаро). "And now your second expectation is disappointed (а теперь ваше второе ожидание не оправдалось; to disappoint — разочаровывать; не оправдывать). Franklin Clarke will not inherit his brother's money (Франклин Кларк не унаследует деньги своего брата)."
malice [*m*l*s], expectation [*eksp*k*te**(*)n], inherit [*n*her*t]
"Some of them were simplement une blague. But I learnt one thing that I wanted to know — that Franklin Clarke was in London when the first letter was posted — and also I wanted to see his face when I asked my question of Mademoiselle Thora. He was off his guard. I saw all the malice and anger in his eyes."
"You hardly spared my feelings," said Thora Grey.
"I do not fancy you returned me a truthful answer, mademoiselle," said Poirot dryly. "And now your second expectation is disappointed. Franklin Clarke will not inherit his brother's money."
She flung up her head (она вскинула голову; to fling — бросать, швырять). "Is there any need for me to stay here (есть ли необходимость мне оставаться здесь) and be insulted (и терпеть оскорбления: «быть оскорбленной»)*"
"None whatever," said Poirot (вовсе нет) and held the door open politely for her (и вежливо открыл ей дверь: «и держал дверь открытой вежливо для нее»).
"That fingerprint clinched things, Poirot," I said thoughtfully (эти отпечатки пальцев решили все дело, — сказал я задумчиво; to clinch — забивать гвоздь /не до конца, оставшуюся часть со шляпкой загибают, чтобы надежнее держалось/; прибивать гвоздем; урегулировать, окончательно решать; clinch — зажим; скоба; заклепка, клемма). "He went all to pieces (он совсем раскололся: «распался на куски») when you mentioned that (когда вы упомянули это)."
"Yes, they are useful (они полезны) — fingerprints (отпечатки пальцев)."
He added thoughtfully (он задумчиво добавил): "I put that in to please you (я включил их /в объяснение/, чтобы доставить вам удовольствие), mon ami (фр. друг мой)."
"But, Poirot," I cried (но, Пуаро, — закричал я), "wasn't it true (это была неправда)*"
"Not in the least, mon ami," said Hercule Poirot (ни в малейшей степени, друг мой).
flung [fl**], clinch [kl*nt*], insult [*n*s*lt]
She flung up her head. "Is there any need for me to stay here and be insulted*"
"None whatever," said Poirot and held the door open politely for her.
"That fingerprint clinched things, Poirot," I said thoughtfully. "He went all to pieces when you mentioned that."
"Yes, they are useful — fingerprints."
He added thoughtfully: "I put that in to please you, mon ami."
"But, Poirot," I cried, "wasn't it true*"
"Not in the least, mon ami," said Hercule Poirot.
I must mention a visit (я должен упомянуть визит) we had from Mr. Alexander Bonaparte Cust a few days later (который нам нанес мистер Александр Бонапарт Каст несколькими днями позже). After wringing Poirot's hand (после крепкого рукопожатия /с/ Пуаро; to wring — крутить; выжимать) and endeavouring very incoherently and unsuccessfully to thank him (и попытки бессвязно и неуспешно поблагодарить его), Mr. Cust drew himself up and said (мистер Каст выпрямился и сказал): "Do you know (вы знаете), a newspaper has actually offered me a hundred pounds (газета действительно предложила мне сотню фунтов) — a hundred pounds (сотню фунтов) — for a brief account of my life and history (за краткое описание моей жизни и истории)."
"I — I really don't know what to do about it (я действительно не знаю, что делать с этим = как поступить)."
"I should not accept a hundred," said Poirot (я бы не принял сотню). "Be firm (будьте тверды). Say five hundred is your price (скажите, пять сотен — это ваша цена). And do not confine yourself to one newspaper (и не ограничивайте себя одной газетой)."
wringing [*r****], incoherently [**nk***h**r*nt], confine [k*n*fa*n]
I must mention a visit we had from Mr. Alexander Bonaparte Cust a few days later. After wringing Poirot's hand and endeavouring very incoherently and unsuccessfully to thank him, Mr. Cust drew himself up and said: "Do you know, a newspaper has actually offered me a hundred pounds — a hundred pounds — for a brief account of my life and history."
"I — I really don't know what to do about it."
"I should not accept a hundred," said Poirot. "Be firm. Say five hundred is your price. And do not confine yourself to one newspaper."